Search results for query: *

  1. B

    Wish New CS per Scene value - "Scene Revert" for Control Switches

    It doesn't, but the goal might be more clear in the linked thread. Imagine a preset stored with a CS off in all scenes. You begin on scene 1 and decide to activate the CS. Now switch to scene 2, and the CS turns off because it's stored that way. Switch back to scene 1, CS turns on because...
  2. B

    Looper Quantize

    In theory a short buffer that's always recording could be used, but the post you quoted is talking about beginning playback. Again, this was implemented properly on the Axe-FX II after I suggested it years ago: https://forum.fractalaudio.com/threads/looper-quantize.199089/post-2478041
  3. B

    Control Switch Assignment assigned to a scene

    That won't really do anything here, basically creating the same issue as CS with "last" CS Per Scene setting in all scenes OP described. I think the only best/only solution without adding a MIDI controller would be Scene Revert = off, and set up a separate block to engage for the boost.
  4. B

    My Van Halen Synth Demo

    FYI you're playing a couple wrong RH notes and the LH isn't quite aligned correctly in the Right Now intro. I'm guessing you might be thinking of the 1 in a different spot from the actual beat which is kind of easy to have happen with this type of thing.
  5. B

    Global Damping of Pedal 1/2 values

    The Axe-FX III applies some damping to Pedal 1/2 values (when type = Continuous) at all times. The result is similar to setting a modifier's Attack & Release to around 40 ms with Exponential damping, except without having to actually do that. This doesn't really sound correct or good for certain...
  6. B

    Synth Block - Pitch + Env Vs Quantise tracking?

    Quantize rounds (quantizes) pitch to the nearest semitone. So, slight vibrato/bending won't affect the pitch but if you bend enough you'll hear it jump to the next semitone.
  7. B

    CS for Amp Channel changes

    If cycling through 4 channels was important and you have a spare layout, I think you could put two different CS on two otherwise identical layouts, each with a link to the other layout, CC values of 0/2 for one CS and 1/3 for the other. Be aware that CS Per Scene settings in other presets could...
  8. B

    CS for Amp Channel changes

    OP mentioned simulatenous Amp & Cab channel switching in 1st sentence so the options are basically: 1. Midi Loopback (toggle between 2 channels of any number of blocks via CS MIDI) 2. Get an actual MIDI controller more suited for this depending on goals e.g. cycling through more than 2...
  9. B

    Stereo Pitch Effects

    The difference is more drastic with larger shift intervals and we don't really know what OP's trying to set up here. Intelligent harmonies or altering the interval in other ways will usually sound less natural after the cab. A fixed shift interval will sound like some other IR (more different...
  10. B

    Stereo Pitch Effects

    Not really because those filter the wet pitch signal only, and shifting before vs. after cab (or any sort of EQ) won't produce the same frequency response. For a detune effect the order shouldn't make much of a difference though.
  11. B

    Single Switch on FC Pedal Input Behaviour - Help Please!

    If you set Eff. Bypass Mode to Toggle in MIDI/Remote: General it should toggle with each press, assuming you assigned it to bypass the Pan/Trem in MIDI/Remote: Bypass. There isn't a way to reset the Axe-FX's internal state of this virtual toggling for actual modifiers, at least not by simply...
  12. B

    Avoiding OUT1 and XLR to TS for 4 cable method

    https://forum.fractalaudio.com/threads/solved-fm3-output.161944/page-2#post-1939929
  13. B

    Right Now - Van Halen intro sound (with vid)

    Yes, or basically the same thing on the Spanked doubleneck if he had that at the time, panned left, with a standard guitar an octave up panned right. There's a separate bass part too, and I think the distortion part(s) that eventually fade in might be there too w/ vol. knob rolled back, not...
  14. B

    How do I use outboard in fx loop with the digital connectors?

    Your Out 2 block's main level control is at -25 dB there. Increase that for more level at Out 2. With the dry-thru approach you can save a couple columns like this:
  15. B

    How do I use outboard in fx loop with the digital connectors?

    I/O: Audio menu Digital Input Source: SPDIF SPDIF/AES Out Source: Output 2 Input 2/3/4 Source (choose one, note that this precludes using the same-numbered analog input pair in any preset): Digital Output 2 and the Input block # you chose will be the loop send/return. There's a one-row example...
  16. B

    Fade in a delay

    I'd recommend linear damping here. Unless a parameter needs to race through a different portion of the modifier range in each direction, exponential tends to be worse IMO. With linear the midpoint of the curve is reached halfway through the damping time (which is then the actual total travel...
  17. B

    Recording Guitar + DI + SM57 in DAW

    If you set USB/Digi Out Source to Output 2 and route like this, you can balance the guitar & mic signals L/R in the FX Loop block and record them as USB channels 1 & 2. Then you'll be able to monitor guitar normally (panned center, or not) from Output 1, without any mic signal reaching Output 1.
  18. B

    Recording Guitar + DI + SM57 in DAW

    I think this is an "understanding the USB output channels" issue, with signal flow from In 2 to Out 2 via feedback send/return. "Send Level" sets the level sent to the Feedback Return block (which should have Mix turned up as well) but there's no way to record the Out 1 & Out 2 signals over USB...
  19. B

    Wish Tuner - Increase offset range to full +/- 50 cents

    All notes shift by the same number of cents whenever a reference note changes. So (assuming A440 for your listed offsets) if you remember something like 440 to 446.4 Hz is ~25.0002 cents, you can set the calibration freq. to 446.4 and subtract 25 cents from the offset values: 1.7, 1.9, 10, 9.6...
  20. B

    Control Switch Speed

    Slower update rates shouldn't introduce any ramping (like increasing attack/release would) when a switch is used. They might delay the switching by a few ms on average (unless the FM9 updates significantly slower than the Axe-FX III on Slow) but that would be in both directions and probably...
  21. B

    Options for Synth block Freq to Pedal 1

    The modifiers would be assigned to the Synth's Voice 1/2/3 Frequency parameters, with the pedal (or switch w/ damping) as source. Min/max for each modifier will determine the range each sweeps through. This setup step would be required with any alternate methods of activating the pitch fall...
  22. B

    Best way to get Wah, Volume and Whammy from one expression pedal in all scenes

    The multiplexer w/ send & return could work if you don't need the signal to be stereo at the volume control point. It would require more grid space, blocks and CPU% (I think) than what I initially described though. The extra modifiers (CS on Seq. step parameter, Seq. on 2 bypasses + M-Plex...
  23. B

    Best way to get Wah, Volume and Whammy from one expression pedal in all scenes

    Incrementing through Multiplexer channels works if the blocks are all at the same point in the chain. Still not quite what OP's looking for, requiring some additional setup like I described in post #9.
  24. B

    Best way to get Wah, Volume and Whammy from one expression pedal in all scenes

    You're using various scenes with multiple channel changes there though. Seven2Eleven was asking about a method to switch between 3 pedal functions while staying on any one scene.
  25. B

    Options for Synth block Freq to Pedal 1

    This should be possible with modifiers on the 3 synth voices' frequency parameters. What did you try before, and how did it "mess up the frequencies"? You'll need to adjust the min/max so each voice moves through the intended frequency range. The whammy approach can work, but would basically...
  26. B

    Best way to get Wah, Volume and Whammy from one expression pedal in all scenes

    A control switch could be made to cycle through 3 sequencer steps with seq. assigned as bypass modifier for pitch & volume blocks, plus row select modifier for a multiplexer to switch between wah/shunt paths. Or if configuring an exclusive Control Switch group doesn't conflict with other ways...
  27. B

    Implemented kill dry for "parallel" effects

    No
  28. B

    Implemented kill dry for "parallel" effects

    This is why I've thought and suggested this here before: The Global Mix controls would be better as dB adjustments for the wet signal only. Then a block at 100% mix could get louder (instead of nothing happening) when you increase the global value, or quieter without introducing unwanted dry...
  29. B

    Any bassists using AF3?

    I doubt it because the synth seems completely unable to respond to anything below halfway between F# and G in that octave, based on tests with several guitars, basses & basic synth waveforms. It will just sit at that quarter-tone pitch if you keep playing lower, or sometimes jump and stick at a...
  30. B

    Tuner issues - tuners disagree from each other

    I said "around D (10th fret high E) and above". The C and Db an octave above the ones you listed are the ones with less accurate readings. My keyboard works fine as a tone generator but here's what the tuner displays while looping a synth block's output back to an input. F (13th fret high E...
  31. B

    Tuner issues - tuners disagree from each other

    1. Wider calibration range--a semitone or more, not 78.7 cents like the current 430-450 Hz range. Then there won't be gaps in the pitch continuum where a reference pitch can't be made to read in tune. 2. More accuracy around D (10th fret high E) and above, maybe. With any guitar here or a...
  32. B

    Is it possible to have one effect channel bypassed by toggle and another by momentary 2ith an external footswitch?

    Set the whammy control modifier's "channel" parameter to A. That leaves the other channels free for various other bypass methods, like a bypass modifier (set for channel B) or stand-in for an FC layout's pitch bypass switch. Additional modifiers with auto-engage can also work, e.g. if you need...
  33. B

    Low harmonic content of a real amp

    https://forum.fractalaudio.com/threads/some-thoughts-on-tone-technique.180239/post-2202522
  34. B

    Sets and Songs - Only works with FC6/12?

    Not possible on the Axe-FX III without an FC6/12.
  35. B

    Setting Initial Value of Volume Modifier

    No, not really. Once the modifier source value changes, it has control of the parameter and PC Reset becomes irrelevant to how the preset works from that point until it's reloaded. The only way to do this without switching presets or at least reloading the current one (with Ignore Redundant PC...
  36. B

    Parallel+Series FX chains: volume control issue

    The null filter will work and might be useful for a template. Or you can set a block that's already there to another channel with an appropriate bypass mode to stop the signal.
  37. B

    Parallel+Series FX chains: volume control issue

    Ext Ctrls or Control Switches as bypass modifiers, plus the same sources for a separate dual-source modifier (Src1+Src2) set to mute the signal where needed when both sources = 0. Watch the CPU usage though because it's really high, 88% on a Turbo. Here's a more compact routing (shunts &...
  38. B

    Parallel+Series FX chains: volume control issue

    Are you planning to use only scene changes to get these different FX on/off combinations? Basically, it's usually possible to mute a row in any given scene without much hassle. Set a block to a spare channel and mute-bypass it, or at most add a block like filter or vol/pan to do the same. But...
  39. B

    Parallel+Series FX chains: volume control issue

    The delay & chorus will mute when bypassed as set there, mix at 100% and bypass mode = Mute FX Out. Were you intending to change that so they could be bypassed and still pass dry signal to Plex and/or Rotary at times? In any case, if you're controlling the switching entirely via scenes, you...
  40. B

    Parallel+Series FX chains: volume control issue

    Export it with Axe-Edit (Preset: Export Preset), attach the file to a post here ('Attach files' button below text box).
  41. B

    Parallel+Series FX chains: volume control issue

    This would mean there was some dry signal going through that row while those blocks were engaged. Is that the intended result? You could add some block like a null filter to that row and mute-bypass it as needed. Or just set FX3 or FX4 to an otherwise unused channel and mute-bypass it. This is...
  42. B

    Bypass the Volume/Wah block when changing scenes and presets. Expression + switch toggle

    Scene revert isn't related to this. You'll need to change the bypass modifiers' source to a Control Switch, add that CS# to any FC layout, configure your external switch as a stand-in switch for the CS switch, then set the CS Per Scene values for that CS# in the Controllers menu to "OFF" for...
  43. B

    Best way for adding an octave

    I don't think the type matters soundwise. Virtual Capo, either Whammy type or (not that there would normally be a need to use it) a stopped Arpeggiator will have have lower CPU usage than other types, due to those being single-voice I'd guess.
  44. B

    Wish Expand ADSR input trigger sources.

    https://forum.fractalaudio.com/threads/adsr-triggered-by-other-sources.153902/
  45. B

    What are these two chords? -- Sade Paradise near the end

    I actually checked it out yesterday and the A-D-F♯ voicing seems correct. First one (2:48) sounds like there's an E grace note into F♯, vocal holding a lower E♭ ("you") might also play some role in the second one (3:07) sounding different.
  46. B

    Wish Pitch Block - TransTrem Sim

    I think the algorithms are identical, on the Axe-FX III at least. With the splicing of two blocks aligned well enough (changing one shift value to something else and back will randomly accomplish this eventually) the two types with identical settings will cancel to near silence for a while.
  47. B

    Preset Increment/Decrement Start/End: Cannot do from Current?

    I'm not sure what this means. Did you try setting this up and encounter an unexpected result? The Preset Inc/Dec Start/End parameters determine the wraparound range, when a Dec or Inc command that would have gone out of range (while on one of those preset numbers) will jump to the other end of...
  48. B

    Setting Initial Value of Volume Modifier

    Axe-Edit allows normal editing while PC Reset is in effect, before the modifier source takes control. You can also click the value field and type a value at any time. The mouse actually still works (somewhat) if the modifier's taken control--the stored value will be what you last saw while...
  49. B

    Amp Block input select - Sum L+R vs Left. Is there a difference?

    If the left & right signals arriving at the amp block are identical, the input select setting doesn't matter.
  50. B

    Can't get external foot switch to latch...

    That's not really what that setting does. Try setting it to "momentary". Momentary hardware plus a setting of "latching" would cause what you described earlier.
  51. B

    Axe-Fx III Firmware 24.04 Release

    Done. Also here's a suggested revision from me over 3 years ago: https://forum.fractalaudio.com/threads/scene-modifications-question.168642/post-2026324
  52. B

    Not a Bug Tuner / Custom Scales Frequency Off?

    I'm thinking OP could be confused about how the "Key" parameter relates to the chosen global scale when using Custom Shifter type. A preset or recording of "custom scales not working" might be useful here.
  53. B

    Axe-Fx III Firmware 24.04 Release

    The state only reverts if you change scenes via FCx or MIDI. Switching scenes via front panel or Axe-Edit won't revert. If it did, that would make editing somewhat of a hassle as you'd have to save frequently to avoid losing changes when trying to configure initial states of multiple scenes...
  54. B

    LFO start point defaults to the Mid point...?

    A control switch (or external switch) as the modifier source with attack time set high enough, probably. The shift parameter will quantize to half step intervals though so you'll need to control frequency instead for a smooth change. It used to be smooth but this changed in an update a while...
  55. B

    LFO start point defaults to the Mid point...?

    Selecting LFO 1B or 2B with B Phase at 90 degrees and modifier min/max or start/end swapped from the current values might give the result you're looking for. The LFO will keep running though so I'm not too sure an LFO is actually the right tool for the goal you described.
  56. B

    2290 Problem

    This happens when the hidden "config" parameter differs from the Type's default for some reason. On the Axe-FX II this was easy since config was an adjustable parameter. It's still sysex-adjustable on the III and FracTool's batch setter can alter it:
  57. B

    bug? changing controller block tempo not affecting tempo based delay

    It's happening with Tempo To Use = Preset. It only occurs when changing the Controllers block channel directly. A scene change that includes a Controllers channel change is handled correctly. The hardware can actually be displaying the block edit menu as you switch Controllers channel in...
  58. B

    bug? changing controller block tempo not affecting tempo based delay

    I think it's a bug.
  59. B

    bug? changing controller block tempo not affecting tempo based delay

    Confirmed. Going to a block's edit menu (AE or hardware) also updates time/rate but a Controllers channel change on its own won't do it.
  60. B

    Convert 2 Stereo inputs to 4 Mono channels for processing

    Volume/Pan blocks (input select parameter) can be used for this part. While the Axe-FX III only has 4 vol/pans, there are a couple alternatives (mixer block, or any block that can output a 100% dry signal into a null filter) if you need a vol/pan for something else. Also note that amp blocks...
  61. B

    whammy and volume with one exp pedal

    The damping is what can avoid that issue with the first method. The dry signal would keep sounding long enough to move the pedal heel down after the switch press. I'll post example presets & LFO setup details sometime in the next couple days.
  62. B

    whammy and volume with one exp pedal

    Modifier damping could delay your pitch-engage method, leaving a moment to move the pedal back after you press the switch. Then maybe do the same on the volume bypass control, in case you end a whammy section at heel-down and want to get back to volume control mode. There's also a way to have...
  63. B

    All blocks muted, but CPU maxed

    Whether this occurs depends on the bypass mode, so it's more like: The effect algorithm keeps performing its math on something, and that "something" being all zero-amplitude samples vs. anything else has little to no impact on CPU usage.
  64. B

    What happened to ‘save a preset to a new number’ in axe-edit?

    "Preset" menu = new text Right-click "Save" button = old text
  65. B

    I need help. Issue with DAW / Axe III interaction

    Check the current playback device in Windows sound settings while the Axe-FX is powered on with USB connected. This sounds like it's just switching to the Axe when available. Selecting the Scarlett should prevent it from switching to the Axe later, barring any recurrence of whatever event(s)...
  66. B

    Scene Manager and Swapping Scenes...

    If you can post a screenshot of the modifiers list in the Controllers menu, that would indicate if there's a control switch assigned to any bypass parameters. I think that's the only thing that "should" go wrong with scene swapping as CS Per Scene values aren't swapped. Also, how are you...
  67. B

    Using pitch block to step down e flat on all presets

    This would be extra work for the same sound at higher CPU usage (due to Custom Shifter type being dual-voice) than Virtual Capo set for -1 semitone. It would allow changing the tuning sort of quickly later, but that could also be made easier by instead adjusting Init. Value of an otherwise...
  68. B

    Not a Bug Issue with Channel Switching on Reverb 2 Block

    You might get the desired result here by disabling scene ignore for all channels and assigning a Control Switch as reverb bypass modifier. Set CS Per Scene (in Controllers menu of editor, FC Per-Preset menu on hardware) to "on" so it's engaged on that scene with channel B, and "last" for the...
  69. B

    Mission EP1-KP with FM9 using an FC6

    The wiki is misleading there. The wah bypass modifier will make any autoengage setting on any other wah modifiers irrelevant. The preset you posted has no autoengage in the wah block when viewed with FracTool or imported to the III with Axe-Edit. The bypass modifiers as configured should toggle...
  70. B

    Mission EP1-KP with FM9 using an FC6

    Autoengage is only needed if you want to bypass the wah (at toe or heel position) without needing to switch back to pedal controlling volume. So, it's not entirely clear what you've set up without seeing the preset. I'm guessing you might have the switch modifying some wah parameter other than...
  71. B

    Mission EP1-KP with FM9 using an FC6

    I'm not seeing anything indicating a normal TS cable would be a problem either. https://missionengineering.com/shop/ep1-kp/ "Switch is TS Momentary" https://www.fractalaudio.com/downloads/manuals/FC-X/FC6+12-Owners-Manual.pdf Pg 8: CONNECT A SWITCH AT A PEDAL JACK... Calibration is not...
  72. B

    Mission EP1-KP with FM9 using an FC6

    I think this might be wrong. With the Axe-FX III pedal ports you need to set type to "momentary" in I/O: Pedal to get latching operation from momentary hardware. I would view one of these modifier menus to see if any change in state is actually being detected. The only thing a mismatch of...
  73. B

    Confirmed Midi/Remote: Just selection of scene increment/decrement is possible with external switch & Stand-in switches: "External Switch" isn't possible w/o FC

    You don't need to hold the switch; it will toggle the tuner with each press if you have the switch hardware type set properly. I verified this yesterday before posting that. Try it out.
  74. B

    Wish Internal Controller Block - Channels

    It seems like an oversight that this is the only "block" missing from the channel assignment menu. Scene ignore for the Controllers block would also be useful. IMO it's kind of pointless to have entirely different scene controller values per channel if you can't actually switch to and have the...
  75. B

    Crystal Echoes: Crossfade time removed?

    These Eventide sounds in a bunch of Vai tunes and other things mentioned above are impossible now with Crystal Echoes' fixed 100% crossfade time. Two granules crossfading constantly is quite different from one resultant line at steady volume. Trying to get some of these sounds now would be about...
  76. B

    Confirmed Midi/Remote: Just selection of scene increment/decrement is possible with external switch & Stand-in switches: "External Switch" isn't possible w/o FC

    The Tuner on Heel Down function can be used for this if you don't need it activated from another expression pedal or anything else. Set it to the Pedal port your switch is connected to, and the switch will toggle the tuner. Latching or momentary switches will both work. Set switch type...
  77. B

    switching between RJM and FC12

    There's no additional shortcut for this, other than maybe saving a system file for each setup to send as needed. Either way, the Ext Ctrl assignments still have to change somehow.
  78. B

    Input Trim and Neutral Boost calculation

    http://www.sengpielaudio.com/calculator-gainloss.htm 1. Convert dB to voltage ratio 2. Voltage ratio = Input trim value
  79. B

    Reverb Stack/Hold Fade Out

    Reduce the reverb's Input Gain instead of Mix in that scene.
  80. B

    Reverb Stack/Hold Fade Out

    Trying the Axe-FX III version of that preset, if I set CS1 to Off in scene 3 (at the CS Per Scene menu) any held reverb sound will decay normally when switching to scene 3. What did you actually edit to get to the point where you said "when I go to scene 3, if i don't have the hold engaged"...
  81. B

    Wish Improved Auto-Swell effect

    Not really, I think. The first part of the wish seems to be for something like this, where almost any note attack would retrigger the swell without the need to drop below the threshold first: https://forum.fractalaudio.com/threads/various-presets-tricks.135770/post-1607737 Having the detector...
  82. B

    I need this control after seemingly using all of them up..

    Is the FCB-1010 the only controller you're using? The Control Switch modifying rotary speed isn't going to be something you can control directly via MIDI. What are you envisioning stepping on to switch the rotary speed--a switch on the FCB1010? P.S. Delay input gain works the same way with a...
  83. B

    FC6 expression pedal to duplicate expression pedal on FM9?

    A stopped triangle LFO's "B" output can emulate the Axe-FX III's "add" or "multiply" dual-source modifier options with pedals modifying Depth & B Phase in a certain way. (The resulting LFO values will only sweep through half of the value range but you can translate this to any range by adjusting...
  84. B

    Using Switch pedal to inc/dec presets?

    In Setup: I/O: Pedal set the pedal type to latching or momentary. (Match the style you selected on the FS-7 itself.)
  85. B

    Wish Accurate Knob Dial Position

    Typical amp control arc: 300° (7:00 to 5:00 on clock face) Axe-FX III front panel display: 270° (7:30-4:30) Axe-Edit III: ~276° (7:24-4:36) (Estimated with angle measurement tool in image editor)
  86. B

    Auto Engage Wah plus other Effects

    Anything other than the Bypass parameter, like Balance, which doesn't use very much CPU% vs. certain other parameters. Make the modifier have no impact on the actual parameter, e.g. start/mid/end = 0%, MIN = 0.0 with the Balance modifier approach.
  87. B

    Auto Engage Wah plus other Effects

    Which parameter did you add the modifier to in the other blocks? A bypass modifier makes any autoengage settings irrelevant for that block. A modifier on some other parameter should engage/bypass at the same time, if you match the wah's autoengage settings.
  88. B

    Bug? Bug or intentional? Output 2 Copy Output 1 overrides Output 2 Mode

    The last time I checked on the Axe-FX II, Out 2 would have the Output 1 Mode and Output 2 Mode processes both applied. So while your example is possible, the opposite (Out 1 mono, Out 2 stereo) isn't. An Output 1 Mode setting of Sum L+R or Copy L>R makes the copied signal irreversibly mono, and...
  89. B

    Wish Tuner range

    Yes, this would work but it illustrates the issue. I always thought this aspect of the tuner wasn't thought out very well, and it hasn't changed in 16 years of Axe-FXes. The calibration range of 430-450 Hz leaves ~22-cent gaps in the pitch continuum that can't be made to read in-tune without...
  90. B

    Cannot change USB levels

    ...further processing by anything in the preset. USB inputs 7/8 can be your choice of the signal at Input 2, Input 3, or Input 4. To record anything* from the grid you need to route it to the Output 1 or Output 2 block and record USB channels 1/2 or 3/4. The USB Output Mapping parameter can...
  91. B

    Please help me integrate amps and outboard with my AxeFXIII (I’m begging over here)

    If you mute before the amp blocks (e.g. balance Out 3 L/R) you'll be summing any noise from the unused amp when you're just using one amp. To prevent this it might be preferable to use a Vol/Pan block after the In 3 block, Input 3 mode = stereo. Then use different Vol/Pan channels to determine...
  92. B

    Wish Scene Ignore for IR Player

    I think the mention of separate room & headphone correction IRs might be getting skipped over here. It seems Saarang wants to set the IR Player block to a certain channel (A or B) to suit the monitoring setup, and have it remain on that channel from there. Laxu's Out 1/2 example could work, but...
  93. B

    Axe-Fx III Firmware 23.02 Release

    The global Spillover setting only affects clearing of buffers during preset changes. I'm not noticing any cases of Gapless = On preventing effect trails within a preset, if set up to work with Gapless off. It might be good to post a preset or recording of what's happening. Yes, adding the...
  94. B

    What does the stereo spread knob do on the mono flanger?

    ...doesn't really do anything (except reduce the true mix % when pan absolute value > 100% due to inverted signal in opposite channel). To hear any* other effects from stereo spread adjustments, a stereo input signal and/or nonzero LFO phase value is required. *Phase reverse = left or right...
  95. B

    Wish Global Output Block options...?

    I think you might have the wrong idea about how manual controllers work--each preset stores its own manual values, so adjusting them in one preset won't affect levels in other presets. However, this could work with an External Control as modifier source, adjusting Ext Ctrl Initial Value(s) in...
  96. B

    Is there any significant advantage to FAS expression pedals and humbuster cables vs competition?

    The SP-1 can be used with autoengage, but (for blocks using AE) the switch would need to control something other than a bypass modifier. For example: shunt parallel to effect, both routed into a multiplexer w/ switch assigned input select modifier. If you can deal with that, the SP-1 is more...
  97. B

    Wish Bi-directional scene controller value/percentage update?

    This could be tricky to program and confusing to users. Imagine you use a scene controller with a modifier at defaults except for curve like /\ and you set the parameter in the block to minimum. Should the scene controller jump to 0 or 100%? Remember that scene controller could be controlling...
  98. B

    Should I buy a mkI at this point?

    Obviously not, because think about the math you just did there. If a future Super-Turbo model doubled the processing power (a gain of 100%) your 80% preset wouldn't drop to 0% on the super-Turbo. What you should have asked is: Does the CPU gain of 25% (5/4 that of the non-Turbo) translate to...
  99. B

    Things Everybody Plays Wrong

    Another common one might be Eye of the Tiger, where it goes Cm Eb/G Ab with guitar playing x355 36 466. I probably remembered the sound of Weird Al's "wrong" version Gm Dm Eb (key changed to fit Al's range, most likely) for years before listening to the original very closely.
  100. B

    Simplest way to bypass Out3 > In3 ?

    This will only work (put the Input 3 block into the opposite bypass state from how it was stored, without needing to press the switch after every preset change) with a switch (or expression pedal or any potentiometer) connected to a Pedal port set to Type = Continuous. Assigning a switch or...
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