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  1. zslane

    Atomic CLR - expectation/experience

    Is this a generational thing perhaps? I don't know that the list of artists above (except maybe for Van Halen) really resonates with the up and coming generation of young guitarists who are, ostensibly, the future buyers of gear like this. It certainly resonates with the current Fractal/Atomic...
  2. zslane

    I/O Instrument Input set to 28% for Les Paul...is this what others are experiencing

    I'm not sure exactly what you mean by specs. The technical specs of the pickups listed in my original post are easily obtainable online, but more to the point, they are common pickup models that lots of folks here are using and yet they don't seem to have trouble tickling the red with them. I...
  3. zslane

    I/O Instrument Input set to 28% for Les Paul...is this what others are experiencing

    No, both Input 1 Mode and Input 2 Mode are set to Left Only. Factory settings...
  4. zslane

    I/O Instrument Input set to 28% for Les Paul...is this what others are experiencing

    Yes, me. :? I set up my brand new Axe-FX II yesterday and tested it with five different humbucker-equipped guitars. Factory settings on the Axe, and even at Instrument input level set to 100% I could never get it to tickle the red no matter how hard I strummed. The guitars I tested (using the...
  5. zslane

    Beta testers needed: iPad controller for the Axe-FX

    Is there a standard screen resolution for Android devices? Or a unified hardware platform? From what I understand, it's not like the iPad where one app looks/works identically on them all. I doubt CyberFerret wants to have to maintain and support a dozen different versions of AxePad for Android...
  6. zslane

    Let's See Your Basses

    Ibanez SR1005 Prestige in walnut Ernie Ball Music Man Bongo 4HH in Stealth black
  7. zslane

    What floor controller is this guy using???

    Interesting. The LF Pro seems to be superior, features-wise, to the MFC-101. I'm surprised anyone would trade an LF for an MFC-101 if it is as flexible as its fans say it is. Does it all come down to reliability or something?
  8. zslane

    What floor controller is this guy using???

    Aside from having more buttons, how did it compare to an MFC-101 in terms of flexibility, programability, and integration with the Axe-FX? (I already have an MFC-101, but I'm curious)
  9. zslane

    What floor controller is this guy using???

    A good look at it can be seen at the 4:00 mark (earlier too, but the camera whips by it pretty quickly): YouTube - ‪Line6 G90 Demo‬‏
  10. zslane

    Axe Fx II, It's not Hype (IMO)

    I've seen this stated several times in this thread, so far, and I think it needs to be clarified: he is not entitled to his opinion, he is only entitled to his informed opinion, at least if he is going to air it publicly. If his opinion, no matter how earnestly held, comes from a place of...
  11. zslane

    LCD burn-in potential?

    Having an on/off switch introduces unacceptable risk? Countless multi-effects boards have on/off switches and are used daily for professional gigging. I'm not sure I understand how adding an on/off switch would present a problem in this regard.
  12. zslane

    LCD burn-in potential?

    I could do that. At the moment I am taking advantage of its ability to draw phantom power from the Axe-FX via the 7-pin MIDI cable. I didn't realize that the phantom power path was directly routed to the MIDI connector and wasn't switched along with the Axe-FX's power.
  13. zslane

    LCD burn-in potential?

    I guess subjecting a MIDI cable and the connector on the MFC to the wear and tear of frequent plugging/unplugging is preferable to an on/off switch? Most of the devices in my home that can't be turned off except by unplugging them are cheap pieces of low-budget consumer electronics junk. It's...
  14. zslane

    LCD burn-in potential?

    Since the MFC-101 doesn't have an on/off switch, is there the danger that the LCD will suffer from burn-in since the device is left on at all times? Even when I turn off my Axe-FX, the MFC is still on and drawing power. Somehow this seems like a design flaw to me.
  15. zslane

    FRFR powered monitor for metal?

    Um, keeping up with the drummer volume-wise is the reason most metal guitarists need extremely loud rigs. Is your drummer playing with feathers instead of drum sticks or something?
  16. zslane

    Axe-FX Ultra and FRFR monitor inbound. My tube amps may not survive this...

    Welcome to the club! How long have you been accustomed to "amp in the room" sound? I'm surprised it only took you a week to get over that speedbump, as you put it. Why do you suppose it proved to be so easily surmountable?
  17. zslane

    Petrucci using his AxeFX in the studio

    I guess he really was just talking about it as an effects processor ("rack fx"). I'd be curious to hear why he likes it better than, say, an Eventide. Most rock guitarists who use an Axe-FX still seem to be attached to their traditional guitar amps (and cabs) as if by umbilical cord. This may...
  18. zslane

    officially part of the Fractal Family...

    Congratulations and welcome to the family! As nifty as the effects are, I think you'll find that the amp and cab sims are what make the Axe-FX the ground-breaking product that it is. There seem to be quite a number of users out there who are buying the Axe-FX and not really using the amp or...
  19. zslane

    One more time: frfr vs amp old thing, sorry...

    Two questions for you: What exactly is this "valve feeling" you refer to? Do you have the vocabulary to describe it in concrete terms that can be used to measure success? I mean, I'm not so sure you even know what it is (hint: try to define it without using subjective terms like "feeling"...
  20. zslane

    Potential Buyer/New Rig/Engl

    I am a big proponent of FRFR myself, but it is clearly not for everyone. For many it is just easier to turn off the power amp and cab sims and plug into a tube amp and guitar cab. No fuss no muss. Sure, you are throwing away half of the unit's functionality (and the half that makes buying an...
  21. zslane

    Potential buyer...questions...

    I also was considering getting a Mesa Mark V but went with the Axe-FX instead. I was looking to add some modern metal tone (ala Mesa Boogie) to my arsenal but then realized that I would be getting so much more value and versatility for my $2k by getting an Axe-FX Ultra than any big tube amp...
  22. zslane

    Why is my recorded tone so bad? It's incredible thru my guitar cab.

    I don't remember having to set any special output parameters; right out of the box the Axe-FX is ready to hook up to an audio interface. Here is all I remember doing to record using some high-distortion amp presets: Open box and remove Axe-FX. Plug Axe-FX into power outlet. Connect XLR...
  23. zslane

    The Holy Grail!

    The Axe-FX cured my amp GAS for sure, but there is still Axe-FX accessory/FRFR GAS to deal with. First there is the MFC-101. Then there's a new netbook to run Axe-Edit on. Then there's the issue of FRFR amps/cabs, which is practically a hobby in itself. My guitar GAS is pretty much over now...
  24. zslane

    Why is my recorded tone so bad? It's incredible thru my guitar cab.

    It's amazing to me how often the line-level vs. mic-level mismatch issue (still) rises up and bites people in the butt. I sometimes feel like we're stuck in the 1960s...
  25. zslane

    Why is my recorded tone so bad? It's incredible thru my guitar cab.

    I have an M-Audio FastTrack Ultra that I bought last year. Works like a charm with the Axe-FX. I just used Input 1 of the FastTrack, same input I use when plugging a guitar into it. A little input gain adjustment was all that was needed to get perfect audio into Reaper.
  26. zslane

    New Ultra User

    No physical tube amps for me anymore either. I let the Axe-FX do all the work of producing tube amp tone. That's why I bought it, after all. And no more guitar cabs for me either. The Axe-FX has a very sophisticated cab simulation engine in it, and with the abundance of really good third party...
  27. zslane

    Why is my recorded tone so bad? It's incredible thru my guitar cab.

    So to summarize your situation: Your main rig involves your Axe-FX inserted into the FX loop of a 50w THD Marshall Plexi clone tube amp, and a guitar cab. Your recorded rig involves just the Axe-FX by itself. Do I have that right? A patch designed to let a physical tube amp + guitar cab do...
  28. zslane

    FRFR and "Getting the most out of your Axe-Fx"

    I think that most pros stop when they get sound they like, and don't question it much. Why fix what ain't broke? Sure, a Frazier cabinet might let Zappa and Belew and Thorn "hear what they've been missing all these years" from their Axe-FX rigs, but I suspect they might not care a whole lot...
  29. zslane

    Jay Mitchell and the power of flat response

    You have the "tube amp touch", as I like to call it. Not everyone seems to have it. I don't. Judging from reports on other forums, I'm far from alone. Walking up to any old tube amp and quickly dialing in "good tone" just doesn't happen. It is the same trial and error process as with an Axe-FX...
  30. zslane

    FRFR and "Getting the most out of your Axe-Fx"

    I'm not Cliff or Tom, but while we wait for them to chime in I thought I'd try throwing an analogy out there. The "full Axe-FX potential" is nothing more than the precise, unaltered mathematical results it calculates. "Tube amp feel" is expressed numerically by the Axe-FX; but if your sound...
  31. zslane

    Got My Ultra Today

    I would love to know what makes one 40-year tube fanatic love the Axe-FX where another will insist it can't really "get there". I mean, I know that "there" is a different tonal place for each of us, but it is hard for me to imagine two people with equal fanatical love of tube amps cultivated...
  32. zslane

    Jay Mitchell and the power of flat response

    I am not as impressed with "real world amps" as you seem to be. As such, I don't perceive my modest FRFR system as "falling short" nearly as much as you do. Therein lies the vast gulf separating us from possible common ground on this issue, I think.
  33. zslane

    Jay Mitchell and the power of flat response

    Well, I think it is a compromise in the sense that you have to turn off the cab sims in order to make use of a guitar cab. So not only do you lose the flexibility of being able to select from a huge array of (virtual) cabinets/speakers, you end up always coloring the output of the Axe-FX with...
  34. zslane

    Jay Mitchell and the power of flat response

    "But I like the way my $800 speaker sounds," is merely what we tell ourselves to make the limitations of our budgets easier to live with. Suppose you won a contest and the prize was any amplifier and loudspeaker in the world, regardless of cost. I would love to meet the seasoned Axe-FX user who...
  35. zslane

    Jay Mitchell and the power of flat response

    A "better FRFR" might make up that difference, but the real question is what set of parameters are not set the way they need to be in order to capture the kind of tone and "feel" you enjoy with the Bogner. Any ideas? My gut tells me that even with Jay's Frazier cabinet and the world's most...
  36. zslane

    Some questions before buying two Verve 8ma

    I think Scott's approach is the smartest, and should be any FRFR proponent's goal. Unfortunately for me (and probably for many), I am not in a position to create a testing/listening environment like Scott's, so I will alway be dealing with a compromised set of personal presets.
  37. zslane

    Some questions before buying two Verve 8ma

    I don't know what is considered a small, medium, or large stage by anyone else's standards, but the most common stage monitor arrangement I see for guitarists around town is from one to three wedges, with the average being two. And I'm talking about wedges the size of the 12ma. I have a Marshall...
  38. zslane

    Dweezil on Leno

    Heh, same here. When I heard Leno say that Dweezil was playing with Cooper that night, I was eager to see how visible his Axe-FX rig would be. I was amazed how it dominated the stage. And the tone was really tasty! The whole performance had a great vibe to it. Hats off to Dweezil, Alice, and the...
  39. zslane

    Ultra Unavailale? Where can I purchase one?

    How many of the Axe-FX's digital components come from Japan, I wonder...
  40. zslane

    The new MATRIX GT800FX. THE amp for THE Axe-Fx

    Sure. But the person I was responding to asked specifically about the "response" of the amp. I figured this was a separate consideration from how a chosen speaker would further color the sound.
  41. zslane

    Tonight: first gig with Atomic FRFR

    True. But my guess is that "too hot" in Philip's case wasn't the extra 8dBu (past standard "line level") the Axe-FX is capable of at full output. It was the extra 40-50dBu past mic level that was the culprit.
  42. zslane

    Jay Mitchell and the power of flat response

    Ah, okay, well I thought we were talking about FRFR systems as a whole (a power amp is rather useless all by itself, except as a possible heat source). I congratulate Atomic on obtaining "very linear" results from their amp. However, if that feeds a "somewhat opaque" cabinet--and I'm not saying...
  43. zslane

    The new MATRIX GT800FX. THE amp for THE Axe-Fx

    Fletcher-Munson aside, I'm assuming that an amp of the price and stated quality level of the Matrix series doesn't sound texturally different from one volume level to the next. Anything that sounds good at low volume would sound just as good at higher volume, just louder, and vice versa. If not...
  44. zslane

    Dweezil on Leno

    It also proves that a talented guitar player will sound great no matter what gear they use (including "digital crap" that the close-minded critics hate so much).
  45. zslane

    How do you use the effects loop in the axe-fx

    One implication of this, however, is that you can't get the same effect of power stage distortion occurring after a modulation effect as you would have in a real amp. It does strike me as a little inflexible not to be able to rout an fx chain between the virtual pre-amp and virtual power amp...
  46. zslane

    medium to high end FRFR

    And those price tiers are meant to describe unpowered (passive) speaker cabs, right? My Verve 12ma has 400w of (solid-state) class G amplification inside it and it only cost me $900 (USD). The passive version is commensurately less, putting it (the product line) firmly in the Low End...
  47. zslane

    Tonight: first gig with Atomic FRFR

    The output of the Axe-FX is not "very hot" it is merely line level. A lot of PA boards are set up to receive mic level, not line level, on their XLR inputs. Line level signals will distort when fed to a mic level input. That's what pads (and trim pots) are for, and that's presumably what the...
  48. zslane

    Jay Mitchell and the power of flat response

    Yes, ideally, we would search for a clearer definition. But Jay is right, you can't count on there being a consensus definition to lean on. I'd settle for a response from each person who has observed the Atomics adding this special texture and using their own definition as the basis for...
  49. zslane

    Ultra Unavailale? Where can I purchase one?

    It may not be just a matter of build time. I mean, automated assembly can churn out units like the Axe-FX without a drop in quality. The laborious part is quality control. Someone has to put each unit through a test suite and report on any units with build problems or component failures...
  50. zslane

    The new MATRIX GT800FX. THE amp for THE Axe-Fx

    Let's say I use (or plan to use) my Axe-FX for more than just processing guitar input. There's a whole world of electronic instruments out there that could potentially sound great processed through an Axe-FX (keyboards, vocals, etc.). Ideally I would want an amp (and monitor) so transparent--and...
  51. zslane

    medium to high end FRFR

    Yeah, the more I read about this, the more it becomes apparent that my FBT Verve 12ma is considered low end in the FRFR world.
  52. zslane

    Jay Mitchell and the power of flat response

    If the Atomic is as linear as Tom suggests, then it should be very transparent (i.e., flat response), and shouldn't be doing anything on its own to add any kind of "in the room feel" at all. That's not the job of a sound reinforcement system, that's the job of the Axe-FX and the cab IR you...
  53. zslane

    HELP!!!!!!!!! My hopes and dreams of owning an AXE have ended..........

    What about a cashier's check straight from your bank account? Wouldn't FAS accept one of those?
  54. zslane

    Atomic amp with Axe-FX

    Well, let me first apologize to you Tom, and then let me apologize to Jay (who isn't even reading this thread, I don't think). I don't know what I thought I was hallucinating; I must have just been reading too many forum threads, and the comments, observations, and reports all got mushed...
  55. zslane

    Atomic amp with Axe-FX

    It isn't an opinion I am offering exactly, but rather a condensed report of the reports of others. Think of my posts (like the ones above) as an aggregation of information scattered throughout these forums for the benefit of those who haven't been reading all the relevant threads.
  56. zslane

    New to forum. A few questions about axe Ultra

    How can you be certain it was the POD that was the problem?
  57. zslane

    Atomic amp with Axe-FX

    I think Jay Mitchell has commented on the value of Atomics as a transparent FRFR solution, and I base my assessment on his reports. I've also read countless accounts from Atomic users here who have observed a less-than-neutral response, at least compared to their expectations and to other...
  58. zslane

    Jay Mitchell and the power of flat response

    I would direct you to scotts to address this question. He has more first-hand experience in this matter than I do (I've only been reading his reports on the subject, and basing my conclusions on his results.) I get that. But the real value of the Axe-FX is its ability to deliver the sound of...
  59. zslane

    Jay Mitchell and the power of flat response

    For me, this is the most compelling issue. A traditional rig will typically provide only one flavor of sound. Some fancy multi-channel amp designs (e.g., Mesa Mark V) will incorporate numerous different amp circuit designs (or very good facsimiles thereof) in one box, but they still tend to be...
  60. zslane

    Jay Mitchell and the power of flat response

    Okay, yeah, it's obvious now that I think about it (I think I was so focused on the significance of the "Hi-Res" qualifier in your answer that I didn't really catch the "Mono" part). Are there any disadvantages to putting stereo effects post-cab?
  61. zslane

    Jay Mitchell and the power of flat response

    Sounds like you may be a candidate for IEM?
  62. zslane

    Atomic amp with Axe-FX

    True. But I get the impression that the Atomic amp sits somewhere between "guitar amp" and "hi-fi amp" in terms of neutral response. Far better than a guitar amp/cab, but not nearly as good as high-end reference monitor technology. The extent to which this is due to the use of tubes is open to...
  63. zslane

    Jay Mitchell and the power of flat response

    Well, I don't think I'd be better off because even a "great sounding power amp and guitar cab" would be coloring the output of the Axe-FX in ways I wouldn't want (if I could avoid it, which I believe I can with FRFR). The Axe-FX is providing all the color that a guitar amp and cab is supposed to...
  64. zslane

    Jay Mitchell and the power of flat response

    Please forgive me, but I'm still a newbie with this wonderful device. Why would I lose the stereo function of pre-cab effects with mono Hi-Res cabs?
  65. zslane

    Alright, how do I get tone like this?

    I've heard the raw guitar tracks from songs like Unchained. They sound nothing like the final tone heard in the mix. Best of luck to anyone who thinks they can easily cop that tone with just an amp and a pedal or two.
  66. zslane

    Jay Mitchell and the power of flat response

    Jay is a pussycat compared to the online tyrant I would be if I were in his shoes. You should all feel fortunate that he's the expert in loudspeaker design around here and not me. :twisted
  67. zslane

    Jay Mitchell and the power of flat response

    I, for one, certainly agree with you overall, Jay. Sort of a What's Good for the Goose situation. That said, if these $3k+ monitors are being used strictly for stage foldback, then ostensibly one big difference in analogies there is that an Axe-FX will still sound great to the audience (via...
  68. zslane

    Alright, how do I get tone like this?

    I hate to sound so utterly unhelpful, but the honest truth is that this is where the art and science of music recording comes in. Every engineer has his own palette of tricks and techniques that make him (or her) unique in their craft. I don't remember all the details, but a full description of...
  69. zslane

    Alright, how do I get tone like this?

    Anything recorded professionally will undoubtedly involve multiple, layered guitar tracks, a ton of extra studio processing gear, and endless tweaking at the mixing board by an experienced engineer. There are just too many ingredients involved in that process to make reproducing "tone like that"...
  70. zslane

    Atomic amp with Axe-FX

    Your concern makes total sense to me. It seems to me that an amp that colors the Axe-FX signal at all volume levels is likely to produce more intense coloration at the tube saturation threshold. I doubt the Atomics are somehow magically immune from that.
  71. zslane

    ...and after 2 years of saving to buy this mofo...

    After two years of exercising patience, I wouldn't think a few more days would even be noticeable.
  72. zslane

    Jay Mitchell and the power of flat response

    As a newbie to the Axe-FX, this is something I don't quite understand. I've seen many layouts where effects blocks are placed after the cab, something not done with a physical rig. I suppose this is somewhat analogous to inserting effects at the mixing board in a recording studio, where the...
  73. zslane

    Atomic amp with Axe-FX

    The Axe-FX does all the work of a tube amp inside of it. It does all the "warming up" of the original guitar signal you should need or want. Further warming or coloring of the Axe-FX's output is not only unnecessary, but IMO undesireable. Sending the output of the Axe-FX to a guitar tube amp and...
  74. zslane

    QSC KW122 Review

    I read a lot of stories about how there is rarely ever any time to dial in good stage tone at most live gigs. The result is that guitarists have learned to settle for whatever backline the venue provides, mic'ed and EQ'ed to suit a full roster of different acts with minimal changes. It is all...
  75. zslane

    Axe-Fx from FRFR (Verve 12ma) to a ENGL tube power amp and cabs

    Based on what I have learned from the experts on these forums, if you experience a "tone compromise" between FRFR and a tube amp, then: You are not setting up your Axe-FX properly. You will probably need to involve yourself in mixed IR files (combining near and far field IRs), adjusting...
  76. zslane

    Jay Mitchell and the power of flat response

    This is perhaps another way of saying that FRFR is not for the average guitarist who just wants to plug straight into their favorite tube amp, leave the knobs set in one position for every song, and play all night without having to think any further about their tone or how they come by it. I've...
  77. zslane

    Ultra Unavailale? Where can I purchase one?

    I take it as a good sign that they are in such high demand. But then, maybe it's just that everyone has gotten wise to the notion of buying their big toys now before the global oil reserve currency changes and the U.S. economy goes through hyper-inflation. ;)
  78. zslane

    Just sold my beloved.....

    I'm so envious! I have my Verve 12ma hooked up now and I love it. I really would love to replace my little Roland keyboard amp that is currently serving right-channel duties with another 12ma. Maybe some day... I am a total FRFR believer; I can't relate to someone who owns an Axe-FX and...
  79. zslane

    A few questions before buying.

    If you get an Axe-FX, you may start out using it only for effects, but then once you realize just how good its amp and cab sims are you will never want to use a conventional amp/cab setup again. You have the world's finest amp construction set in the Axe-FX; its effects blocks are only the tip...
  80. zslane

    Jay Mitchell and the power of flat response

    This is perhaps why most guitarists are intimidated/frustrated with FRFR at this stage in its development. To pick a good guitar cab you only need to be an experienced musician. To pick a good FRFR monitor you have to be a scientist. Once you begin spending more than $1000 on a guitar cab you...
  81. zslane

    do kickass monitors deliver the sound of amp in the room?

    We can dream...
  82. zslane

    Rig complete: Axe-FX Ultra w/ Verve 12ma

    I bought mine from a place called RMC Audio Direct. They sell direct from their website as well as on eBay.
  83. zslane

    Axe-Fx from FRFR (Verve 12ma) to a ENGL tube power amp and cabs

    I always thought the difference was merely form factor, and the kind of space they are typically expected to fill with sound (small enclosed recording booths vs. open stages or rehearsal rooms).
  84. zslane

    Hey, I'm going to buy an Axe-FX Standard. Newbie gear questions...

    You could just get an audio interface that has MIDI and avoid getting two different pieces of computer hardware. My M-Audio FastTrack Ultra has everything I need to run my Axe-FX into my DAW software (Reaper), along with MIDI for running Axe-Edit.
  85. zslane

    Frustrating situation with using Axe-FX at an open Blues jam

    +1 on getting your own powered monitor wedge. Being in control of your own stage sound is a luxury you should not deny yourself. A well-built wedge like the Verve 8ma or 12ma is perfect for your needs IMO. As for FOH in that situation, clearly they have microphones on stage (sitting in front...
  86. zslane

    Axe-Fx from FRFR (Verve 12ma) to a ENGL tube power amp and cabs

    FRFR seems to be working quite nicely for many as a live solution. It's not just for the studio. I have to believe that the inability to dial in authentic guitar tone on an FRFR rig isn't the fault of the rig (or the concept), but the user.
  87. zslane

    How many Axe FX's have you convinced others to buy?

    A buddy of mine wants one real bad after trying out my Axe-FX Ultra. Not sure if he'll get around to actually buying it any time soon though.
  88. zslane

    FBT 12MA woes....

    I am going to try using a different XLR cable, and maybe even a different instrument cable. It's amazing how much a bad (or just mediocre) cable can mess with a device as sensitive as an Axe-FX and a Verve.
  89. zslane

    Rig complete: Axe-FX Ultra w/ Verve 12ma

    I bought the Gramma isolator exactly because of a recommendation for it here. Was that you perhaps emperor?
  90. zslane

    FBT 12MA woes....

    I'm not sure how any of those things would address a loud high pitched plasticky crackle that the OP described. It's the "crackle" part that suggests to me something electrical, and not anything related to overemphasized frequencies, fret buzz, or loose tuners. I notice something similar...
  91. zslane

    Rig complete: Axe-FX Ultra w/ Verve 12ma

    Wow, she's gorgeous! I'd have found a way to adapt to the neck. ;)
  92. zslane

    Rig complete: Axe-FX Ultra w/ Verve 12ma

    Transparent black (on flame maple) is my favorite finish. It's almost a fetish. ;) This guitar was a 1993 LP Custom Premium Plus in Honeyburst, in pretty bad condition, which I had refinished in trans black. I then replaced all the crusty old gold hardware with black hardware and put in all...
  93. zslane

    Rig complete: Axe-FX Ultra w/ Verve 12ma

    Thanks. :D That "black" Gibson LP Custom is actually this (I call it "Blackfire"):
  94. zslane

    Rig complete: Axe-FX Ultra w/ Verve 12ma

    Here are a couple of quick pics I took last night of my Axe-FX rig with the FBT Verve 12ma powered monitor wedge. The Verve is connected to the left XLR output; what you can't see from these photos is that I have the right XLR output connected to my old Roland KC-100 keyboard amp on the other...
  95. zslane

    Axe-FX ultimate preset libary - online

    (Double post)
  96. zslane

    Axe-FX ultimate preset libary - online

    Ah, you're right. The info page comes up with a single click. Why doesn't the cursor change to something useful indicating that a single-click will navigate to a new page? I'm using Firefox 3.6 on Linux CentOS 5 at the moment (I'm at work, not at home where I run a Win7 box).
  97. zslane

    Axe-FX ultimate preset libary - online

    Double-clicking isn't a normal browsing action either. This is a web app intended to be navigated via web browsers using standard browsing semantics, right?
  98. zslane

    Axe-FX ultimate preset libary - online

    I don't see a column for "File". Only User, Preset Name, Artist, Style, etc. Nothing related to any actual .syx files. Alt-clicking a text line is not a normal browsing activity; nobody will think to do that.
  99. zslane

    Why can't the Axe get that "Amp In The Room" Sound

    Yes, well, this seems to be where we leave a lot of the "amp in the room" dudes behind. *shrug*
  100. zslane

    Why can't the Axe get that "Amp In The Room" Sound

    That's a little like asking what is so different about hearing a stereo image through two speakers versus one. A cab sim driven by your typical nearfield IR is only producing the sound of, say, a 4x12 cab from a single microphone position. Even though an FRFR cab has a speaker which can sound...
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