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  1. DemolitionColorScheme

    [HELP NEEDED] Axe-Fx ULTRA + G-System : 4CM method

    A while ago, all my gear was stolen and now I'm slowly acquiring my old setup again. It's been a while since I hooked up a system, so I'm kinda having a brainfart. How do I hook my G-System and Axe-FX ULTRA up in a 4CM-style? To clarify: From what I remember, I used to run the G's preamp...
  2. DemolitionColorScheme

    AxeFX ULTRA / G-System / Strymon Big Sky -> MIDI issue

    Hey guys, I've been using the G and the AxeFX Ultra together for a long time with success, even adding a Bome MIDI Translator to the setup to enable keystrokes for Ableton Live clip launches. Now, I recently got a Strymon Big Sky and I'm able to switch presets on the Big Sky via MIDI, but they...
  3. DemolitionColorScheme

    [Gain Staging] - FX Loop controls, least amount of noise

    So, we've got Input 2 / Output 2 controlling the FX loop on the Axe-FX. I'm using a G-System along with it and I've got no problems making it sound good. At the FX-loop block I drop the 'Main' down to -6dB or else I'll get audible clipping, the rest is open to twisting. So, we've got these...
  4. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    So, guys, I wanted to get back to you with some good news. I downloaded Bome's MIDI Translator and got it to work. You just capture the MIDI on the preset change and then select C0 22 (for instance), which is the PC message. You can then translate an outgoing message for that, a MIDI signal or...
  5. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    So, I've been toying around with Bome's and I've got it to work, partially ... Bome's not to blame, I think. The G's preset switches all seem to send out the same CC15. Now I've enabled it to launch clips, but every preset button launches the same clip, since they all seem to send out the same...
  6. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    Yup! If you check post 3 in this thread, I recommended that to myself, haha. I've known about Bome for a while, but I've never delved into it. I downloaded the free Classic version today and will try to see if I can make it work this week.
  7. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    Exactly. I know this. You can program any button to send out MIDI signal, but those are the buttons inside the preset itself. The preset button (1 - 5) sends out MIDI as well, which enables me to switch presets on the G and the Axe. That works fine and perfectly. The tempo's are even synced via...
  8. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    To the first: no clue, honestly. I have it programmed now to send out MIDI notes, since those work well for triggering stuff. To the 2nd: No clue. FCB is connected to my 4x4 MIDI hub, into my soundcard (PreSonus FP10). That's about it. Nothing special going on here. I'm sure everything MIDI...
  9. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    No, the G-System's design is surrounded around the controller, if I'm not mistaken. When the Cat5 cable isn't connected, it won't even really turn on. Besides, editing it with anything else than the G-System controller would be kinda pointless.
  10. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    No-No, that's missing the point. I already have a Behringer FCB1010 to trigger samples, but sometimes I need to switch presets on my guitar rig and my software rig - AT THE SAME TIME. That's kinda the point here. Regarding the CC's, I'm not sure. It might be that Live is just interpreting it...
  11. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    Sadly, it doesn't work this way. The G-System foot controller and the brain are one unit, you can't get rid of the footcontroller, they are one.
  12. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    I'm sending it out with the G-System, but I don't think the preset switches can be altered ... Is there a way for the Axe-FX to send out MIDI on a preset change?
  13. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    15, which explains the problem then. What now? ;)
  14. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    Yup! It's receiving it fine. If I map MIDI to the clip I see it latches onto it, but when I'm done mapping and try to trigger it, nothing happens.
  15. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    Well, when I assign the clip with MIDI, it says it's sending out MIDI CC15, so it's sending out CC's, but the clip isn't launching. The option you've given is available for PC as well: - Bome's Midi Translator - Bome Software I think that might be my only option ...
  16. DemolitionColorScheme

    Launching Clips with Ableton Live using the Axe-FX and a G-System

    So, I'd love to be able to launch a clip in Ableton Live using the Axe-FX ULTRA and/-or my G-System while switching from presets. The G-System acts as the MIDI controller for the Axe. I've tried to just use the G-System, but the preset buttons send out CC's which can't launch clips. Is there a...
  17. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    I'm up to date regarding my TS history lessons. Tried it and will continue to try it.
  18. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    That's kinda the tone I have now.
  19. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    I see! Interesting.
  20. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    That's cool, but I'm not really looking to upgrade to a II, just yet. I haven't had the ULTRA for that long, maybe a half year, maybe longer.
  21. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    I've fiddled with the low cut, tried different models as well. It's not that, not everyone uses a TS in front of a 5150.
  22. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Nope.
  23. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Well, I haven't owned one, but I've had some experience with them. The Sonic Maximizer isn't the thing, it just adds low end and some high end (I've owned one). The TS just cuts some lows and tightens stuff up. Regarding references, well try YouTube or check this video out by Misery Signals:
  24. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Well, I'd love to try it out!
  25. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    No-No, you're quite right. However, it's about perception. The thing is, if I can get a real 5150-like sound with a FRFR setup, then, honestly, it's not a good 5150 model.
  26. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    That's kinda contra-dictionary to what others are saying: cabs will change the character of the gain and the perceived character of the amp. I agree with this, since when I play DI and change cab models, I can get closer results to what I get now. You might ask: "Why don't you do that then?" -...
  27. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Well, the 400-600hz was just a guess. Besides, like I said, an amp character is more than just. It's about the gain character, the grit of the clipping, etc.
  28. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Ah, of course! ;) Well, in that case, I could just go ahead and try that myself. The thing is, like I said before, it would be a portrayal of the amp + cab through my Phonic P6A Studio Monitors, it would still be a mis portrayal, sadly. I think the only way is to get a FRFR cab and just...
  29. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Way out of my price range, besides, these are monitor wedges and won't project the sound properly in a non-mic'd / non-DI application.
  30. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Yup, tried pre-gain cutting, with EQ and with a TS. And yeah, I could do that, but it would still be a direct monitored portrayal of YOUR guitar, tuning, string gauge and such. Besides, every cab will call for different EQ settings. What's in his cab? I don't know. I'm a speaker-noob, pretty...
  31. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Well, Jens, regarding your last point: we can't establish that yet, seeing as it's one clip with one cab model, right? ;)
  32. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Maybe ... in my opinion, an EQ can only take you so far. The Koch has Koch VG12-90 speakers, if I'm not mistaken.
  33. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Yup, I agree. The low end snarl is around 400hz / 600hz, if I'm not mistaken. Lows aren't the problem, it's the low mids I'm after.
  34. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Well, yeah, it's got the high end, which isn't my problem (the Koch has way too much high end, so I end up blocking everything above 7 to 8k. Above that, it just introduces a nasty fizz), but your clip doesn't have that low end snarl to it, and that's what I've been missing. I do agree with...
  35. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    I see.
  36. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    I see.
  37. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Yup, I'm seriously considering going FRFR as well. Just need to check the prices and such.
  38. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    I agree ... however, I should've said this in the opening post, we play pretty big gigs, but, we also play plenty of gigs in small clubs and such where the PA is just good enough to handle vocals and some synths. Seeing as I'm running a stereo synth setup as well and we have a vocalist that...
  39. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    I disagree. The models are modeled after the amp named in the model. I use the Blackface model because I like my cleans Fender-y and I want to use the 5150 model because I like the gain character of a 5150. For a lot of people, the Axe is supposed to be something that makes them want to exchange...
  40. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Jens, with all due respect, if you've read the opening post, I already stated that I tried other amp models and other pre-gain options. It comes down to the fact that, with an Axe-FX ULTRA, I should be able to use the 5150 to my liking. It's like saying to someone; "Oh, your Tele doesn't sound...
  41. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    So, I'm not the only one that feels this way?
  42. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Dank je voor het aanbod, Alexander!
  43. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    I see! Interesting.
  44. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Well, in my case, it would be a cab. It would still be mic'd up at a gig. What else should I see it as? Okay, it has the full frequency range, but I still think of it as a guitar cabinet, because that's what I'm using it for.
  45. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Well, I've tried driving the amps with a TS type, which I would normally do, but this doesn't completely change the gain character, which brings me to the next quote ... Unacceptable. I should be able to use the 5150 model. The 5150 has one of my favorite drive tones. I've also already tried...
  46. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    It might be time, yeah ... Are there FR 2x12 cabs or something? Where can I shop for one in Europe, I presume G66?
  47. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Just checked it out. You're right ... they're almost identical. So, presumably, it's the cab. How to decide to go with which cab, then?
  48. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    yup, last update.
  49. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    Hm, I'm skeptical, I'm sure that if I connected a 5150 to my cab and then a Sunn Model T that the difference would be way more noticeable than it would be right now. However, I do agree that a portion of the EQ curve is attributed to the cab and the power amp. The thing I'm actually pointing out...
  50. DemolitionColorScheme

    Loving the cleans, but most of the gain structures sound quite the same : Any advice?

    So, I love my Axe-FX ULTRA for cleans and I'm quickly done with editing them and am often satisfied with those quite quickly, however, all of the gain in the amp models sound really quite alike. I'm using the ULTRA with a Peavey 50/50 Classic Stereo Power Amp with a Koch TS212 cab. Is it the...
  51. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    I know ... but there's more than gear out there. I need to keep my girlfriend happy as well. ;)
  52. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Guys, I've recently sold the 2290 - not because I got close, but purely out of financial reasons. 2290's run for around €900,- around here and I needed the extra finances for my vacation to Athens, Greece. So, sadly, I can't do any more A/Bing.
  53. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    I know, hence the question. ;)
  54. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Where does this 16K cut come from? There's no 16K cut on the 2290. It's 33, 8, 4 or 2k
  55. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Yeah, I'd like to know that as well ...
  56. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    More high cut? I kinda hear more high cut on the II, since it seems to 'pop' a little less. That's what I heard when I tried to model it on the ULTRA, which makes it tend to smear a little more into the background whereas the 2290 has this .... dryness to the sound that just separates it from...
  57. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Yeah, who knows. It's about the sound, though. I'd love to hear a clip.
  58. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Well, in the 2290 'type', the low cut is negligible and the high cut ... I don't hear it. I'm definitely gonna try it (even though I can't adjust the Q on the ULTRA), but what I just find weird is that that is all the 2290 'type' is?
  59. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Got it! I'm looking at that block right now and ... I can't see ANYTHING special? All I see is: - Phase Reverse Right - 500hz speed mod (LFO 1) - 25% depth mod (LFO 1) - Low Cut 20hz - High Cut 16001hz - Q 0.700 - 6dB/OCT Filter Slope That's it, a slight cut at the high end and phase reversed...
  60. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Sure! Feedback Level: 68 High: 2 Low: 0 [inv] Output Delay: 81 Direct: 99 Pan: 50 Global: 99 Mod - Delay Sine Depth: 99 Speed: 3.9 Mod - Pan (optional) Sine Speed: .10 Depth: 32 [delay] (not on the dry signal or both) Time 311ms (try to stay in the 250 / 400ms range for the best...
  61. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    I see. I'll have a look at where I can download the editor again. Kinda forgot. It's been a while!
  62. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Yes, please. I presume we've got a new editor then?
  63. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    I'm reading this: - "TYPE — The Delay TYPE control sets various parameters of the delay block to achieve popular delay effects instantly. See the table below for a listing of DELAY block types." So, there's a 2290 type, which is basically a preset. Could anyone check there to see what the...
  64. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    So, the II has a 2290-type, huh? Interesting ... What does that model actually do? What parameters does it have?
  65. DemolitionColorScheme

    [USING THE FX LOOP WITH OUTBOARD GEAR] - Clipping? Volume?

    Tweaking the input and output on the G only works for the input into the G, right? I use the front end of the G going into the Axe, so I can still use the loop. The out is for the entire output of the G. The compressor thing could be handy! Good tip ... should've thought of that myself!
  66. DemolitionColorScheme

    [USING THE FX LOOP WITH OUTBOARD GEAR] - Clipping? Volume?

    I'll give it a shot.
  67. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    I will post a clip this week, but I'd like some guidelines from people saying they've captured the 2290 sound.
  68. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Guys, I'm not getting any closer ... I tried A/Bing them and the Axe sounds different. There's something about the feedback slope. I A/B it with the 2290's pre-amp, just bypassing the delay, so there's no 'oh, but that's the pre-amp!'-thing. The 2290 is really precise and is so good for that...
  69. DemolitionColorScheme

    [USING THE FX LOOP WITH OUTBOARD GEAR] - Clipping? Volume?

    I'm still having issues with the FX-loop. Is it just me, or does the Axe-Fx's FX-loop just clip quite fast? What are the optimal settings for fx-loop usage with some rack processors? I'm not talking pre-amps here. I'd like to have the FX loop engaged and then have the same volume all over...
  70. DemolitionColorScheme

    tc electronic 2290 / TC 2290 / TC2290 Dynamic Digital Delay [+ TC1210 & Axe-Fx ULTRA]

    Here are a few clips of the 2290. I didn't compare it yet to the Axe, at least A/B'd, but I wanted to showcase it seeing as I've never actually seen/heard a decently recorded clip of this unit on YouTube/etc. It's kinda ironic, seeing as when you own this thing, you would expect someone to have...
  71. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    So, that would mean 48k? I don't see a problem, seeing as the 2290 just puts out 33k anyways. You're not really gonna hear that, in all honesty.
  72. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    I would say so? However, I must note that I've got an ULTRA, not a II. I'm not sure what has changed regarding the delay block? Cliff, gimme a II and I'll be happy to find out! :D
  73. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Aw, thanks! That's really cool to hear! And yeah, I'll do my best to A/B as nicely as possible. I've done it with gear like the Strymon El Cap vs. my tape delay collection and that shoot out worked really well.
  74. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Thanks! I'll see what I can do! Regarding the phase, yes, it's reversed. I tried playing around with both options and there's a difference, but it's quite small.
  75. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Here are a few clips of the 2290. I didn't compare it yet to the Axe, at least A/B'd, but I wanted to showcase it seeing as I've never actually seen/heard a decently recorded clip of this unit on YouTube/etc. It's kinda ironic, seeing as when you own this thing, you would expect someone to have...
  76. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Yeah, I saw that one yesterday as well, but that's just the pre-amp, which is nice, but the voicing of the entire delay section is what makes the 2290 the 2290, for me. The pre-amp is a part of it, sure.
  77. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    Sure, however, I think we can all get pretty close, really, especially considering you've got 4 fixed settings per band for the filter and the modulation we can all adjust to taste. However, I don't know if I can get the voicing of the 2290, or else I wouldn't have got it in the first place. I...
  78. DemolitionColorScheme

    Axe FX VS. TC electronic 2290

    I've actually purchased a 2290 this week because, after so much years, I just wanted to have one for myself and try it out. I've gotta say ... it has something. Its pre-amp, filters, modulation. There's something about it, for sure. However, I'm definitely gonna try to see if I can get some 2290...
  79. DemolitionColorScheme

    [Expression Pedal] - Any way to have a G-System act like an expression pedal?

    I just found out that the G doesn't do that. TC has heard the users request this, but it still hasn't been implemented ...
  80. DemolitionColorScheme

    [Expression Pedal] - Any way to have a G-System act like an expression pedal?

    Still nothing? It'd still love to combine the two units in case of expression control without have two expression pedals.
  81. DemolitionColorScheme

    [EXPRESSION PEDAL] - Setting up the Mission Engineering SP-1 : help needed!

    Got it! Calibrated it and set Exp 2 for latching. Done! :D
  82. DemolitionColorScheme

    [EXPRESSION PEDAL] - Setting up the Mission Engineering SP-1 : help needed!

    I see! I haven't specifically calibrated the pedal inside the Axe-FX. I can have a look around on the Wiki.
  83. DemolitionColorScheme

    [EXPRESSION PEDAL] - Setting up the Mission Engineering SP-1 : help needed!

    So, I got in the Mission Engineering SP-1 today and I've got it hooked up and managed to kinda make it work ... but not perfectly. I'm trying to make a volume pedal patch and used the volume/panner, assigned it to the volume and it works, however, I can't get the pedal to the 100% peak mark...
  84. DemolitionColorScheme

    [Controling the Tuner via MIDI on the G-System] - Help needed

    Right on!
  85. DemolitionColorScheme

    [MIDI SYNCING] : G-System + Axe-FX ULTRA

    Your help is appreciated, Jon!
  86. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Well, I can get that classic 5150 fizzle/sizzle and I drive it with a TS model, but I'm just missing that tone ... I don't know why exactly. Might be my power amp and cab, or maybe just my settings.
  87. DemolitionColorScheme

    [Controling the Tuner via MIDI on the G-System] - Help needed

    I see! Well, when I switch effects, or sounds altogether, I normally just go to the next patch. Once my effects are programmed, they're good to go. Thanks for all the help!
  88. DemolitionColorScheme

    [Controling the Tuner via MIDI on the G-System] - Help needed

    Got it! CC15. Well, that was easy, haha! Thanks! :D Anymore tips as to what I should / can combine?
  89. DemolitionColorScheme

    [MIDI SYNCING] : G-System + Axe-FX ULTRA

    I found out that the G's Tap button sends out CC19, so I set the Axe to 19 and it works like a charm!
  90. DemolitionColorScheme

    [MIDI SYNCING] : G-System + Axe-FX ULTRA

    Well, not really. That thread is about engaging the tuner with a MIDI CC, but I actually want to hook up both tempo's in every preset. Is that even possible with these two?
  91. DemolitionColorScheme

    [Controling the Tuner via MIDI on the G-System] - Help needed

    Very cool! I'll give that a shot! Awesome! Thanks! I remember, indeed, that the G-System won't send out CC's AND switch the effect. It's weird, but okay. Now to find out again how the G needs to be programmed to send out a CC and which button to sacrifice for that. Probably the Boost button.
  92. DemolitionColorScheme

    AXE FX ULTRA AND G SYSTEM MIDI

    I do the same with the G-System. With the G-System, when I pick patch 00-1 I get preset 128 (if I'm not mistaken) and it has always worked ... but I'd like to sync the two so I can match the tempo. Have you ever gotten that to work, Pete?
  93. DemolitionColorScheme

    [MIDI SYNCING] : G-System + Axe-FX ULTRA

    I was wondering if anyone has used the tc electronic G-System to send out MIDI to match the tempo I tap in on the G-System. I would love to have those two be able to hook together and sync up. That way, I can tap a tempo on the G-System and then it'll sync the tempo on the Axe. Anyone?
  94. DemolitionColorScheme

    [Controling the Tuner via MIDI on the G-System] - Help needed

    Bump. Still haven't figured this out.
  95. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    That's nice, but I'm not really looking to get a II - not right now, maybe when a III comes out or prices drop.
  96. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    I was afraid of that ...
  97. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    Anyone? Is everyone in the 'II' section of the forum? ;)
  98. DemolitionColorScheme

    Getting that classic Peavey 5150 low-mid growl and smoothness

    I'm using an ULTRA with a Gibson Les Paul Classic Custom Ebony (tuned to B Standard) with a Peavey 50/50 Poweramp and a Koch 2x12 cab. The model I use the most is the 5150 model, I've always loved that tone, however, I haven't really been able to be completely convinced by the Axe's portrayal...
  99. DemolitionColorScheme

    [Controling the Tuner via MIDI on the G-System] - Help needed

    The thing is, the tuner is at the effects block, and when you don't bring the G-System's effects in via the FX loop of the Axe, you don't get any signal to the tuner. I don't always use all the effects on the G-System. I don't want it to mess with my signal if it doesn't have to (because it does...
  100. DemolitionColorScheme

    [Controling the Tuner via MIDI on the G-System] - Help needed

    So, I mainly use my G-System for the 4 pedals in the loops and the MIDI switching, now and then I use the onboard effects via the FX loop, but not always (the G's tuner is in the FX loop, so the speak, so in the time-based effects section), so, I need to be able to switch the Axe-Fx tuner on and...
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