To kill part of the latency from the audience (or even the conductor) POV - over here in my seats to the left, I still hear the 3rd violin in front of me well before the kettledrums in the far corner, even if they are perfectly synched to each other, and the conductor hears the first violin/viola/cello before the others, and so on. I assume it's a genuine problem for recording engineers...?That's the one of the reasons an orchestra has a conductor; to "kill" the latency between musicians.
Új Jmp1 19.02-től akcióban!
Od 1 a ritmushoz
Od 2 a vezetékekhez (extra blokkokkal)
dunlop petrucci wah
When you used to play through a real amp all life long and you try playing / recording through a computer, even a small latency is perceivable
If there's no Drive or Amp block the Oversampling Mode is irrelevant.If I don't run an overdrive or an amp in a Preset, will that latency from those two blocks already be removed? I use the X-Load and Cab quite a lot and I'm wondering if I should on min-latency for that. I could make it so no scene in that block has drive or amp.
One of my friends is a recording engineer that has done a lot of orchestral work. He multitracked an orchestra properly to kill all the latency issues a few years ago. He loved the end result, but was told by everyone involved in recording classical music that it sounded terrible. This was evidently because the orchestral-music-buying audience are looking for something that approximates the experience of being in a good seat, in a good venue, listening to a good orchestra with all the associated signal path delays and "room" sound. It was a problem for my friend, but he was disappointed that he fixed something no-one else believed was broken. In fact they hated the fix!To kill part of the latency from the audience (or even the conductor) POV - over here in my seats to the left, I still hear the 3rd violin in front of me well before the kettledrums in the far corner, even if they are perfectly synched to each other, and the conductor hears the first violin/viola/cello before the others, and so on. I assume it's a genuine problem for recording engineers...?
But isn't there such a thing as analog latency, too. My first time on a big stage I encountered that
phenomenon and it took me a long time to get used to it.
but was told by everyone involved in recording classical music that it sounded terrible.
Great. Thanks!If there's no Drive or Amp block the Oversampling Mode is irrelevant.
But isn't there such a thing as analog latency, too. My first time on a big stage I encountered that
phenomenon and it took me a long time to get used to it. So long that I never really got used
to it. In small clubs and rehearsal spaces that issue is not in play, but the bigger the venue and
setting the more that analog latency becomes an issue.
IEMs seem to resolve a lot of this now for the musicians on stage.
Yes, of course that would be a possibility. however, they are factory presets that one could expect optimized and adjusted as a buyer of a fractal device. meanwhile there are also some presets that no longer fit in terms of sound. would it be too much effort for fractal to regularly adjust the presets?I think enough firmware updates have passed that it’s “normal” for the Factory presets to need updating and for some to not sound great.
What happens if you build your own “Euro” preset with the same settings and IRs?
Not Latency, the synonym: DelayLatence.
You know some wise ass is going to say that you left out the Y when you called him a retard…Délai, ou retard.