NY Guitarist
Power User
When the clip ended, I was waiting for the "comparison" to start.
I didn't even notice that both examples had played!
Me too! Wow...
When the clip ended, I was waiting for the "comparison" to start.
I didn't even notice that both examples had played!
Yes, the differences are quite noticeable for me as well on this one. Second tone is brighter, less full and it seems to sound cleaner (less gain). Not a good A/B IMHO.
I am confused. The Tone Match block will be doing the "EQ match" type thing AND also doing the Amp Match process?
Scott's post on page one alludes to this being "both," in that a guitar sound from a track is mentioned ("Mean Streets"), but also the lack of need for the Cab Block, as the Tone Match Block accounts for that aspect... which is what leads me to think that the Tone Match Block is also the Amp Match Block?
Cliff's clip and description seem to be "matching an amp" rather than "matching a tone on a record" (mic'd amp versus prerecorded bit). Or is this all being treat as (vanilla) "Source material"?
I also didn't notice that both had been played already lol
Well done! very impressive!
I thought I heard a KPA turning over in its grave hahaha
Second part of the clip sounds a hair brighter to me, like if you cut the low end a bit, but could be just the playing, but they're very very close, nice work!!!
So the fractal is matching a recorded guitar track or sound?
It can be a recording OR a live amp. If it's a live amp, just mic it up and feed the signal into the matching block as the reference signal.