NeoSound
Fractal Fanatic
In my tests the coloration is always unpleasant as it boosts the mids and, more importantly, reduces the low-frequency resonance which lessens the "knock" and "thump". This is when using a solid-state power amp. When using a tube power amp the resonance gets magnified.
Redundancy!? Double tap idea?
If we use this method in the beta fw and shoot the perfect ir - then we are essentially doing the same thing again coloring the sound (to a lesser degree) when we use our amplification system, so my question is if we do the same or similar process again only for our amplification system (as long as its capable of full range reproduction) with a reference mic
shouldn't we have a corrective ir that can be placed at the end of the effects chain in all patches that will compensate as long we don't switch amplification systems? Seems to me even the best frfr could benefit?