mworkman
Experienced
Re: User Reviews of ATOMIC FRs?
I have the QSC and have been A/Bing them with the Reactor FRs. I have been hesitant to post a review because (a) I don't feel like I have great ears and (3) I haven't been able to put a lot of time in yet, probably less than 3 hours total.
When I got the Reactor FRs I was operating on the year old memory of when I first heard the prototype at the L.A. Amp Show. My impression at that time was that they sounded much better than the QSCs but obviously the QSCs were not at the Amp Show for me to compare. By the time I got home it was hard to remember exactly what the prototypes sounded like. Again that was a year ago.
Fast forward to last week when I got my Reactor FRs...
I got them setup. Set the Tweeter Level to Noon since the manual indicated this was the flatest response. Set the volume on the Reactor FR to maximum and used the Output Volume of my Ultra to determine how loud things got.
I went through some of the stock presets that I am familiar with - Studio Lead, Brown Sound, Blackface with Effects, Machine Gun, Dirty Capstan, and Recto Wah - and compared them between the QSC and Reactor FR.
Initially I wasn't struck the same way I was at the amp show. The presets I was familiar with sounded different. Not great, not bad, just different.
Since I have done more A/Bing back and forth and my impression now is that the QSCs are less bright and the Reactor FRs are more bright and I'd like to be somewhere in between.
I don't know if it is some kind of ear damage but typically higher frequency... uh... "breakup" or get "static-y" if things are too loud so I think initially the brightness of the Reactor FRs turned me off.
But again going back and forth between the two I think my happy medium lies somewhere between what I perceive the QSC and Reactor FR to be.
So I have some options... I could use the Global EQ, which is flat right now, to either brighten the QSCs or darken the Reactor FRs or I could turn down the tweeter level on the Reactor FR.
I don't really want to brighten the QSC because for example in the Brown Sound preset there is some upper frequency fizziness that I hear on that preset even though the QSC is the darker of the two. However even though the Reator FR is the brighter I don't hear the same fizziness.
I haven't had a chance to run bass or acoustic guitar through the Reactor FR yet because I don't have a preset for either that I really like. I have read in other reviews in this thread that people adjusted the tweeter level to make the Reactor FR more bright for acoustic. So for my electric patches I kind of want it a bit darker and for acoustic I'll have to see. I'd really like to find a tweeter level setting, set it and forget it. So I am going to have to spend some time maybe with EQ within the patches to get what I am after.
I ended up writing more than I thought I would. Again I am hesitant to write a review because I don't feel like I've really had a chance to put the Reactor FR through its paces. The other thing to over come is I have been listening to those presets for well over a year so I have this perception that how they sound with the QSC is how they should sound. I think that is why my initial reaction to the Reactor FR wasn't immediately favorable like others have posted. So I still need some time to get used to how those presets sound with the Reactor FR so that I can better compare between the QSC and Reactor FR. I think both can be made to work but because of more smoothness on the high end my preference is for the Reactor FRs. In other words I am leaning towards keeping them.
I did have one issue with one of the Reactor FRs where the volume knob is misaligned compared to the other Reactor FR I had. Initially I set the "good" volume to a volume level paying attention to what position the line was oriented say 2 o'clock and then visually set the "bad" one. When I played the sound was lopsided and I could barely hear the "bad" one. I came to realize the the pot was misaligned. Once I maxed out the "bad" one I had a even level between the two. So I'll speak to support about that.
Here is a link to a picture. The picture is kind of large but you'll get a perspective of their size. They are sitting on top of old EV 15" two-way monitors.
http://members.dslextreme.com/users/mworkman/ReactorFR/IMG_1398.JPG
I have the QSC and have been A/Bing them with the Reactor FRs. I have been hesitant to post a review because (a) I don't feel like I have great ears and (3) I haven't been able to put a lot of time in yet, probably less than 3 hours total.
When I got the Reactor FRs I was operating on the year old memory of when I first heard the prototype at the L.A. Amp Show. My impression at that time was that they sounded much better than the QSCs but obviously the QSCs were not at the Amp Show for me to compare. By the time I got home it was hard to remember exactly what the prototypes sounded like. Again that was a year ago.
Fast forward to last week when I got my Reactor FRs...
I got them setup. Set the Tweeter Level to Noon since the manual indicated this was the flatest response. Set the volume on the Reactor FR to maximum and used the Output Volume of my Ultra to determine how loud things got.
I went through some of the stock presets that I am familiar with - Studio Lead, Brown Sound, Blackface with Effects, Machine Gun, Dirty Capstan, and Recto Wah - and compared them between the QSC and Reactor FR.
Initially I wasn't struck the same way I was at the amp show. The presets I was familiar with sounded different. Not great, not bad, just different.
Since I have done more A/Bing back and forth and my impression now is that the QSCs are less bright and the Reactor FRs are more bright and I'd like to be somewhere in between.
I don't know if it is some kind of ear damage but typically higher frequency... uh... "breakup" or get "static-y" if things are too loud so I think initially the brightness of the Reactor FRs turned me off.
But again going back and forth between the two I think my happy medium lies somewhere between what I perceive the QSC and Reactor FR to be.
So I have some options... I could use the Global EQ, which is flat right now, to either brighten the QSCs or darken the Reactor FRs or I could turn down the tweeter level on the Reactor FR.
I don't really want to brighten the QSC because for example in the Brown Sound preset there is some upper frequency fizziness that I hear on that preset even though the QSC is the darker of the two. However even though the Reator FR is the brighter I don't hear the same fizziness.
I haven't had a chance to run bass or acoustic guitar through the Reactor FR yet because I don't have a preset for either that I really like. I have read in other reviews in this thread that people adjusted the tweeter level to make the Reactor FR more bright for acoustic. So for my electric patches I kind of want it a bit darker and for acoustic I'll have to see. I'd really like to find a tweeter level setting, set it and forget it. So I am going to have to spend some time maybe with EQ within the patches to get what I am after.
I ended up writing more than I thought I would. Again I am hesitant to write a review because I don't feel like I've really had a chance to put the Reactor FR through its paces. The other thing to over come is I have been listening to those presets for well over a year so I have this perception that how they sound with the QSC is how they should sound. I think that is why my initial reaction to the Reactor FR wasn't immediately favorable like others have posted. So I still need some time to get used to how those presets sound with the Reactor FR so that I can better compare between the QSC and Reactor FR. I think both can be made to work but because of more smoothness on the high end my preference is for the Reactor FRs. In other words I am leaning towards keeping them.
I did have one issue with one of the Reactor FRs where the volume knob is misaligned compared to the other Reactor FR I had. Initially I set the "good" volume to a volume level paying attention to what position the line was oriented say 2 o'clock and then visually set the "bad" one. When I played the sound was lopsided and I could barely hear the "bad" one. I came to realize the the pot was misaligned. Once I maxed out the "bad" one I had a even level between the two. So I'll speak to support about that.
Here is a link to a picture. The picture is kind of large but you'll get a perspective of their size. They are sitting on top of old EV 15" two-way monitors.
http://members.dslextreme.com/users/mworkman/ReactorFR/IMG_1398.JPG