.... even with the 'decond class dicket to dottingham' inflection .....
thanks for watching, sean. as a very basic overview, it's ok...but there are a lot of subtle details i didn't go into. worth doing another that digs a bit deeper, but also explains a bit more about the stuff in the parameter linking window as well, i think. i'll try to plan the next one out in a bit more detail before i start. i was definitely winging it with this one.
Simeon,
In the example where you assign a pitch source controller to the pitch block and have the fixed harmony only play at higher notes, how do you assign where not to activate and where to activate? There isn't any controls in 'pitch' under 'controllers'.
I think it doesn't matter so much what's high and what's low. What matters is how it affects the sound, and you're going to dial that in by ear with the modifiers, no matter what the actual numbers are.I think the question is, what is "high" or what is the cutoff note between low and high?