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  1. jamongrande

    A Question and a thought about DI and silent stage

    Re: audience recordings, I didn't mean iphone recordings, my bad. I meant a dedicated zoom recorder setup near the FOH mixing position (which gives a good sense of the mix), and when available multitrack stems off the board (good for hearing how individual instruments were EQ'd, but no sense of...
  2. jamongrande

    A Question and a thought about DI and silent stage

    OP here, thanks for the thoughts. One band I'm in used to use the splitter you linked to, @Bruce Sokolovic, though it was a 32 channel version. We've recently moved to a BTPA splitter that was slightly nicer with right angle plugs on the IEM mixer leg (Presonus 32R as well), and a detachable...
  3. jamongrande

    A Question and a thought about DI and silent stage

    No, fractal devices aren’t damaged by phantom.
  4. jamongrande

    A Question and a thought about DI and silent stage

    First a question: based off of some recent road experiences with extremely different sound systems and production crew, at what "point" do you cede control over your sound to the FOH crew, both in terms of timbre/tone and hardwire connections? If you listen to the sound of FOH during...
  5. jamongrande

    Best poweramp for Axe III (Goal: LOUDDDDD)

    Are you using IRs with the F12-x200s?
  6. jamongrande

    Best poweramp for Axe III (Goal: LOUDDDDD)

    I've been using an LXII for about 3 years now. The presence and depth locations are a little frustrating, but I only really use them when playing at near conversation volume level at most. I would rather dial in the EQs on my fractal units to get right where I want that bottom end to be...
  7. jamongrande

    Wish Pitch Block - TransTrem Sim

    Not many, but Michael Hedges always comes to mind as someone who specifically wrote for the transtrem. I know I've seen a few examples from a Facebook group, but would have to research to find them. There are more players who used it as a part of the technique more broadly, like David Torn...
  8. jamongrande

    How good is the Axe 3 for this routing?

    It’s fine. I’ve used those type of boxes on a lot of different sources without issue.
  9. jamongrande

    How good is the Axe 3 for this routing?

    Ideas like this are a big reason why I moved over to the Axe, which would require some specific gear to achieve in other setups. That said, you may run into ground issues, and in which case the Ebtech/Morley hum eliminators are very handy.
  10. jamongrande

    Midi and FM3

    Ya, just to echo @mr_fender 's point about midi devices that can poll for states. I have an Axe3 controlled by an RJM Mastermind GT that can poll states, and an FM3 w/ another midi controller that doesn't. Both are workable in general, but it sure is nice on the RJM to poll and reflect states...
  11. jamongrande

    Feedback without an amp

    Funny enough, I was at a practice last night running my FM3 through a cheap Samson floor monitor at my side pointed towards the band. I must have been in the right location because I had a few moments of good feedback just jump right out. I almost never get the same thing with a monitor pointed...
  12. jamongrande

    ASI Audio IEM Live Issues

    re: noise floor with Senn G4's. Good gain staging is pretty important to get the nosie floor down with the G4s, as cranking the beltpack can generate some constant low-level hiss. In my bands IEM rig, I make sure that everybody is getting individual channels somewhere in the -10 to 0db range...
  13. jamongrande

    Trouble syncing tremolo with midi/metronome

    Depending on the guitar part, you could play with the Trigger threshold value in the trem block as your method of resetting the phase to fit. Otherwise set the speed to the required subdivision value and the patch to the bpm of the song. Play around with the Start Phase position as well so you...
  14. jamongrande

    Wish MIDI: change Layout/View

    +1
  15. jamongrande

    Luminite Graviton M1 and F10W Footswitch

    Thanks so much! Will do
  16. jamongrande

    ASI Audio IEM Live Issues

    I use the ASI system (for about 2 years now with Sennheiser G4 receivers), with both the universal dual-drivers and more recent the custom molded quad-drivers. There is an overall tilt towards trebles with this system, though certainly not drastic compared to the Shure 425s that were my standard...
  17. jamongrande

    Axe-FX III Mark II: data loss of global settings

    I would definitely check the data being sent from your controller when you boot it/reset/send batches of data. I encountered similar global settings/midi issues back when I used an iconnectivity device and more recently a Widi THru6 in between my midi footcontroller and the III. With the former...
  18. jamongrande

    First Fractal - FM9 would work, but temped to go for flagship

    Thread tangent: I would be highly interested in the kinds of variations you get in the fuzzes, as that's one of the few pedal types I still buy.
  19. jamongrande

    First Fractal - FM9 would work, but temped to go for flagship

    I vote III if only for the updates. I learned my lesson w that way back with an Ax8, as I waited while the II got all sorts of updates. If you really need something light/space saving then the Fm’s would be ideal.
  20. jamongrande

    Running a 4x12 and a 2x12 in stereo

    I run a closed-back vertical 2x12 and open back 1x12 as “stereo”, but it’s really more dual mono sources given their different qualities with the rare stereo spread or panning effect for fun. I then use the balance in the output block to determine which vibe I want more or less of. It’s a more...
  21. jamongrande

    How many are using external loopers w/ Fractal?

    I use a Glou-Glou Loupe and Microcosm for editable and glitchy loops in my III rack setup. The Loupe is a very hands-on device, allowing for replacing and inserting content in a variety of ways, and both destructive and non-destructive manipulations of playback. Microcosm is simpler in the sense...
  22. jamongrande

    FM3 with other midi controllers

    For my FM3, I’m using a Luminite M1 (upper right hand corner) and X/Y controllers. The X/Y’s are two small joysticks that register in four directions each plus a push function, so 10 actions per “page” on the M1 (with 12 pages of actions). The X/Y mounts directly on my guitar and communicates...
  23. jamongrande

    Trying to match lead tone from Carr Slant 6v

    My recollection of the Slant6 is pretty old now, so grain of salt and all, but I might suggest some of the smoother midgain amps like the LoneStar lead channel or Shiva lead. I never thought of the Carr lead channel being particularly Marshally. I remember it being a "lower" gain sound with...
  24. jamongrande

    Looper Pedal for Playing Live?

    From your description of your band, I'm going to guess that something like the Plus Pedal or an EHX SuperEgo might be a better fit than a looper for a couple of reasons. First, you have to have a very disciplined rhythm section to lock into a looper (or a click or tracks) and essentially give up...
  25. jamongrande

    Controlling JP2C with Axe Fx III and MMGT 22

    The cabling and connections all sound fine. You need to set the JP and RJM to different midi channels however. Then set up the JP in the devices menu of the RJM, though I think it will be a generic PC/CC device. From there, I might first build presets and PC changes to address the Axe...
  26. jamongrande

    Luminite Graviton M1 and F10W Footswitch

    I've been using the Gravitron and X/Y controllers for the better part of last year (I think mine is #15 or so). I personally like the idea of wireless effects control from my guitar. I even briefly had it setup with my Ax3 via bluetooth connection and USB power bank, so a completely wireless...
  27. jamongrande

    Output 1 for stage cabs and output 2 out to FOH?

    The only two differences between running Out 1 or Out 2 might help make your choice as to which is cabs and which is FOH: Out 1 has both XLR and 1/4” humbuster jacks. The humbuster jacks may make it easier for you to plug into an unbalanced 1/4” input on a guitar power amp; if you’re power amp...
  28. jamongrande

    Looper with MIDI controller (or other)

    With the way the looper functions, you would need at minimum two momentary footswitches (e.g. 2 FS-5L's, one FS-7, or one FS-6), one programmed for record and the other for play (overdub and stop are triggered by these same footswitches respectively), plugged into the footswitch jacks on the...
  29. jamongrande

    LEAD VOLUME LEVELS

    I use a parametric EQ with a 2db volume boost, a 2db shelving cut from about 200hz on down, and a broad Q 1db boost in the 1k range for cut. I'll also set a complex delay like the Multitap or Plex to add a 2db boost, but that requires that the block be in Thru bypass mode (which unfortunately...
  30. jamongrande

    How do you guys deal with different output sources sounding different?

    Also: if you set switch the output eqs (from graphic to parametric or none) the setting are retained. So you could save the eq off when working on your own monitors, program the eq for your band’s regular system on the parametric setting, and a second tuning in the graphic setting. I often think...
  31. jamongrande

    How do you guys deal with different output sources sounding different?

    Output EQ for sure. I typically run Out 1 (either Axfx3 or FM3) to FOH; I generally keep that flat and let the soundman handle it unless our band is running sound and I will adjust from the Out 1 EQ to get the overall balance working (though unfortunately not always exactly to where I want). Out...
  32. jamongrande

    Sending Midi Program Messages Wirelessly (MidiPad2 on iPhone SE to Axe FX III)

    It will require you to build your UI, but TouchOSC is a solid app that will let you send any kind of midi message (including sysex I think), using all sorts of control objects (knobs,sliders, buttons, etc). I used to use Lemur which was super deep (logic functions, motion sensors, and physics...
  33. jamongrande

    Pedalboad for FM3 and EV2?

    I use a duo 17 for my FM3 with space for either an expression, or a few footswitches on the side. I need to look into the screws mentioned above. I instead used some thing slats of wood (actually a yardstick cut into sections) and velcro inbetween layers. I use the Mono Club 2 for carrying it...
  34. jamongrande

    How to make lower gain Plexi pre set sound full?

    I was just having a moment of thin-Marshall models myself yesterday, and ended up landing on the Cameron 1B (I think) for a plexi-level gain but-thicker sound. Gains were cranked if I remember right, but it cleaned up well and seemed to have both clarity (which I didn't get from many of the...
  35. jamongrande

    What do you think of a wedding band with no drummer and backing tracks?

    I work with a band that has been doing the tracks + X live musicians for a few decades now (some of the tracks were made in the 90s). Usually 2 vocalists who know all the vocal parts, have choreography, and now how to work the crowd. When budget or vibe allows, live guitar or horns may be added...
  36. jamongrande

    VolPan vs Out w/attached modifier

    The erratic response is interesting as I had a similar moment using the el garatge with a different midi controller (Luminite Graviton). It was jittery over bluetooth, but fine when running through a wired connection. I've had other issues with bluetooth and large midi data streams that cause...
  37. jamongrande

    Fryette LXII

    It took me forever to find it again but its in a rig rundown-type video about 11 minutes in. With the HumX, you would plug the Humx into your furman and the LXII into the HumX. That's all. But given that you're only hearing it on gained up channels, it doesn't sound like the same issue I have...
  38. jamongrande

    Fryette LXII

    There is a hum issue that can be remedied by either the Morley/Ebtech line level device, or the hum eliminator that sits directly between the electrical outlet and LXII. I noticed in a semi-recent rig diagram for Steve Vai that he has to do the same with his LXII units...
  39. jamongrande

    Will this be the guitar tone of the future?

    If only I could trade half of the Mesa and Marshall models for a handful more of interesting fuzz textures in Fractal land... tones like these are why I still have fuzz pedals. But I also think there are musicians out there who do more interesting things with those kinds of sounds as well, so....
  40. jamongrande

    VolPan vs Out w/attached modifier

    I use a pair of those mini expression knobs, usually for some sort of overall volume control (sometimes output 1, sometimes output 2, and sometimes controlling “balance” on an output block running to two dissimilar cabinets). For those purposes, and not as a textural control (e.g. swelled...
  41. jamongrande

    Looking to Change The Way I Route the AFX3 to Interface

    I run mine into a RME baby face via spdif rather than XLR all the benefits mentioned above and 1 less cable. I don’t use the USB for audio since I use a PC and don’t have the benefit of aggregate devices like a Mac, and I don’t want all of my audio going through the Axe. I actually use two...
  42. jamongrande

    Thinking of Switching from VHT 2:90:2 to Solid State

    The "power amp on/off" thing is an interesting thing to me. Older amp models like Plexis and tweeds need the modeling for the gain and some dynamic timbrel response, and some don't. And while a 2:90:2 might color the signal, it surely isn't breaking up in the way that those older models' power...
  43. jamongrande

    DMX Control via MIDI Block

    I’ve used an ADJ Operator on and off for a little over 10 years, in conjunction with a lot of different guitar/midi rigs. I never had more than 8 fixtures total (3 bars for wash/effects, 2 jewel effects, two white/amber pars for spotlights, and a laser), so not a large rig. I think I ended up...
  44. jamongrande

    Unwanted: Midi Controller mutes input block upon scene change.

    If you still want to troubleshoot it, attach the backup file and I’ll take a peak at it. I still use my LF+ as my main controller because of the form factor and flexibility across devices. Every now and then one tiny command hoses everything up. My initial thought is that you have scene IAs...
  45. jamongrande

    Axe-Fx III Firmware 22.00 Release

    My Axe froze up last night during a show: the usual no sound/response, all lights on red. I’ve been running the betas with no issues, and installed this release on Tuesday. I’ll try to recreate and troubleshoot. Over the next few days.
  46. jamongrande

    Fuzz Pedals

    There are dynamic timbral qualities to a fuzz that make them really unique, in terms of how the sound evolves over time , and how the circuit reacts with other devices (e.g. pickups, volume knobs, buffers, etc.). I think there’s something inherent in the design structure of almost all modeling...
  47. jamongrande

    Get Strapped!

    I've developed some neck/nerve issues somewhat recently as well and have become more thoughtful about which straps I'm using. My most comfortable and most expensive straps are leathers from Anthology. Wider and very durable compared to all the others I have, including Couch, Soldier straps, and...
  48. jamongrande

    replacement footswitches for FAMC/Liquid Foot

    Thanks for the help and links! After opening it up, it seems like either the tact switch attached to the PCB is going bad, or the actuator switch that pokes the tact has been misaligned somehow (don't know if I'm getting nomenclature on switches right, so please bear with me). I can click the...
  49. jamongrande

    replacement footswitches for FAMC/Liquid Foot

    Despite FAMC's issues as a company, I still rely on and enjoy my LF12+ for a few reasons (controlling multiple midi devices, reassigning exp pedal assignments through IA's, complex strings of messages). Because of FAMC's issues as a company, I'm worried that I now have a bad footswitch (#3) that...
  50. jamongrande

    Fryette Lx2 ?

    I don't use any IR's through the path that leads to the real speakers. I split the signal chain after my delays and reverbs, use an IR for the direct signal, and put a PEQ in both of the split chains to tweak the overall sound.
  51. jamongrande

    Fryette Lx2 ?

    To date: Austin Speaker Works Kt-70 and Kt-60, Celestion V-types, Celestion Alnico Cream, Eminence Swamp Thang, EV 12L, and Tone Tubby Green ceramic. I did not like the setup with the Alnico Cream, EV, nor the Tone Tubby. Cabs include a Marshall Sv2x12 (vertical closed back 2x12), Milkman 1x12...
  52. jamongrande

    Axe FX III for weirder/more experimental tones?

    I personally find that the underlying design philosophy leans more towards ‘traditional’ drive timbres (this ain’t Metasonix), but that doesn’t mean that really gnarly distorted tones aren’t possible. For instance, many firmwares ago there was either an amp or drive model that was “incorrect”...
  53. jamongrande

    Love my studio sound; live it sounds a bit thin.

    Keep the amp modeling on, crank the Fryette and control overall volume from the Fractal, and don't be afraid to use both the speaker resonance setting and boost the output EQ low end to get the sound you want. I run my Axe through an LXII, and regardless of cab spend a good amount of time...
  54. jamongrande

    Can't afford a Klon? Grab a Bad Monkey!

    I know this thread is about JHS and youtube videos' effect on market prices, but... Just a reminder that the estimable @Burgs posted the famous Klon/Bad Monkey shootout 13 years ago. That video itself was the focus of many TGP debates about the Klon, and preceded most (all?) of the Klon...
  55. jamongrande

    FM3 as effects pedal with Tonex pedal

    I would guess that the signal being sent out from the FM3 is much higher than the typical instrument level signal the ToneX is expecting. Do you have any blocks engaged at the FM3 before it gets sent out Output 2? It seems like you are getting a line level signal out of Output2, which would...
  56. jamongrande

    One Expression Pedal to rule all 4 Pedal Inputs.

    Interesting idea, no idea if that will cause any weird response as you will be electrically connecting those expression together. As an option, you may want to consider this Mission Engineering switch, which allows you to select one of three possible routings for an expression pedal
  57. jamongrande

    Cabinet for on-stage feel?

    Re; the powerstation, I believe the effects loop in is the preferred input. I would start there, and then tweak EQs for that output only (if you intend to use other outputs to send an IR'd signal direct to FOH. I do this with the LXII and a variety of cabs w regular guitar speakers (I'm...
  58. jamongrande

    Axe-FX III with Real cab vs. the Real thing

    I still use all of the parameters in a hybrid setup (IRs to FOH/monitors, LXII+cab on stage). For the impedance curve, I set it by ear (though I have 3 or 4 settings I return to).I did not like any of the flat/resistive load settings as they also sound a little boring to me in the bottom end in...
  59. jamongrande

    Best Power Amp for Modelers

    When I first got it, I was somewhat satisfied, and preferred to a FRFR setup (including RCF, QSC, CLR). But as I would dial in tones that worked well running to FOH (with ir) and amp/cab (without IR), I would boost the bottom end on the SD170 and slightly attenuate the treble. When I moved to a...
  60. jamongrande

    Best Power Amp for Modelers

    What kind of difference do you hear between the two? I'm familiar and have my opinions about SD170, but am curious as to yours.
  61. jamongrande

    dynamic presence. did it disappear or just move or get renamed?

    That functionality was turned into the dynamic distortion block. I've actually been using it lately to tame down some trebles in a power amp/cab setup.
  62. jamongrande

    DB Tecnologies ES802 for Monitoring

    I use a pair of RCF Evox 8s (not J8s) that I’ve regularly used for PA duties, including situations running my Axe w/ no cab or floor monitor. I love them for situations where I’m not cranking volume or trying to project; they are great for balanced and nuanced sound with wide dispersion. But...
  63. jamongrande

    Steel String Singer or Vox AC-50

    Iirc, the SSS approach is to use the Ampeg SVT model, as the Dumble was initially based off of that amp.
  64. jamongrande

    Carr Roamer pentode to triode?

    Yeah, the switch to triode gives a mid focus to the overall amp character, and lower headroom and volume in general. I’ve never felt that I’ve achieved a 1:1 comparison between my actual Rambler run in pentode mode and the model, even when running the axe through a 6l6 power amp into the same...
  65. jamongrande

    XY touchpad MIDI programming?

    Glad to hear you got it sussed out. I've been using ipads/iphones as controllers like this for a while, mostly using the Lemur app by Lline (now discontinued), and TouchOsc (still available). The Flux:fx app designed with Adrian Belew was a lot of fun effects designed to be manipulated with an...
  66. jamongrande

    Best clean gain for acoustic / K&K pickups

    As an aside, while I love the K&K system for many reasons, it can be very picky with the preamp input it sees. I went through a few different preamps before I settled on a Grace Audio Alex, which I then run into Input 2 of my Axe. That way I can just leave it plugged in when switching between...
  67. jamongrande

    13 years and still learning! Let's discuss Volume block.....

    Currently using a Mission pedal, but have used a Roland and generic controller. Regardless of the brand, I usually add a small amount of attack and release time (~40-60ms) to slow down the update and make for smoother swells. I find it can sound a little jumpy going from silent on up. I also put...
  68. jamongrande

    Axe-Fx Firmware Version 21.00 Public Beta #4 (Beta 4)

    A yes on preset updates for me, coming from 21.1beta. I had to re-level amps overall, and do some eq tweaking (input eq, speaker resonances, and cab filters). This was between 3 different kitchen sink presets using 12 amp models. I bailed completely on two amps switching them out for something...
  69. jamongrande

    Anyone else try one of these with your AxeIII?

    old thread, but... Brad Sarno is a really great engineer (both mastering work and builder of audio tech). I regularly ran into him when I worked retail in an acoustic music shop in St. Louis. He let me borrow an early Black Box when he was just starting to produce them. The original idea was...
  70. jamongrande

    Connected A PS4 Controller, controlled Axe Edit

    There was a brief moment in the late 2000's while I was in music grad school were everyone was obsessed with using Nintendo Wii controllers to change processing parameters in live performance. Lots of one handed instrument playing and swinging the other hand around. Maybe @AlGrenadine can make...
  71. jamongrande

    Axe working - then not

    I’ve had this exact thing happen to me: loose connector to the front panel board. It’s easy enough to open, reseat, and potentially glue gun to make it secure.
  72. jamongrande

    Any headless guitar player up in here?

    Below is an '89 Steinberger GL2T, originally purchased by a mentor of mine from Dan Martin (who sold EVH his Steinberger). I basically learned to play on this exact guitar, which was sent into my care a few years back. I recognized the feel and sound of it as soon as I took it out of the...
  73. jamongrande

    EQing for Rooms

    Global EQ's are your friend here. In fact, you can EQ for one space with the graphic and another with the parametric, and those settings will be recalled when you switch between them. Side note: while I personally would like to push the strongest signal from my rig, I often set outputs to -10...
  74. jamongrande

    Played through a stack and it was glorious...

    Had a chance to play through a blaring speaker stack, and it was religious. Meyer Sound speakers that is... And I got a great compliment from the head of the production crew about my guitar tones. Fractal and the Aurora delay FTW
  75. jamongrande

    Why Have Otherwise Globally Significant Cultures Failed To Produce Iconic Music Acts?

    There are internationally renowned music stars from every corner of the earth. And their fame extends well beyond their home country's borders. It's listeners in the US who have often been the most deaf to what's been happening everywhere else. And don't conflate Western pop artists'...
  76. jamongrande

    Superego +

    You should be seeing something if the Out 3 is up. As an aside, I have noticed that with the regular SuperEgo, it is impossible to get rid of the Dry signal from the output even with Dry completely down. Instead, I use the loop output of the SuperEgo as a wet-only signal. Otherwise, given the...
  77. jamongrande

    Question about unwanted exaggerated frequencies around 2.5K?

    That's one of the first frequency areas that I go to when my tone seems harsh, regardless of amp models, IR's, or even running into real cabs. I usually use the output eq's to tame it, as the amount of cut depends on the speakers I'm listening through and the volume I'm listening at. Too much...
  78. jamongrande

    Axe-Fx III Firmware Version 20.02 Public Beta (Beta 1)

    Thanks for the quick comparison. I tend to play at much lower gain levels, but I'm hearing an interesting difference in the midrange. 20.02b seems to have a little more info happening in the 700-1k range (I think), which is a good thing for my kinds of tones.
  79. jamongrande

    Dual output - stereo stage monitoring and mono to FOH

    In regards to the sum-to-mono phase issues: it can be a good practice to listen to how that effects the overall output by using the global audio output settings to move between stereo, Copy L-R (in other words only one side of output), and Sum L+R. I find there can even be a subtle difference in...
  80. jamongrande

    Fryette LXII

    Sometimes if I’m traveling light but still want a real cab I’ll bring the SD and a 1x12 with an EV 12L. If there’s some room in stage for me to get 5-6 feet away from the amp I prefer the Fryette along with a 2x12 wired in stereo with a speaker mix. And then to complicate it more, I’ll just use...
  81. jamongrande

    Fryette LXII

    I could see a pair of 200s putting out some serious volume collectively, requiring higher LXII levels (though it does seem slightly disproportionate). I regularly set my LXII volume to about 3pm, and the Out 1 level anywhere between noon to 3pm. This is with the outputs set to -10db. That's...
  82. jamongrande

    Axe-Fx III Firmware Version 20.00 Public Beta (Beta 4)

    I'm noticing a hickup/gap (I would guess about 100ms after the midi message) when using midi to switch between two presets on different scenes (e.g preset 400 scene 3 to preset 402 scene 4) and even different scenes within the same preset. Rolled back to 19.08 and the issue is gone. Retested...
  83. jamongrande

    Wild thing - speaker fart

    I've always loved that crackling texture in that performance. It's definitely the sound of some piece of equipment about to give up the ghost. And during the whole guitar sacrifice part as well... The closest I've ever found to that in pedal form is the Small Sound/Big Sound F*ck Overdrive...
  84. jamongrande

    Free Bird Intro

    It’s not all in the box, but I regularly use an EH Superego to achieve an organ pad doubling. guitar->Axfx3->signal split post amp block to output 3 to Superego-> Superego “send” to input 3 (this is the only way to get a drykill from the Superego)->input 3 through rotary block w lots of drive...
  85. jamongrande

    Aaron Marshall, Intervals - Axe-Fx III Rig Rundown & Tone Tour

    I think he briefly mentioned the chorus and delays being after the IRs. But relative to the cabs on stage, is he splitting signal to run to the real cabs before all of the post-IR processing? Are the cabs there for more stage "vibe" anyways since I'm assuming the whole band is running in-ears?
  86. jamongrande

    Prince "solo" flanger setting lets go crazy

    Yeah, he often used a boss set to extreme settings that he only momentarily kicks on. Around the 4:06 mark in the studio recording. But he often used it live whenever he felt like it. I’m not at my rig at the moment, but I’m pretty sure I’ve used the pop flanger before the amp with the feedback...
  87. jamongrande

    How to reduce buzzy crunch tones

    For me "hard and harsh" tends to be some of the 2k frequencies, and become particularly nasty with volume. But that's different than "buzzy" to me, which I often find if I cut too much of the upper mids (1-2K) and have a lot of info from 4k up. As a general patch building/tuning technique, get...
  88. jamongrande

    EMF noise in rack

    Could it be a grounding issue through the rack rails? I've had that in the past with some other devices, remedied by those isolation tabs that come in a variety of shapes/brands (i.e. isolate the chassis of the guitar wireless from the chassis of the Axe). You could confirm this by removing the...
  89. jamongrande

    Cab Block FRFR Question

    The amp setting of FRFR/power amp+cab is subtle enough that you can run Out 1 with an IR and Out 2 without an IR and have good sounds out of both. To me, that amp setting affects the extremes of the frequency range and a bit of compression (though the actual effects may be different or more...
  90. jamongrande

    My Guitar Project (Timberline T20HGpc Harp Guitar)

    Very cool! I saw someone post an add for one of those models. Surprisingly affordable for a "niche" acoustic instrument. Many years ago I would occasionally run into some really basketcase remains of harp guitars way beyond repair. I don't think soundboard transducers will be able to give you...
  91. jamongrande

    Sounds boxy

    I don't have experience with the Matrix, but I've used the Seymour Duncan PS170 and Fryette LXII. I frequently will use the output EQ (as parametric) to occasionally boost in the 120hz range (peaking, with a relatively narrow Q) for that low thump. Each stage/room is different though, so that's...
  92. jamongrande

    Spdif to Optical adapter/converter

    A generally unusable sound: degraded signal and obvious digital distortions. There could be a place for it (e.g. industrial textures), but not if you're wanting a "pure" connection between a modelled rig and your interface.
  93. jamongrande

    It seems like everything is compressed

    There is a general compressed quality, particularly if you are comparing to “real” non-recorded amps. Part of it is the nature of simulating a cranked amp with its own compression, but with the volume attenuated to conversation levels. I would also argue that part of it is due to IRs and their...
  94. jamongrande

    Spdif to Optical adapter/converter

    No additional latency or signal degradation afaik
  95. jamongrande

    Spdif to Optical adapter/converter

    I use this: https://www.amazon.com/gp/product/B01N32C5GT/ref=ppx_yo_dt_b_search_asin_title?ie=UTF8&psc=1 to run spdif from the Axe into the optical on an RMC Babyface. No issues after I locked the Babyface at 48k.
  96. jamongrande

    Axe-Fx III Firmware Release Version 19.02 Public Beta

    Any further thoughts/comments on the modeling changes besides the JMPre and UX? Differences in feel or overall tonal balance compared to 19.01? Has anyone tweaked all of their Transformer Match settings in response?
  97. jamongrande

    Axe-Fx III Firmware Release Version 19.01

    Are you thinking of the FRFR/ss amp + cab setting? On the unit you can find that on the Advanced page in the amp block, in Axe-Edit in the amp block's speaker tab. The difference isn't wildly drastic, though their are changes to the overall EQ and (what I perceive as) compression/feel. I've run...
  98. jamongrande

    Does the AXE FX III get along well with EMG Active Pickups?

    I have a pair of 89x humbuckers in a Steinberger GL2T. I would say that the Axe reproduces the difference between those pickups' very particular tonality and any of my other guitars which have passives (Anderson, PRS, Suhr). So I do tend to use some presets with particular guitars, but that's...
  99. jamongrande

    Being able to choose 4 amps in one channel is such hack

    It's been a while since I've experimented with it, but I recall switching between specific amp models causing more obvious gaps than others within the same amp block, even with using the same cab between all four channels. I would guess that some models with vaguely similar things "under the...
  100. jamongrande

    Para vs graphic

    I'm not 100% sure on this, but I think the differences between graphic and parametric EQ hardware units aren't the same in the virtual realm with regards to phasing. In a real world graphic eq, each individual band is utilizes a phase shift and the overlap of these shifts causes further...
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