Seems to be across the board for all amps with hi cut instead of presence - I'm assuming this is a bug.
You must have your power amp modeling turned off.
Seems to be across the board for all amps with hi cut instead of presence - I'm assuming this is a bug.
You must have your power amp modeling turned off.
of course not. AE can't update itself and magically make a new parameter appear. just wait for the next release of AE that will come with the non-beta 15 release.Power Amp Bias is not emerge in AXE-EDIT
of course not. AE can't update itself and magically make a new parameter appear. just wait for the next release of AE that will come with the non-beta 15 release.
Don't want to sound ungrateful (because I am not) but I am bit dissapointed that the focus is again on amps and not effects. Judging from the many topics I see about this a lot of people we're hoping for major effects updates too.
4. There are 185 amp models now. If you can't find your sound with one of these you have other issues.
4. There are 185 amp models now. If you can't find your sound with one of these you have other issues.
3. Preamp/power-amp interaction is much greater now. As with real amps use the Master Volume to get to the sweet spot. I was comparing the Dirty Shirley to the model and the model seemed to have a lot more bass and less midrange. Just didn't sound the same. So I did some sweeps and the model showed more bass and less midrange. After some probing I realized the taper on the amp was linear so, even though it's Master Volume was on 3 or thereabouts, it was really driving the power amp hard. I turned the Master Volume on the Axe-Fx up to around 6-7 and the model then sounded exactly like the amp.
I like the 5153 Red model more after the update thx, seems to be less Drive now, had to increase this a bit.Some usage tips:
1. The amps are scary accurate now. I haven't gone through my whole stash but I've gone through quite a few and it's almost creepy how accurate the modeling is. So if you don't like the sound of a model you wouldn't like the real amp either.
2. All the controls operate like the real amps with the exception of the taper on the Presence and Master Volume. These controls always have the same tapers regardless of the model. This was done with the Presence control because on many amps the control doesn't do anything for 80-90% of the range which just seems stupid. This was done with the Master Volume as otherwise the volumes would be all over the place so a unified taper was employed. Otherwise the controls operate like the real amp but you may need to put them in a different position than the real amp, i.e. Presence on 8 on the real amp might be equal to 5 on the Axe-Fx. Use your ears.
3. Preamp/power-amp interaction is much greater now. As with real amps use the Master Volume to get to the sweet spot. I was comparing the Dirty Shirley to the model and the model seemed to have a lot more bass and less midrange. Just didn't sound the same. So I did some sweeps and the model showed more bass and less midrange. After some probing I realized the taper on the amp was linear so, even though it's Master Volume was on 3 or thereabouts, it was really driving the power amp hard. I turned the Master Volume on the Axe-Fx up to around 6-7 and the model then sounded exactly like the amp.
4. There are 185 amp models now. If you can't find your sound with one of these you have other issues.
Some usage tips:
1. The amps are scary accurate now. I haven't gone through my whole stash but I've gone through quite a few and it's almost creepy how accurate the modeling is. So if you don't like the sound of a model you wouldn't like the real amp either.
2. All the controls operate like the real amps with the exception of the taper on the Presence and Master Volume. These controls always have the same tapers regardless of the model. This was done with the Presence control because on many amps the control doesn't do anything for 80-90% of the range which just seems stupid. This was done with the Master Volume as otherwise the volumes would be all over the place so a unified taper was employed. Otherwise the controls operate like the real amp but you may need to put them in a different position than the real amp, i.e. Presence on 8 on the real amp might be equal to 5 on the Axe-Fx. Use your ears.
3. Preamp/power-amp interaction is much greater now. As with real amps use the Master Volume to get to the sweet spot. I was comparing the Dirty Shirley to the model and the model seemed to have a lot more bass and less midrange. Just didn't sound the same. So I did some sweeps and the model showed more bass and less midrange. After some probing I realized the taper on the amp was linear so, even though it's Master Volume was on 3 or thereabouts, it was really driving the power amp hard. I turned the Master Volume on the Axe-Fx up to around 6-7 and the model then sounded exactly like the amp.
4. There are 185 amp models now. If you can't find your sound with one of these you have other issues.
CF Comp is default to 0% on 5153 Red too, is that right?Just a note: The CF Comp is defaulting to 0% on the Class-A 30W TB model. It used to default to 56.3% which I'm assuming is still correct. My apologies if this is already known.
CF Comp is default to 0% on 5153 Red too, is that right?
In exchange Sag is at 4 now maybeYeah I noticed this too, it was surprising