jaycal6
Inspired
Thanks for the input guys, dropped my video just now.
These are super fun! So chuggy. Thanks!
Thanks for the input guys, dropped my video just now.
Try it with the Brit 800 tonestack, or even Plexi and JVM410JS.Just here for saying thanks to everyone mentioning the Angel Severe!
never tried that amp (I know I know) but it's pretty nice!
Thanks for posting your preset! Finally had a chance to download it. Sounds great. I'm playing my Carvin DC127 through it presently, with stock pu's. I'll try an Ibanez RG550 with it later. Hard to put the Carvin down, as its interfacing so nicely with your preset!I
I’m using Dyna Cabs only, 1960 TV in this case.
Here is my preset if you are interested, have fun!
Janick is still using the JMP-1, and Dave is using the JMP-1 model out of the Axe FX, confirmed by his tech. Adrian stopped using the JMP-1 and went back to heads around the 2010s.I just recently did a tone match to Adrian Smith's tone from rock in rio (the first one) and used the JMP high gain channel version, which is spot on for that tone. I'm pretty sure Maiden were using JMP-1 at that time, maybe still are? I can see why bands liked that amp, it sits nicely in a mix, it's not too bass heavy or bright, very even sounding
Surprised that many people aren’t using the 5153 50w blue. It’s so tight with the T808 OD and maxoff 808. I have tried all of the amps and always come back to this one. It’s the closest I can get to my real 50w stealth blue channel. That would be so cool to get the 50w stealth one day in the axe. My friend who tours all of the time uses the 5153 50w blue channel on the axe as well.
Yes, bluegrass is lighterI find metal amps too heavy and hard on the back...
Oh hell yeah. I forgot how amazing the Q-Rod OD2-1 is. I use a Timmy up front for the bass cut.Spawn Od2-1 for me atm
my current go to with a simple clean boost/low cut, tight and percussive in drop B
Was just using this yesterday. Phenomenal amp, versatile.JVM410H OD2 Orange is the one I always keep coming back to. It's just perfect.
That explains why Adrian's tone does sound different now. I find it interesting that some of them are using digital and some using real amps. For the sake of convenience you would think they would all go digital. It's much cheaper for a start. If one guy in the band goes digital but one doesn’t, you kind of negate the cost saving and practicality side of digital.Janick is still using the JMP-1, and Dave is using the JMP-1 model out of the Axe FX, confirmed by his tech. Adrian stopped using the JMP-1 and went back to heads around the 2010s.
For the latest tour, either Adrian or Janick are using a Kemper live; no official confirmation has been said but you can see one sitting next to Steve's stuff in his rig rundown.
Exactly way to much to settle in one each and it’s own effect on what I think and play. Each has its own effect on how I feel. I still love my tube amps but this has a permanent home in my world as well. It can be so inspiring!It's always a mix for me, never one amp/cab anymore.
At least Dave is still using amps and cabs, he sends a direct signal to FOH but splits to a Power Amp and cab, which is also miced, and his rack still has the old JMP-1s and, Harris still brings his full rig with cabs and big racks... so cost is not an issue for them hahaThat explains why Adrian's tone does sound different now. I find it interesting that some of them are using digital and some using real amps. For the sake of convenience you would think they would all go digital. It's much cheaper for a start. If one guy in the band goes digital but one doesn’t, you kind of negate the cost saving and practicality side of digital.
Listening to John Zocco's latest interview on Phil Collen's rig, its pretty clear they are benefitting from getting consistent sound everywhere they go with the Axefx III, and not having to deal with tubes and real amps, voltage issues etc.
I'm just surprised more people haven't taken advantage of that