bwilder10h
Member
Yep, awesome preset. I use it every week
How can I load this into the FX8?
Ambient Pad
This patch uses 4 scenes and two volume blocks. Volume 1 is attached to External Controller 1, so if you are connecting your exp pedal somewhere else, be sure to change that appropriately. Volume 2 is an auto-swell using the Envelope Controller, and it's activated in Scene 3 and 4. Be sure to adjust the Envelope Controller threshold for your guitar and style if you plan on using it.
In the sample recording, I'm using my USA Gibson LP Special in the middle position, with both tone knobs rolled back significantly. There is no post processing on the recording; it's straight off the AX8 into my interface.
For extra fun, attach an external switch to the hold on either one of the delays or the reverb block, and activate it after lightly swelling in to the root chord. That chord will infinitely continue underneath the rest of your swells.
Scene 1 - Expression pedal controlled swells. Lush, plex diffusor-type trails.
Scene 2 - Expression pedal controlled swells. Shimmer octave trails.
Scene 3 - Envelope controlled auto-swells. Lush, plex diffusor-type trails.
Scene 4 - Envelope controlled auto-swells. Shimmer octave trails.
View attachment 30951
I'll upload the individual blocks later today, and I'll see if I can arrange things in a way that provides a similar sound in an FX8-compatible layout.
Great sound Phil!
Us FX8 guys would appreciate the blks. if you have time?
That sounds AWESOMEI do not have an AX8 yet but on my FX2 I have a AC30TB patch with my U2 type delay (.8th note with modulation) 50%mix and FB about 35%then I have a Reverb block using North Church with mix at 25%. I put a Volume block in front of the drive and amp blocks for the swell. The drive is the FAS boost set drive around 2-3 with level at 6-7 to taste. If I want to fill space between songs I add more reverb and sometimes a 2nd delay.
Can you post the preset for the Axe II?This is truly excellent, thanks so much. Did you create this in AX8? Using Fractool, @AlGrenadine 's new conversion program , it just translated perfectly into my AFXII. You should def post this in AXE-Exchange, if you have not yet .....
Can you help me get this patch for an Axe xl plus?I finally got to play around with my ambient preset at full venue volume. Needless to say, I'm a very satisfied AX8 customer.
Can you help me get this patch for an Axe xl plus?
Any chance you can post this for an Axe FX 2 XL plus? I can't get it to load.This is truly excellent, thanks so much. Did you create this in AX8? Using Fractool, @AlGrenadine 's new conversion program , it just translated perfectly into my AFXII. You should def post this in AXE-Exchange, if you have not yet .....
I tried to upload it via Fractool and for some reason it wouldn't work. If you ever get a second, I would greatly appreciate it if you could post this preset for Axe FX 2 XL plus. Its a great sound man. Great work!I have access to one at work, but it would be easier if you simply used the 3rd party FracTool software to convert it. I recommend you also reset the amp block and/or select the clean amp of your choice - it's been a few firmwares and I haven't posted an updated preset. Everything else in the preset should translate perfectly across devices and firmwares.
I know I can cut my input volume and that will tone down the effect, but that also seems to change the tone a little as well. Would you recommend reducing the time of the reverb? Delay? Reduce them both equally?
So, even if I use another expression pedal or scene controllers, which parameter works best for making the trails less overwhelming without losing the thick pad sound? For example, you say you are controlling the "mix" for parameters for the parallel ambient chain - which parameters?
Gotcha, there are a couple of ways, here is my method:
The main "ambient" trail that closely mimics a Big Sky cloud reverb [MLTDLY > CHO > REV] mixed at 100% in PARALLEL to your primary signal chain has the MIX level parameters modified. So for my EXP 2, I have the MIX started at 30%, mid 65% and full 100% depending on where the expression pedal is set at any given preset. This can also color your overall tone because of the FX depth you are going for. The "Big Sky" chain I will call it only gets you the 7 sec or so Reverb echo time that you define. My presets are pretty heavy in reverb and I like 7 sec. as my baseline. That gives you a reverb trail, but not a super substantial trail for "echoing" notes.
Now for the delay trail, the "Big Sky" trail all feeds into the DELAY block which has your AMP + CAB signal as well as the BIG SKY trail. I typically use a Vintage Delay at 1/4 notes on X and 1/8 notes on Y to have both within a preset. This is usually mixed at 15-25% to trail the notes longer for big swells. You can ALSO set your EXP 2 to modify the mix amount from Start 15% Mid 20% and End 25% or higher to continue the trail longer. This way, on the fly, you can bring your Reverb/Delay trail FX down or up as you need.
I'll be in my studio tonight if you still want me to get this worked out for ya? This is for an AX8 and you want 4 Scenes that change the level of delay/reverb trails? I can make a pretty sweet Captain Hook 34A ambient preset if you'd like?
That would be awesome! I generally use the Matchless DC30 or Chieftan models but whatever you think sounds good works for me - yes an AX8.