Dr. Faustus
Inspired
I have an opinion on this that I wish to share just for thought:
In my experience you do get absolutely amazing stereo separation by introducing a delay between L/R. If you are sitting right between the speakers or wearing headphones so the two sides are balanced, it sounds glorious.
Where I ran into problems with the technique is any time the soundstage changes due to being outside of the sweet zone. In that case it presents as a doubler, or worse, as a comb-filter.
Although that delay sounds great when it reaches each ear separately, it can turn your tight sound into mush when heard in mono. I achieve those spatial goals by panning actual preamp signals and cabinets hard L/R, using two different amps/preamps, or EQ changes, or gain changes. Things that introduce character differences to spread out the image without introducing any time delays.
YMMV
In my experience you do get absolutely amazing stereo separation by introducing a delay between L/R. If you are sitting right between the speakers or wearing headphones so the two sides are balanced, it sounds glorious.
Where I ran into problems with the technique is any time the soundstage changes due to being outside of the sweet zone. In that case it presents as a doubler, or worse, as a comb-filter.
Although that delay sounds great when it reaches each ear separately, it can turn your tight sound into mush when heard in mono. I achieve those spatial goals by panning actual preamp signals and cabinets hard L/R, using two different amps/preamps, or EQ changes, or gain changes. Things that introduce character differences to spread out the image without introducing any time delays.
YMMV