Thanks for the input brother. This is pretty much what I experience myself regarding the sound guys I run into. At home I'm trying to create my presets at gig volume on my CLR's for what I think will sound good going to FOH which includes low and high cuts in the cab block along the lines of what everyone has mentioned above regarding the cuts. I want it to sound good out front. As long as I can hear what I'm doing on stage I'm good.In my experience, I play two kinds of shows.
a) The sound crew doesn't know the band well. In these scenarios, they usually do nothing to the band inputs unless there is an issue. They really don't care if I low cut / high cut / eq or whatever. They assume the tone is what I like and move on. The focus is almost always the lead vocal and drums.
b) The sound crew knows the band well. In these cases, which are rare for me, there is more concern and communication about the guitar.