I usually kick up my delay block by 3db to "fix" this...
I usually kick up my delay block by 3db to "fix" this...
That's the way I would do it.When the delay is in series, I assign the mix to 50/50, boost the level by 6dB, and adjust the delay level with the delay input level parameter.
In the second one the repeats would be your clean unprocessed guitar sound because there's nothing else happening on the way to/from the delay block.
I wish there was an option for constant (unity gain) dry volume in the delay and reverb blocks. This method of unity gain mixing works really well IMHO for most blocks (drive, comp, phase, even chorus and flange), but not for delay & reverb. The global reverb mix level is useless to me for the same reasson (yes you could adjust the master volume to compensate, and guess the adjustment needed for FOH send or hope the sound-guys are really on the ball and do it themselves).
I think that would work perfectly, Cliff :razz It's only necessary for delay & reverb IMHO.I've been thinking about this. One possibility is the dry is constant until the mix is 50% and then decreases.
Harder to do with Delay controlled by an exp.pedal.
I would love this ..............I've been thinking about this. One possibility is the dry is constant until the mix is 50% and then decreases.
I've been thinking about this. One possibility is the dry is constant until the mix is 50% and then decreases.