With a sm58, more feedback, you need to sing way closer, in hands the 58 is noisy… the +50 bucks are justified
With a sm58, more feedback, you need to sing way closer, in hands the 58 is noisy… the +50 bucks are justified
Cliff once said of the KSM 313. If the Ribbon isn’t an R121, I’d place a bet on the 313.
The ksm series is very good. As a previous one said, the ksm9 for vocal is
. I have a ksm27 in my house that I use for vocals .
It all depends - less transients in a SM58, so usually less feedback, despite being standard cardioid, so many prefer it, as it's easier to control in a loud monitor situation.
That’s exaggerating when I said that they are shit, they work… but this is to point that they are so many things in the mic market that people never tried. But that’s the same for guitar and amps hm. We are all the same, our tastes are biased by the bands we listen toIt all depends - less transients in a SM58, so usually less feedback, despite being standard cardioid, so many prefer it, as it's easier to control in a loud monitor situation.
I get it, but prefer my mics with more transients, not less
And they are right too cause that gear was used in the recordings we know by heart. So it sound “friendly” to our ears.
. I wanted to try the “basic one” back . And … it sound good 
. It has the tone of many records that I listen too immediately .
All IRs if I’m not wrong
I also prefer the beta 57 over the sm57 and the sm7b.
Hopefully it will reside in user storage space....
I think we don't know what the final data layout will be when 22 gets out of beta. What we do know is that Fractal has a long history of future-oriented thinking and powerful frameworks. I trust that they'll do their best to balance backward compatibility and future capability, standard IRs and Dynacab, in-house and third-party, quality and quantity, all the tradeoffs involved.
100%. Could not agree more.More seriously, the sm57, like the sm58 are pure shit. People stick to them cause they are not expensive and because they see their 70’s band with it, and also the sound guy said it his good cause he read it in his school book.
The sm7b is a crappy mic too, it has no gain at all, you will be surprise is you try a real one if you haven’t tried one already . Yeah “Michael Jackson used it” … in his studio, even a 10 buck mic worked because of the rest.
Speaking about shure mics, the beta series is 10 times better and the ksm ones too, I have compared them for hours. But people stick to the same old shit because of the past.
With all the technology human can do, they stick with a sm57 you know. Is like asking for a boss pedal in an axe fx, we are all fucked men.
Yeah, people like Michael Landau. No sense of sound.
A few people have said that 3rd parties will be allowed to include their own mics.
And they ain’t talkin’…….all we can do is hide and watch.
