simeon
Axe-Master
oh so i could move that tone match with that recorded data to another preset and have 2 cabs available for my electric row (tone match for acoustic)? dude!
dude
oh so i could move that tone match with that recorded data to another preset and have 2 cabs available for my electric row (tone match for acoustic)? dude!
I found a main resonances below middle C, at G# (208 Hz) and also the G# an octave lower (104 Hz). So using a PEQ in series with these 2 frequencies notched out (Q set to 10, Gain -12dB) makes this quite usable alone. I use it with the Tube Pre sim and tones adjusted for a balanced overall tone.
Skip the filter. Use your strings.That's very useful info. The Q value too.
Tried to detect this myself using a peaking filter but I didn't get this far.
My strings have a Q ?
Well, yes...but it could be tricky to determine the Q of the resonance from that. I was thinking it would at least help identify resonant frequencies.My strings have a Q ?
That's very useful info. The Q value too.
Tried to detect this myself using a peaking filter but I didn't get this far.
i used to use this ir in my piezo patch and also some of the fishman aura ir's, but now i use a tonematch of an acoustic instead.
guitar > compressor > tube pre > tma > peq > reverb
sounds absolutely great. i used this youtube vid to tonematch to - Gibson Brad Paisley J-45 Guitarist Magazine HD - YouTube
here's a quick recording. this is a patch for live use, so i've used the peq to filter out some of the very low frequencies and also add a tiny bit more top end, so it cuts a little better
edit: just listening back to that short clip and the original youtube vid, i might add some of that bottom end back in...sounds a bit thin!
it does sound like an acoustic in a room with a mic on it about 3 feet away though, doesn't it
For unaccompanied work, maybe. I learned the hard way to keep that low end out of an acoustic tone match in a mix. It really clutters things up. Likes to feed back, too....now i use a tonematch of an acoustic instead.
edit: just listening back to that short clip and the original youtube vid, i might add some of that bottom end back in...sounds a bit thin!
Well, I've been tinkering around with with the pitch shifters--lowering the pitch harmonies and such. I also
installed the ultra res version of gtrbody.syx. Lowering the Pitch Voice harmonys help make it sound
more guitary and less moogy. So, what it sounds like now is a guitar with a lot of reverb, actually sounds nice.
But it still doesn't have that violin tone. Anybody know what I would tweak in the pitch shifters to make it
sound more violiny and less guitary? I'm going to play around some more, but I would much appreciate
some hints as to how to get that beautiful violin sound. Thanks, all.
Well, he played it on a magnetic pickup, so it's not going to sound exactly like an acoustic. I hear some steel in that recording, though.rsf1977_again, that sounds amazingly like a nylon string classical or flamenco guitar. How could that be if the tone match sample was a steel string acoustic?
Here is an Ultra-Res version of the venerable gtrbody IR. This will only work on FW13 and beyond.
View attachment 19611
Yeah, AFAIK Cab-Lab 3 can not load UltraRes .syx files (only .ir or .wav is supported for UR responses). I would recommend using either Axe-Edit's Axe-Manage Cabs (under the Tools menu), or Fractal-Bot, to send the IR to your AFX. The main use for Cab-Lab is to do custom mixes (and quickly audition/transfer those custom mixes on your AFX). You do not need to use it to transfer IRs solely, there are better tools for that job.