yek
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Thanks, it indeed got better, also the Martin D28 with another mic (M147) comes out a bit softer and at last I put down the cab level a bit, lowered the detune % to 3 & the detune delay to 0ms...just all that ;-) sounds like "I copied a song; nothing has been changed, except the words" (Dylan said sth like that if I'm right). It still is not perfect, but that wasn't the object anyway. Will change the audiostreams next WE. Also I did the changes with the RW cabs on a few patches that did sound a bit dark on FOH. I had to face that there is a difference between reproduction on the K4 and a small FOH, the RW surely will sit better in the mix especially for direct FOH out. Got the Axe for over a year but hadn't the time to really dig it. Also the learning curve is a bit longer as I expected but the last few days things are going surprisingly fast, like a puzzle that's coming together (and that I'll break up and remake again & again surely). Digging some of your patches as those from other users did also help a lot. The acoustic subject does recall a bit all this 2-ports stuff I was forced to go through 20 years ago in "electrical network courses" and was a good rehearsal about what cabsims//IR really do (filter/phase, filter/phase, filter/phase..).
The ULTRA is a great & surprising engine with a lot of science behind. I seriously will start thinking about a french translation project for your Wiki pages, as I'm quite sure that a lot of stuff remains a bit obscure for many users over here, which really would be a shame.
Good story!
French translation of the Wiki, wow, curious what Google Translate will make of it.