That one's pretty straightforward. Put the delay (or whatever you are working with) onto a parallel side path, that is, don't run it inline in series. Plenty of illustrations of that around here. Set the mix on the delay to 100% and either use the level controls in the delay block to limit the amount of delay that goes back into the primary signal path, or, and this may be preferable since you want to run other effects after the repeats, put a mixer block at the point where the side path joins the main path.
These are examples of the sounds from my band's demo.
I am using a slide on the Trinity T2 Reverb riff
Also sounds a bit like an envelope filter. Does the Line 6 unit do that automatically, or was that performed with a wah?
chorus after a 100% wet plex verb in parallel: https://www.dropbox.com/scl/fi/0nm6...verb.m4a?rlkey=ndagrqyxl65lcebhvh2grfg26&dl=0
This one was a little harder bc I had to figure out the delay pattern. I made a parallel path with an 8th note delay, a 1/4 note ping pong delay, and a wah. The wah is also in parallel with the delays and one of the delays is 100% wet so no dry is getting through the path, so the wah is only affecting the delay repeats. I assigned the wah's position to LFO1.
That could work also with a phaser instead of the wahI imagine? It should do some sweeping alike the wah.
It would work with any modulation effect, the original clip sounded like a wah-ish band pass filter so that’s why I chose the wah block.
I know but unfortunately it just doesn’t sound very similar for some reason
The DL4 actually does that on its own as part of the sweep echo effect without a wah pedal.
Thanks! I didn't save the settings but most of them were the default block settings aside from the basic mix/feedback/input gain/time/speed settings to get roughly the idea of the original sounds. The only one that might be tricky is the plex, you have to add the plex block then select the "plex verb" type. That one I had to crank the input gain and level way up to get the reverb sound that huge.
