You can run wet effects in parallel and 100% wet (so no dry gets through the block). This allows you to place other effects (like EQ or modulation) after the wet effect so that only the reverb tail or delay repeats are affected and not the dry.
I didn't spend a ton of time trying to match the original clips exactly but I got the general feel of the sounds to give you some ideas to get you started:
chorus after a 100% wet plex verb in parallel:
https://www.dropbox.com/scl/fi/0nm6...verb.m4a?rlkey=ndagrqyxl65lcebhvh2grfg26&dl=0
This one was a little harder bc I had to figure out the delay pattern. I made a parallel path with an 8th note delay, a 1/4 note ping pong delay, and a wah. The wah is also in parallel with the delays and one of the delays is 100% wet so no dry is getting through the path, so the wah is only affecting the delay repeats. I assigned the wah's position to LFO1.
https://www.dropbox.com/scl/fi/p7d7...elay.m4a?rlkey=ylp1r6l9d0w4q8xv97kfjjwn5&dl=0
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