Not voting here, but just to throw this out, to demonstrate how much of a MONSTER the AxeFxII is, and further could be, if FAS decided to create feature-specific firmwares for the AxeFxII, that concentrate on heavily expanded/detailed aspects of groups of blocks and their functions:
- reverb/delay firmware (TRUE STEREO, one processor for delay/reverb, one processor for true spillover across presets...oooh....ahhhh)
- amp/cab firmware (imagine multiple mic placement on cabinets with a virtual 3D interface? woooo...)
- effects only firmware (concentration on specific rack effect and stomp effect emulations)
- EQ/compressor/mic pre firmware (vintage and current)
- looper/delay firmware (put that boomerang to shame, please)
- footpedal drive/stomp & amp model firmware ($10,000 worth of the most desirable vintage/boutique drive pedals in one rack box? Yup)
- *my favorite* bass guitar version firmware
- hyper-routing version firmware (true morphing of sounds via modifiers, expanded Scene functions, more scene controllers, more parameters exposed to modifiers - ahem, bass/mid/treble/presence - & more modifier iterations!)
- pitch/whammy/synth firmware
...etc, etc, etc...
of course, token iterations of some effect blocks could be included to make each firmware version more broadly usable, but stripping down the "low focus" fx blocks to accommodate the higher priority focus of the firmware version.
Could you imagine the damage you could do in a recording project with this one machine? The end user could decide which firmware to use depending on how they implement it into their performance situation, taking the specific block functions to an entirely new level...sort of the opposite of being "all things to everyone" in a SINGLE firmware version, but rather, focusing on individual functions and allowing the user to decide where they want the focus to be.
I would PAY for these options. I understand this goes against FAS philosophy, but ...
IMO, this would also attract new users who have more specific high-end needs (perhaps cutting the tech staff some cpu processing slack to implement some of the features that power users feel are "missing"), as well as existing fanboi users who would consider buying a second unit....for example, especially in the EQ/Mic Pre/Vintage tube compressor department, in order to replace finicky, quirky hardware. Redundancy of hardware/firmware architecture would mean you'd have a backup as a by-product (with 2 units). Would I pay another $2k+ so I could get rid of just about every other piece of rack gear I own for live and studio? Absolutely! I've got a pair of EL8s that would fit that bill perfectly.