Luth2000
Inspired
It's also possible as others has mentioned to not use an amp block.
The guitarist in this video uses just a compressor block, Eq block, reverb, delay and ir.
Righteous!
It's also possible as others has mentioned to not use an amp block.
The guitarist in this video uses just a compressor block, Eq block, reverb, delay and ir.
It's also possible as others has mentioned to not use an amp block.
The guitarist in this video uses just a compressor block, Eq block, reverb, delay and ir.
Thank you.
This is the kind of tone i'm after, so i haven't tried getting that tone from the solid state amps you posted yet. I could give it a try though.
I'm playing guitar in a stage musical at the moment so my Fm3 is on that stage, so i can't try it now. But the last show is next monday, so i can give it a try after that when i have my Fm3 at home.
The Hendriksen jazz amp is more or less an eq with amplification and reverb, so i think i would not use a amp block and go for a 1x10 ir that has a lot of low mids, use a paramentric eq block to do high and low cuts, and a graphic eq to work as the Henriksen tonestack. Probably a very slight compression as well from a compressor block, since most amps add some compression.
RULES FOR THE DISCUSSION:
1. NO Roland Jazz Chorus: despite the name, it's a strange amp with big clean headroom, yet it's commonly NOT used for jazz just bc it DOES NOT has a typical jazz sound
2. FENDERs: you can force some of them to simulate a sort jazz sound, but they're not intended primary for jazz...
The "real jazz" discussion is stupid gatekeeping and nothing else.
I couldnt post before, so here a 2 examples of iconic jazz guitar sounds
One thing you could try is to use a shunt in parallel with the amp block, followed by an EQ and then route all this to the cab. This will preserve the attack while still giving you the warmth of the Dumble clean channel.Hey Thank you!
Your playing and lessons are amazing, such as your tone
I think this is a good example: even tho I definitively appreciate your tone, if you have time try to listen to the clips I posted, you will notice thatthe attack and sustain of the notes are mostly different, compared to yours: I can feel that 'valvish' attack in your sound that I was trying to avoid, in favor of a more defined, clear yet warm and beefy attack you get from the SS amps I posted, and where the 'prominence' of low-mids gives also that 'sustain' to the note (but without compression).
Didi you, with your experience on this device, ever tried to get also that tone? I bet, but I should try to tell, that starting from your preset I could accomplish the tonal balance I desire, still I'm not sure I can fix the note attack thing, since it seems 'connaturated' to the device.
I had the same issue with my former HX Stomp, and that's the reason I finally got rid of him, after years of tries.
cheers and again thank you!!
Fabio
I couldnt post before, so here a 2 examples of iconic jazz guitar sounds
Tube Pre and maybe disable Power Amp modeling in the block.IMHO, those amps have a goal of transparency and I feel pretty confident you could get either very easily with the FM3 using the TubePre block or even without an amp and just using a EQ block with some slight compression, and an IR of the amp's speaker.
So far, I checked all ampli but I cant find any jazz oriented amplifier.
Just a public service announcement: It doesn't default to 'Off' anymore (if indeed it did in the past) but it is very simple to turn it off in the 'Power Amp' page.Tube Pre defaults to power amp off I believe, at least it used to?
The Tube Pre's PA used to default to off on the Axe II as I remember, but I haven't used it with my FM3 so I was just guessing LOL (just checked, it's tweaked for clean but defaults to on)!Just a public service announcement: It doesn't default to 'Off' anymore (if indeed it did in the past) but it is very simple to turn it off in the 'Power Amp' page.
Actually the George Benson Hot Rod Deluxe is but if you don't want a Fender that's fine.
I have to disagree with this.
The "real Jazz" thing became an issue when "Smooth Jazz" became popular and it was a term used to differentiate music rooted in the historic Jazz tradition from what I consider commercial instrumental elevator music.
I like the tone in the first clip a lot. Since it's clearly what you like I think you should just get a Polytone and call it a day.
Jazz is usually associated with a clean amp and less aggressive tone settings. There's a ton of clean amp models and they have... tone controls. Try them and find one you like the response of and adjust.
You should research a jazz player who has a tone you like and try similar amp models. There are no real-world amps labeled jazz, except the roland.
https://www.guitarmeet.com/the-best-guitar-amps-for-jazz/
Very interesting discussion.
Searching for a "real" jazz tone is some kind of nonsense, just because there are so many different styles, way of playing, big band or solo, etc...
But you all understand what "Jazz sound " means .
We all have examples in our head from the great players, even if Wes Montgomery doesn't sound like Jim Hall or Django Reinhard.
Why not giving a try at Tone Match if you have a reference sound at your disposal ?
Tone match may replace basically a cab , an IR, or even a complete amp.
It may make a Strat sounds about like an acoustic guitar for example.
I suppose it may help you to solve your quest in some extend.
Pick up a nice clean amp you like , among fender , bogner shiva, Matchless DC30, Mesa clean, .....
Put it a tone match block instead of the cab, and you should be not so far from your expectation.