LVC
Fractal Fanatic
I had this buried in another thread and I thought it warranted its own thread.
One of the things I have trying to figure out with the dumble amp and clones is how to make them do the famous dumble note flip (I think that is what it's called).
It is an effect that happens when you slur a note down a whole step after a run (or anything for that matter). With the dumble when you do that - the note just jumps out at you. Folks like robben ford and Larry Carlton do that all the time and it just sounds freaking amazing. The note (or notes ) just jump out but stay focused and smooth.
As an example listen to the intro of "the Miller's Son" by Robben ford.
This is a terrible video and recording but you get the idea. This is not the tan dumble tone which brandon cloned in the "Ojai" -- but is considered his " BlueLine" dumble tone.
I started experimenting and found that a little bump around 320 makes the "flip" more pronounced and organic.
If anybody has some other ideas on how to make the "dumble flip" notes better -- please share!
One of the things I have trying to figure out with the dumble amp and clones is how to make them do the famous dumble note flip (I think that is what it's called).
It is an effect that happens when you slur a note down a whole step after a run (or anything for that matter). With the dumble when you do that - the note just jumps out at you. Folks like robben ford and Larry Carlton do that all the time and it just sounds freaking amazing. The note (or notes ) just jump out but stay focused and smooth.
As an example listen to the intro of "the Miller's Son" by Robben ford.
This is a terrible video and recording but you get the idea. This is not the tan dumble tone which brandon cloned in the "Ojai" -- but is considered his " BlueLine" dumble tone.
I started experimenting and found that a little bump around 320 makes the "flip" more pronounced and organic.
If anybody has some other ideas on how to make the "dumble flip" notes better -- please share!