If you are making money by representing yourself as an authority on the AxeFx - that GIANT piece of information should have been slapping you in the face.
Take your 2 cent and trow it elsewhere.....
I primary repairing things on component base- not AxeFx blahblah authority stupid fucking bullshit.....I'm a well respected tube amp technician in my country for the last 16 years, also doing pro lighting repair-service which I'm also doing for a living. So people showed up in my workshop over the past years with all kind of requests. Since some of the pro-players knew, that I'm own an AxeFx II, some of them, ask me if I could help. That's mainly the point....
I'm not an AxeFx Beta Tester and also have no time to check the unit for hours everyday - I'm glad if I find a spot, where I can play some music (!!!) during a week! Otherwise I'm living to help other people with their needs and requests on various movingheads, LED RGBWA+UV beam lights, lighting controllers, DMX, CRMX, ArtNet, MA-Net blahblah or various (tube) guitar amps or complete rigs. If you think its wise to insult me here,
then please get the **** out of here and do something smart than pissing on people YOU don't know!
2nd: Of corse I thought it would be a cool idea to update this into a better and bigger service by installing a Fractal Audio / Matrix Amplification test-booth inside my workshop, where interested musicians can test the FAS gear first hand, or test it against their old rig. A test-booth with my own (and some stuff of a very good friend of mine) gear. Not sponsored - fully independent form any of these companies. Consists of an AxeFx II Mk2 plus MFC101 (my personal rig) into a small good quality PA, a FRFR-Cabinet am Amp from Matrix and a traditional guitar power amp with a superb 2x12" cabinet.
No costs for testing and demoing on the booth - the only payed gig would be "tone consulting" and that gives us the 3rd point
I could help them "soundwise" on an individual tone consulting session (because that's where I'm specially skilled due of my 16 of experience as an amp technician and also knew all these parameters inside a "real" amp - even the odd ones like bias excursion and stuff like that). But it's really up to a client what he really wants and needs. Not me....
4rd I'm not bitching, I made a valuable point you do simply NOT understand! I'm just telling that I'm NOT agree with this form of marketing. If guys sell units to customer saying that this is even more better (because of more storage) than the older unit they bought six months ago and didn't tell them that these units where not fully compatible, then I'm willing to fight for these customers against all "so called" rules. As Chris and funkstation777 understood, I was really disappointed to find out, that such a little thing does such a big problem in such an awesome and revolutionary device.
The XL and the Mk2 share the same DSP core functionality and therefore should be compatible even within the first 100 user cabs and 383 presets. It's not the same gap as on the Ultra vs. Standard Axe back in the days.....where an Axe Ultra got some extra FXs and some extra blocks - better, not sharing the same core functionality and sound possibilities.
Blahblahblah......