RoketRdr
Inspired
I'll just leave this here.
I'm done with the conversation.
Thank goodness. Tired of your personal war in this thread.
I'll just leave this here.
I'm done with the conversation.
Now that's how you get snarkyThank goodness. Tired of your personal war in this thread.
Joe answered it.Now that's how you get snarky
Thanks for your input.
I was trying to get resolve a question. I'm sorry if that bothers you.
Please, feel free to to ignore me.
Thanks. That confirms what I was thinking.Joe answered it.
Wraps around Core mass when pressed in between the frets, yields slightly different tuning, especially on the lower frets.
I’m here to get support and offer it as well.
Yes. Yes, the tuner is incredibly accurate, and I intonated 2 guitars against a Peterson and didnt need the Peterson. The AXE FX does a great job! Having said that, I used Cooper’s sweetened tunings in the AxE FX settings before and ever since intonation.On the original topic, did anyone ever bother to read about the implementation of the three different tuner types in the AXE3 as described by Cliff? I’m sure this information would be in the manual or on the wiki. Nevertheless it’s here on the forum.
I guarantee you can intonate correctly with the Axefx3.
I think the sweetened tunings you see around here just lower the low e and lower the ebg strings a few cents simply because when you strum them they are most likely to get pulled sharp by the pick as they receive the most energy. I think that's all the magic they offer if any. What's the first thing you do after tuning? Play some chords. The common sweetened offset that goes around probably works well for anyone playing cowboy chords with some energy but all this talk about better intonation is either marketing or hearsay. The whole equal temperament problem cuts into any notion of a perfectly intonated guitar. The best you can do is when tracking, tune for a specific song if it's needed. Here's a good example of that.
Yup, all the different sweetened or compensated are just various compromises that improve tuning for certain cases at the expense of others. Doesn't mean they're not useful to some folks, though.
Now if you want to be perfectly in tune on every string and every fret up the neck, there are those crazy squiggly fret guitars. I may be obsessive, but I'm thankfully not that crazy yet.
yes, my sg does that too, it can be out if you put to much pressure on the neck.Shoot, I have an SG where a VERY slight amount of force from your hand pushing on the back of the neck makes it sound like you have a trem on the thing. Incidentally, there is a trem on it, but that neck joint is so flimsy, a good strong fart will make it wobble.
Yea, it's crazy how flimsy that neck joint is. I've accepted it as just part of the nature of that guitar. It's probably the most expensive guitar I own on paper, but the least likely to hold tune.yes, my sg does that too, it can be out if you put to much pressure on the neck.
For the rest I like to be out of tune, that’s rock n roll .
Joke appart, TO ME, you always need to harmonize your guitar by ears once you have used a tuner. Playing some chords to see if something weird happened … the tuner take the open string without pressure and this and that, so you can be perfectly in tune with your tuner and then playing a G chord that suck .
Feels just like a normal neck to play.I wonder what playing one of those is like, whether I'd hate it.
That can't be.Feels just like a normal neck to play.
I used to have a TT fitted neck.