Why would he hide the comment? Seems disingenuous.I left Zack a comment on his video with a link to Cliff's response about Smooth pitch tracking, but he hid the comment.
What I wouldn't give to pick this dudes brain for 20 minutes. Learned more from this man on how amplifiers work than anybody else. Before the AFX3, I came from simple amps in my teens...Gorilla 1×12 combo lent to me by that "cool older guy friend", (cool little thing, ended up blowing it up because I "Marty Mcflied" it with my nerd buddy at the time) I also remember a Park combo 1x12 the same friend lent me, and the first amp I OWNED and bought for myself was a Fender stage 112 SE 2x12, to go along with my first "Oh yes it will be mine" Wayne's world guitar, a 76 Gibson explorer reissue Black with white pick guard. Looking back now, I had absolutely no Fn clue what I was doing That combo today seems cringe for a Thrash/blues/ metal guy like myself. But it was soo fun Believe it or not, the Fender got a decent crunch tone all it's own with no pedals...Then I tried a "D.O.D death metal" pedal ran into the clean channel...I was wowed back then. Gain to ten, no mids, bass to 6, treble to 6 (stuck to that rule for years until I grew up and met all you clever folks lol) Then it was a Line 6 spider 3 120w, for the "insane" setting(don't kill me) Then a spider 4, a spider V....Then I upgraded a couple of years ago. What a difference... Learned how and why boost pedals work, the difference between pre/power amp distortion and which type suits what I'm playing for that day, bias, eq/ and Q, and how not diming gain and scooping mids makes a way better tone. What a terrible and yet awesome time to be Alive. My playing has progressed more from the age of 42-44, than it did from the age of 14 to 42. All of this top shelf gear/knowledge makes you want to play every day. Damn I digress, didn't mean to go into my musical / gear history but hell yeah guys, hell yeah Cliff. Thank you.Yup. Real-time pitch shifting is full of tradeoffs. I you want low latency you get tremolo artifacts. If you don't want the tremolo artifacts you get high latency and weird artifacts on complex intervals.
Why would he hide the comment? Seems disingenuous.
Youtube automatically hides comments containing links, even if the channel owner allows them in youtube's settings, it will remain hidden until he approves it... and he might not even be aware of your comment yet, cuz youtube studio plainly sucks and doesn't show any notification for hidden commentsI left Zack a comment on his video with a link to Cliff's response about Smooth pitch tracking, but he hid the comment.
He replied to a different post and said he would try 'smooth' at a gig this weekend.Youtube automatically hides comments containing links, even if the channel owner allows them in youtube's settings, it will remain hidden until he approves it... and he might not even be aware of your comment yet, cuz youtube studio plainly sucks and doesn't show any notification for hidden comments
That makes sense to prevent spamming. Sounds like he'd have to go digging for those hidden comments - sounds a pain. Thanks for the explanation.Youtube automatically hides comments containing links, even if the channel owner allows them in youtube's settings, it will remain hidden until he approves it... and he might not even be aware of your comment yet, cuz youtube studio plainly sucks and doesn't show any notification for hidden comments
I agree. If you live in the low tone zone, then just tune your guitar that way. The pitch block is still pretty great. The only time I find it really struggles is if you put a phaser block in the path.Yes the virtual capo isn’t perfect. But if you are too lazy to tune down just for 5 minutes … it work . until now nothings better than tune down your guitar if you really want to.
If you play alone, it suck cause you hear your strings, latency etc…
But for covers I use it sometimes and no one notice it. I have done a whole pantera album with the virtual capo, meshuggah ….
Maybe one day technology will allow us to have something quicker. That’s not difficult to tune down hm.
+1I haven’t used a better real-time polyphonic shifter than the Axe.
This is what it’s for IMO. I tune to Eb so it’s super handy. Just don’t leave it in your grid, and especially don’t leave it enabled in your lead scene…..Works great for headphone practice along with different albums at different tunings.
+ another 1I haven’t used a better real-time polyphonic shifter than the Axe.