Is that sweet spot a universal number or is it dependent on the other amp settings, guitar, boosts etc?
It is certainly not universal. You just know it when you find it.
Is that sweet spot a universal number or is it dependent on the other amp settings, guitar, boosts etc?
It is certainly not universal. You just know it when you find it.
the low res parameter has just become probably the most amazing adjustment i've ever made to a tone. I can now get that hit you in the chest punch when doing palm mutes. Awesome.
What happens from my POV is a much more dynamic "feel", nomatter dB. Like if you are downmixing with a spongy maximizer. (And please, this has nothing to do with me thinking that Fractal has invented some sort of compex-limiter ruining "tone").
interestingly, none of my presets push the MV at all.. none of them are set above 4.5..
and my hi-gain tones are around 3.0 to 3.5
that said, I'm still hearing / sensing somehow / feeling something extra..
Nothing against Chris at all, I just described my issue and indicated that I was using scene controllers previously, so hopefully I would get some benefit of the doubt that I did in fact know what I was doing.
EDIT: I just re-read my original post. I realize that I did *not* in fact, indicate that I was using Scene controllers prior to the upgrade. Yes, I could see how the first reaction would be "maybe you're doing it wrong?" My humble apologies.
And there you have it. Before if you cranked the Low Res up it would fart out or clip weird.
How you can really hear it is to crank Low Res and MV up. Do an open-E palm mute and you'll get punch, knock and "bongggg" rather than "bfffft".
It's all about the speakers too. Celestions typically have very prominent low-frequency resonance whereas Jensens do not. The resonance "gain" of a Celestion can be on the order of 20 dB or more whereas a Jensen is more like 12 dB. This "loose" response of the Celestions gives you that knock and bong. So to replicate this you turn up Low Res.
This same affect happens to the high end. When you dig in the highs soften rather than clipping and getting shrill.
It will still be audible and tactile at those settings. It just increases as you turn up MV.
I usually feel that stuff like this is audiophile hokum but in this case there is definitely something there.
I use 880's and it's very noticeable to me. Crank the MV and maybe turn up Low Res a bit.
I think, though, that you have to be tuned in to the sound of classic tube amps and the subtleties in the response. For those of us who grew up with tube amps and know that feeling when you hit the sweet spot is what it's all about. When you crank the MV on a tube amp you hit that sweet spot and it's glorious. Below that and it's uninspiring. Above that and it turns to mush.
We remember those gigs where it was a big room with lots of people and stuff to soak up the sound and you could crank your amp. The bounce off the strings and the sustain are memorable.
As stated, first test was A/B 12.03 to 12.04beta by audition two recordings through headphones. The big surprise was, when playing Axe-Fx II + Matrix GT1000 through real Cabinet in comparison to my Tube-Amp through the same Cab. Before the new beta i had to tweak a lot the SPKR page to get similar results in feel and "dimension". With 12.04beta i am there almost out of the box. Not yet tested via FRFR Monitoring....
This is how it starts. Soon, you'll be buying speaker cable elevators and CD demagnitizers. :lol
did nothing at all… just loaded the fw and turned up the volume..
I didn't even reset the amps [to make sure I had the right comp settings, I just left my own settings as they are]
just loved it.. figured nothing got worse, everything got better.. means there was only two things needed doing
back all this up and then play for fun
seriously though..
my riffing tones are dual mono [5153Red left / Herbert ch3 right]
my clean, solo, crunch tones are single amps [so they're mono] but through a pair of cabs [stereo cab block with each cab panned hard]
12.xx has always had something extra…. but 12.04b feels to me like a quantum leap [especially in the cans]..
my cans are pretty ok.. not absolutely top of the line but they're not exactly crap either: KRK KNS8400
comfy, lightweight, good freq range, quite a fat sound and very loud..
so they're ideal for long period usage [song writing / practice / recording / checking recorded parts for 'things to mend' etc]..
but I wouldn't mix down with them..
so no really, I didn't do anything at all.. just loved it right away..
Same here. I had to tinker with the SPKR page a lot to find the sweet spot. Now it is almost always there, just right out of the box without tweaking. You may get closer by changing parameters but that's nuances now.
The sound unfolds now and trickles from the cab like with real tube amps. It is best heard when playing in a rock band at gigging volume. Now I have time to relish every single note that I play when soloing whereas with earlier FWs I always had to throw in these extra notes to fill something in because the tone I was playing seemed to be stuck in the cab's cone and struggled to get out.
It's all in the axefx ....if done the right way and not by generic assumptions <img src="http://forum.fractalaudio.com/attachment.php?attachmentid=19345"/>
I'm TOTALLY locked up. Blank screen, lights all on. Ax2 - Mk 1
Windows 8 user, used Fractal Bot - prior version to the one I dl'd today. I was on 12.02.
Tried to reset - (power down, hold recall). Nothing.
HELP!!