electronpirate
Axe-Master
Scott Peterson said:These are done using the Red Wirez ( http://www.redwirez.com ) IR's. Converted to sysex files via AlbertA's utility and loaded into the Axe-FX with the beta editor.
Here are some more tones:
Fender Deluxe: http://www.mediafire.com/?mlknpt5jxjx
Vox AC30: http://www.mediafire.com/download.php?k3mc1n7tti0
Marshall JCM 800: http://www.mediafire.com/download.php?zmw2djzzfuh
These IR's - combined with the Axe-FX - deliver on the goods. I am in freaking heaven right now.
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IMHO, IR's of this quality sort of level the playing field to the topic at hand. The whole 'recorded direct via close mic'ing' versus 'amp in the room' is rendered useless with the right IR's.
Certain members here have held that out as truth over the years; but not too many could do the level of IR themselves. This package I just got into this week (tipped off here on this board and hipped to these guys) makes this 'debate' sorta moot.
IMHO, YMMV.
Okay, reading this post sort of confirms everything people have said about the default IR's. And myself. For the most part, they are not widely used. To get the tones that I've heard, almost to a 't' everyone sais 'Custom IR'. That points to a deficiency in the Axe. I personally have only found one or 2 cabs that I've been able to get along with, and it's usually because I have to hammer it with a MIC to EQ it to where I like.
It bums me out that I would have to pay Red Wirez to get a few decent IR's. I'm sure there are a few decent Clawfinger one's in there too, but auditioning the (seemingly) thousands he has out there makes me turn off my computer and just play with what I have.
Say what you want, but it's the Axe-FX's most glaring weakness.
IMO.
Ron