I think I'm just being unclear - I respect the hell out of you and I appreciate you taking the time to answer my questions.
Allow me to first say that that's a great move to add "cut" to the dial's label. When I tried my first Timmy in a store years ago, I hated it because I put everything at noon and it sounded terrible; the knobs didn't behave at all like I expected them to; I'd never used a pedal with 'cut' knobs before. So that alone will probably save a lot of headaches for people new to the pedal coming to it for the first time through thei Axe Fx; so thank you for that!
I don't want to keep beating the horse 'til it's dead, but I guess I can ask my question a different way; is there a reason you went with a treble knob with a neutral "noon" position that both boosts and cuts when the real pedal just has a treble (cut) knob? In other words, why did you go with authentic behavior for the bass knob but opt for a different behavior of the treble knob? I would expect to see a "treble cut" knob defaulted at 0 (fully counterclockwise) but instead there's a treble knob defaulted at noon, which, on the Timmy, would make for a pretty muffled tone since that would mean the treble cut was about half-way up. In the model, you have to start at noon and turn counter-clockwise to achieve the same thing that, in the real pedal, you'd start fully CCW and turn the knob
up to cut the treble.
Is this just to make it more versatile? If so, I mean, that's cool. And regarding the toggle, I guess I can check
@yek's guide to see how I would adjust the advanced parameters and diodes in order to achieve the three positions; or is this feature planned for a future update? Sorry you're being assaulted by a Timmy-obsessed freak