hunter said:
Dude I've been following your journey of trying to get the perfect amplification rig for the Axe. I've been through similar and loved the path Axe=> Bogner Shiva the most. What I think in your case, rather than getting a VHT2502 or anything else to try, you should go back to what worked. Plug the Axe into your 3/100. You will still get all the benefits from Preamp/Effect versatility plus the punch from the amp you so love. No need to search forever, as I think nothing else will give you that punch. A rack tube power amp will almost weigh the same as the 3/100 too.
Out of neccessity I am having to gig with that format next weekend for the first time (Axe's first outing). With an amp and speaker stack behind me I will have nowhere to put my rack (Axe + Synth) but on the floor which will make it difficult if not impossible to tweak my presets during performance. Frankly, I am nervous as hell about it. (What I want is to be able to mount the rack on a stand and have the speaker on the floor angled upwards against the legs. Where would I put the amp?)
Anyway, tried the Atomic FR last night at rehearsal with my other band. We all agreed the sound wasn't as good as last week when I ran into my amp+cab configuration. Currently I'm mostly using a Red Wire Greenback sim (SM57, cap, 0in.). The distorted sound is very gritty. Going to try some other IRs today.
My principal finding last night was how the Atomic seems to struggle to keep up with a loud 4-piece band... I had to have the Volume (on the Atomic) nearly cranked to hear myself above the rhythm section even though all the master levels within my presets were quite high. At this level I could hear the speaker/cabinet distorting unpleasantly. So I raised the Axe Output level as high as I could without distorting the clean sounds. I then tried to compensate by lowering the Atomic volume and going through all my presets cranking the levels. (It was now becoming necessary to raise the master volume on some presets which began to introduce some undesirable distortion/compression.) I left the Mix tab output level set around unity (I alter this only to balance my presets during performance) and the cab block level controls. Not sure whether raising these might have helped...
All in all, very unsatisfactory. It seems like there isn't sufficient headroom in this thing to use it as backline (although it would be fine for monitoring).
After two hours of playing the Atomic (on and off) at nearly full volume I got really worried that I was hammering the thing and was glad when we agreed to pack up and go home. :|