USB audio is routed to Output 1. Use the USB 1/2 parameter in the setup screen to control the volume of the computer audio. In most practice / recording situations you'd want your guitar and the computer audio to be routed to the same set of speakers or studio monitors, like they would be in a studio environment.I didn't want to start a new thread for this but,
I am using the FM9 as an interface. Is there a way to route my computer audio to output 2 so that I can control my guitar volume and usb audio separately?
I agree. This thing is amazing and it only keeps getting better with each firmware update.Just wanted to express how blown away I am by this piece of gear.
I have never plugged in to anything and had it immediately get the best tone I have ever had.
Thank you Fractal.
Thanks this is exactly what I was looking for.USB audio is routed to Output 1. Use the USB 1/2 parameter in the setup screen to control the volume of the computer audio. In most practice / recording situations you'd want your guitar and the computer audio to be routed to the same set of speakers or studio monitors, like they would be in a studio environment.
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If for some reason you wanted to use different speakers for each, you could change the output block to output 2 in your presets and use that for your guitar while output 1 would be for computer audio only.
You can assign that parameter to a global performance control by dragging it to the global performance controls screen. That way you have a front-panel knob control for it, just page right twice on the home screen to access all 10 global performance controls. These and the per-preset performance controls are useful for anything you might want to adjust live, like delay feedback/time for spaceship noises, etc.Thanks this is exactly what I was looking for.
I was hoping to be able to assign the USB audio to a physical knob on the unit for easy access but in the editor is sufficient. Thanks.
Holy heck this device just doesn’t stop impressing me! You can really do anything on this. Thanks for showing me how to do that!You can assign that parameter to a global performance control by dragging it to the global performance controls screen. That way you have a front-panel knob control for it, just page right twice on the home screen to access all 10 global performance controls. These and the per-preset performance controls are useful for anything you might want to adjust live, like delay feedback/time for spaceship noises, etc.
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The Drive bock processes the signal in mono...only the dry signal remains in stereo.I was wondering if someone could help me with my rig setup:
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I am trying to get a true stereo signal path with the panning of the "Quad Chromatic" pitch block type. Everything is fine until I turn on one of the drive blocks. I have the Input Select for both of those blocks set to "L+R". How can I achieve this?
Im sure this layout looks insane lol. Im still experimenting.
No I’m only using one drive block at the moment. I may try that but I’m already running into 80% DSP and the drive blocks seem to take up quite a bit of processing, to my surprise. It seems around 10% DSP. It’s all fine until I switch to the Quad voice on the pitch block, that (understandably) uses a significant amount of processing and pushes me over the 80% threshold when using two drive blocks + quad voice.The Drive bock processes the signal in mono...only the dry signal remains in stereo.
Are you using more than two of the channels in the Drive blocks? If not, put them in parallel and set the channels identically and have them each process one side of the stereo signal. Similar to what you must have done for the amp blocks.
You can the switch them on/off together using scenes.