In my humble experience, leveling presets in the studio or bedroom doesn't directly result in equal audibility in a live band setting. As alluded to above, different presets have different qualities that affect how well they cut through a mix of instruments in a live setting. For example, mid-scooped presets with higher gain tend to get lost in a stage mix pretty easily, whereas, presets that are cleaner, with relatively more mid-frequencies are generally more audible (at similar SPL). The room itself (shape, size, resonant frequencies, under flooring, etc.. ) will also affect to some degree the relative audibility of presets. For me, the solution amounts to a bunch of back and forth, and on-the-fly tweaking (at roughly "gig-level") until I get them tuned for the practice studio. Then, it's just a matter of turning it UP til you can be heard at a live gig.
As an aside, a related issue is using a Filter block as an SPL boost for soloing. What I notice is that to take a preset from being part of the rhythm mix to out front and loud during lead breaks differs from preset to preset. For scooped high-gain presets, I might use +5 or +6 db. For cleaner presets it might be more like +2 or +3 db. Again, for me, it's all by ear, and tweaking those details in a live setting.
My 2cents FWIW. - Cheers!