Post Your Axe-Fx III Rigs Here!

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Here’s my current setup at home. I hate plugging and unplugging things so have been working on routing so I can plug in a guitar and rout that signal wherever I want.

From the left, I have my Axe 3 going into my Midas m32c (DS 16 snake) from OUT1, which feeds mixes all my signals out to desktop monitors (HS5) on my desk and my Headrush 112s that flank my back wall from the perspective of this pic. I have the main feed from mixer actually feed a Monitor station that brings in my tv and computer sound input as well and able to route different monitors easily for the main feed from mixer.

I then run OUT into a PowerStage 700 to drive either Marshall 1960a loaded with Celestion F12-x200s and/or two custom made cabs to Celestion spec made by VBoutique loaded with the F12’s as well.

I then have a Boogie MarkV25 combo and mini rectifier that has the DI feeding the mixer as well and has the physical pedals feeding it’s input chain and the FM3 in it’s effect loop.

I then have a vintage 1967 Twin Reverb that sits on top of a open back 2x12 loaded with the v30s that came out of the Marshall. Currently I can switch between the combo speakers or the external cab it sits on.

On the floor, I have my FC12 feeding AxeFX, with a volume pedal driving overall OUT1 volume. My pedal board with input chain that can sit in front of either the Fender or Boogie, with again the FM3 in the FX loop of the boogie.

This is such a cool setup to do loops and switch between amps, dial in tones I can get on the Axe into the real amps or vice versus.
 
View attachment 95454

Here’s my current setup at home. I hate plugging and unplugging things so have been working on routing so I can plug in a guitar and rout that signal wherever I want.

From the left, I have my Axe 3 going into my Midas m32c (DS 16 snake) from OUT1, which feeds mixes all my signals out to desktop monitors (HS5) on my desk and my Headrush 112s that flank my back wall from the perspective of this pic. I have the main feed from mixer actually feed a Monitor station that brings in my tv and computer sound input as well and able to route different monitors easily for the main feed from mixer.

I then run OUT into a PowerStage 700 to drive either Marshall 1960a loaded with Celestion F12-x200s and/or two custom made cabs to Celestion spec made by VBoutique loaded with the F12’s as well.

I then have a Boogie MarkV25 combo and mini rectifier that has the DI feeding the mixer as well and has the physical pedals feeding it’s input chain and the FM3 in it’s effect loop.

I then have a vintage 1967 Twin Reverb that sits on top of a open back 2x12 loaded with the v30s that came out of the Marshall. Currently I can switch between the combo speakers or the external cab it sits on.

On the floor, I have my FC12 feeding AxeFX, with a volume pedal driving overall OUT1 volume. My pedal board with input chain that can sit in front of either the Fender or Boogie, with again the FM3 in the FX loop of the boogie.

This is such a cool setup to do loops and switch between amps, dial in tones I can get on the Axe into the real amps or vice versus.
Good goobly, I’m feeling faint.
 
What is the stand that your III is sitting on? It looks like what I’ve been looking for.
It’s a mixer stand from Rockville Audio. It has a tilt to it. I use it backwards, so that there is a slight tilt upwards. Makes it easier to see the control panel. It also adjust lower to higher, which makes it easy to have access while playing live. The top surface of the stand has rubber on top which keeps it stable. It breaks down totally flat. I think I paid $69.00 dollars for it.
 
It’s a mixer stand from Rockville Audio. It has a tilt to it. I use it backwards, so that there is a slight tilt upwards. Makes it easier to see the control panel. It also adjust lower to higher, which makes it easy to have access while playing live. The top surface of the stand has rubber on top which keeps it stable. It breaks down totally flat. I think I paid $69.00 dollars for it.
Thanks, I'll check it out.
 
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@unix-guy

While that is an impressive rig, I'm more impressed by your acoustically treated rehearsal space. Now that is a luxury.
That's actually a small studio owned by our engineer... Although it was part a larger family owned business building that was recently sold and sadly no longer exists :(

Although everything we recorded that day was completely direct, including drums... So the treatment only helped with playback.
 
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