Monitors look wimpy?Make it look like its actually a guitar cab. No wimpy monitor looking stuff.
Monitors look wimpy?
They have hard duratex finish and metal grills?
Guitar cabs have basket weave grills and are covered in Rob Halford's pleather pants.
I think wimpy is the wrong term for what you don't like about monitors.
Some people just don't think it's a real car unless it has tail fins and a ton of chrome. Performance be damned...it was badass fifty years ago, and it's still badass today.
Just imagine.. do you think if you were to stick a Greenback in the best 112 wedge enclosure in the world it would sell to the real tube amp crowd (no matter how great it sounded)? I'm thinking not really. I don't think Mesa Marshall Orange Hiwatt are worried about losing market share to the hard duratex metal grill 112 wedge monitor fans anytime soon. Maybe thats just me tho.
In the end, that's what it's all about.I guess you do your cool thing and I'll do mine...
A guitar cab-shaped box on the floor, firing forward and attempting to do FRFR is a performance compromise, if you measure performance by sonic accuracy at the player's ears.Oh, and I never suggested give up performance..
Probably true but for those of us that have had a 4x12 firing at us from a back line for 30 plus years, having a wedge front firing just doesn't work. Plus then it's hard to get out of the monitor mix. Sometimes if the singer is killing me or I just need to hear if I've gone outa tune or forgotten a part it's nice to have a sonic space all your own that you can retreat too.In the end, that's what it's all about.
A guitar cab-shaped box on the floor, firing forward and attempting to do FRFR is a performance compromise, if you measure performance by sonic accuracy at the player's ears.
Sure, I guess that can be beneficial for some folks (having a speaker behind you, so you can walk back into your own 'zone').Probably true but for those of us that have had a 4x12 firing at us from a back line for 30 plus years, having a wedge front firing just doesn't work. Plus then it's hard to get out of the monitor mix. Sometimes if the singer is killing me or I just need to hear if I've gone outa tune or forgotten a part it's nice to have a sonic space all your own that you can retreat too.
I would just like to see some company come out with a cab that doesn't look like a vocal monitor at a karoake bar.
Probably true but for those of us that have had a 4x12 firing at us from a back line for 30 plus years, having a wedge front firing just doesn't work.
If it was me, I would just aim at exactly the same specs as the CLR – US $999, 33lbs (neodymium) coaxial speakers, 500W with 2 inputs and assuming you can make it as flat and sound as good as the CLR, there should be quite a nice market waiting there.
I absolutely wouldn't worry about trying to doing something for everyone. Even within something as small as the FRFR market, there's still too many options.
One has to wonder: How far off is a Fractal Audio line of active cabs and FRFR amps/speakers?
Port City is now shipping their Wave cabinets with Celestion FX12-200 speakers, for FR purposes.
Since I already own several PC cabs, I ordered just the Celestion FX12-200, to mount in my 1x12. Expecting it this week. Will report. Curious if it will hold up to the quality and user experience of my 1x12 Wave with KTS-70.