Those are not flat floor wedges
AFAIK, nor are the three you highlighted, and then critiqued, they're std PA form factor, so your point is?
Some of the wedges not mentioned are the EV PXM and Yamaha DHR12M (which I've used a lot, and are both quite clean, precise, and loud, IMO, but over yr stated budget), LD Tech (a bit cheaper, no experience with them), and some lower-end stuff from Turbosound, etc., and of course, you can go up from there; I'd bet you can spend >$100k for a pair if you look.
Most true wedges seem to be coax, which makes sense, since wedges are designed to be high-dispersion, as are coax speakers, and the PA speakers you highlighted, the CP, are long-throw, using separate tweeters and woofers (actually closer to midrange components, with the move to subwoofers over the past couple decades). Both form factors work, but floor wedges are usually designed for wide coverage, whereas PA boxes are usually designed for FOH, thus less dispersion, longer throw, and the separate speakers support that goal. I also use PA speakers sometimes instead of the wedges, horses for courses; both work superbly with Fractal gear when dialed in. The Yamaha DHR12M and EV PXM, because of the coax drivers, solid amplification, and wedge design, seem to be more versatile, IMO, since they sound great in coffeeshops and basements, but are in their element as onstage monitoring on huge stages, they hold their own up to and beyond tinnitus territory, as well.
