electronpirate
Axe-Master
Give this up please. Klon has been done ad nauseum.
if people gave up on things that had been mentioned a lot, we wouldn't have halfGive this up please. Klon has been done ad nauseum.
I agree RusoMost absurd thing I’ve heard all day.
Cliff is like that, not saying it’s a bad or a good thing, I personally think it’s a bit of both. But there are some things he seems dead set against.
1- Klon
2-HM2
3-Separate Poweramp Models
4-Rockman
5-Ada MP1
There are others but these are the ones I recall most through the years.
In the FM using the "FET Boost" I couldn't find the Clip Hardness setting, but was able to find the others and DAMN, it sounds really great!I found these settings in the forum and wiki on how to simulate a KLON Centaur drive pedal. I tried a few others and this sounded the closest.
Anyone else have luck tweaking settings that were previously shared?
FET Boost. Gain 8.51. Tone 3.91. Level 6.85.
Low Cut 79.4Hz. High Cut 1952.5Hz.
Bass -5.17dB. Mid Freq 697.3Hz. Mid 2.71dB. Treble -2.58dB
Bias 0.170. Slew Limit 6.99.
GERMANIUM. Clip Hardness 2.29. Sample Rate 33097Hz.
Saved me $5,000
I did a little Klon-ish style drive in this video and stacked with the ts808!
I did a little Klon-ish style drive in this video and stacked with the ts808!
Thank you! Going to make a video recreating the Continuum rig next, and I have that Microsynth sound from Mayer’s Belief solo #2.Really like your videos.Thanks a lot for doing them. Subscribed!
Never give up! Never, ever, ever quite!Give this up please. Klon has been done ad nauseum.
Cliff bought a Klon KTR a couple of years ago:Never played through a real Klon. Tried a couple straight up clones and I really like my Tumnus Deluxe. I use it in front of my FM9. Maybe Cliff is open to modeling a tumnus?
My guess is that he concluded that the marginal benefit of a Klon model wasn't worth the investment of time/effort/NVM space relative to everything that he's added over the last two years (lots of really great stuff!). I haven't played through a real Klon myself, but I don't find myself missing my Klone a whole lot when I plug into my FM9. The Klon circuit is certainly its own thing and has a great sound, don't get me wrong, but I have yet to be unable to dial in a particular tone on my FM9 without it. Between the ability to set the amp drive/master volume controls however I want without worrying about volume and the myriad drive and boost options, I can dial in just about any overdrive sound I want. I'd probably use a KTR model if one were added, but it's not a must-have in my book.I just ordered a KTR. I'm not making any promises as the topology doesn't fit any of our existing topologies but I'll see what I can do.
Cliff is like that, not saying it’s a bad or a good thing, I personally think it’s a bit of both. But there are some things he seems dead set against.
1- Klon
2-HM2
3-Separate Poweramp Models
4-Rockman
5-Ada MP1
There are others but these are the ones I recall most through the years.
tealtonerick said:
They need to start teaching Critical Pedal Theory in schools. The bias not to include any/all of them is no different.
I agree Ruso