Not sure I followed all of that, but Oscarraap seems to want an attenuator that gives same result as a loadbox without any of the tone or feel compromise when he takes his line out signal to a mixer or sound processor. He seems to be asking if he can use an attenuator hooked up that will reduce the sound coming out completely while still putting a load on the amp. Kind of makes sense theoretically, but I have no idea if it would work the same. If that is case- why would people even use loadboxes if they could, in effect, have a variable loadbox effect with an attenuator?
The THD HOTPLATE manual kind of hints at this:
4. Adjust the rotary switch on the Hot Plate to attain the volume you desire. At -0 dB the
loudness is the same as it would be if the amp were running directly to your speakers. The
effective volume will drop in increments of 4 dB as you turn the switch counter-clockwise.
At the -16 dB setting, the potentiometer on the right is activated (at all other settings this
pot has no effect so it does not matter where you set it). When the rotary switch is at -16
dB and the pot is turned fully clockwise, the effective volume will be 16 dB less than your
unattenuated volume. As you turn the pot counter-clock wise, the volume drops smoothly
down to -∞ dB (no sound).
When the rotary switch is at Load, there will be no sound coming through the speakers,
but your amp will still be safely running at full output.
What do you think the best solution is for silent playing/recording for people wanting to use a SLAVE OUT (unfiltered signal tapped from speaker out) from their amp like on a MARK V?
Coincidentally he and I both have Mark V's.