Here's an odd thing--active guitar cables: ZEROCAP Ultra Low Capacitance Guitar Cable
Seems to be a trend. :? AudioQuest is selling battery-operated speaker cables to the audiophile market, too. The battery pack "polarizes the insulation with a 48-volt charge," to duplicate the "charge" that normally "builds up in the insulation through continual use." They say this "forms the dielectric." The intent is to eliminate the cable's usual "break-in" period. This explanation is wrong on so many levels, I don't know where to start picking it apart. $600 will buy you a 12-foot cable.Here's an odd thing--active guitar cables: ZEROCAP Ultra Low Capacitance Guitar Cable
The site is interesting and fairly impressive. Thanks for the link.I've had really good luck with these guys:
http://www.deathvalleycablecompany.com/
They are reasonably inexpensive, flexible, and great sounding cables.
Differences due to guitar cabling are audible, because guitar pickups are extremely high-impedance sources and therefor sensitive to shunt capacitance. Differences in speaker cabling - assuming adequate wire gauge - are inaudible and cannot be reliably identified when the listener has no knowledge of which cable he is listening to. Differences in properly-designed (i.e., shielded twisted pair) line level cabling are also not detectable by human hearing, no matter how golden the ears.
Audio mythology, no matter how widely propagated, is still mythology.
The best (most transparent) guitar cabling is that with the lowest shunt capacitance. You can always reduce shunt capacitance by shortening the cable. The greatest differences among different cables for other uses all relate to reliability (quality of connectors, insulation, etc.) and ease of use (flexibility).
First, speaker cable is not supposed to be shielded. There is no possibility of a speaker responding to the fractional microvolts of RF that unshielded cable might pick up, and power amplifiers don't like to see parallel capacitance (which shielding always causes) at their outputs. That's why cable that is sold for use with speakers is never shielded.I know that actually, however i'm almost certain my old speaker cable which is not only about 6 years old, but was also the least expensive I could find, is also not well sheilded, nor of adequate qauge.
First, speaker cable is not supposed to be shielded. There is no possibility of a speaker responding to the fractional microvolts of RF that unshielded cable might pick up, and power amplifiers don't like to see parallel capacitance (which shielding always causes) at their outputs. That's why cable that is sold for use with speakers is never shielded.
Second, "adequate" gauge in the case of an 8-ohm speaker and a cable of less than, say, 25 feet in length would be 18 AWG, not exactly the heavy-gauge stuff. You can use zip cord from Lowe's for speaker cabling, and it won't cause the slightest bit of sonic degradation. Anyone who tells you otherwise is either trying to sell you something, trying to justify something he's bought, or just plain uninformed.
That is more than adequate gauge for that length, even if your speaker is 4 ohms.The old cable is a 14 awg about 35 foot cable
Speakons are vastly superior, mostly because they are much more reliable and safer (you can't accidentally pull one out). It's possible that tip contact in one of the 1/4" jacks is either sprung or has corroded, in which case the jack would cause more signal degradation than the cable possibly could.with switchcraft TS connectors, the new uses Neutrik Speakon connectors.
With new, clean 1/4" connectors, probably little or none. With worn and/or corroded 1/4" hardware, perhaps enough to hear.how much difference can be attributed to a change in connectors on speaker cable?
Why Low Capacitance?
1. The higher the capacitance of a cable, the less highs reach the amplifier.
2. High-capacitance cables shift the resonance towards the lower frequencies which dramatically alters tone. For example, Jimi Hendrix used a coiled cord with 3,000 picofarads (.003 microfarads), shifting the resonance below 2,000 Hertz on his Strats. This was the secret of Jimi's tone. Shifting the resonance frequency at 2,000 Hertz has a similar effect to a midrange boost. However, when he recorded and needed a typical Strat sound for some tracks, Jimi switched to a short, low-capacitance cable.
3. There are some very expensive high-capacitance cables on the market with a sound you might like for some tunes, but then you are stuck with that one sound. Using a low-capacitance cable, you can easily change the circuit capacitance by using a push-pull tone control to switch capacitors -- one capacitor for clean sounds and another for distortion. This allows you to choose the right capacitor values to match the pickups, aiming for a 600-700 Hertz resonance for clean sound and a 1500-2200 Hertz resonance for distortion.
The impedance of guitar pickups is so high, especially at the resonant frequency, that there is little chance of any shielded cable of practical length having no audible effect on tone. Shunt capacitance as low as 200pf can cause a 2.5dB response peak at ~2400Hz in a stock Gibson humbucker, along with a rolloff beginning a little below 5kHz. With the same pickup, 20pf has very little effect, but you'd have to do away with shielding altogether in order to get to that low a figure.@Jay,
What's a maximum acceptable shunt capacitance for a guitar cable? By "acceptable" I mean inaudible effect on tone with any pickup combination you're likely to encounter.
Thanks, Jay.The impedance of guitar pickups is so high, especially at the resonant frequency, that there is little chance of any shielded cable of practical length having no audible effect on tone.
True that. While I don't have an issue with my tone, I had a recent experience that opened my eyes to possibilities that I hadn't considered (when your ideas — and tone — go unchallenged, you may miss out).Unless you're experiencing issues with your tone than don't worry about what's "best." If it works for you than it works.
It will almost always be nonexistent in active guitars.The lesson I took from this is that yes, the guitar cable can make a significant difference in tone, but that difference varies a lot between guitars, and in some cases may be nonexistent.
There are always alternatives. If you're happy with your tone, be very careful about chasing a "better" one. There are lots of rabbit holes, and most of them turn out to be dead ends.The other lesson is that, while I may be happy with a tone, my happiness may be caused by my own ignorance of an alternative.
Here is a cable that is claiming 20pF/ft capacitance. Is this even possible?
http://best-tronics.com/guitar-cable/pdf/CA-0446Comparison.pdf
I actually have some of this at home waiting to make some cables. I can send out a sample if someone wants to independently test it.