mranonimouse
Member
Long post alert!! (A clone of my post at HRI)
I was experimenting with creating and uploading my own impulse responses to the Axe-FX cabinet modelling block the other day. (Turns out it’s not that hard, I was inspired by Armin's guide.)
A friend of mine was round with his Marshall JTM45 RI head, and as there is a JTM45 model in the Axe-FX, and I now knew how to get the impulse response of a mic’d cabinet we thought we’d have a little bit of fun comparing how they might sound in a live situation through front of house.
We made some clips, and I thought I may as well share them in case others are interested.
We had a gig situation in mind and what we compared was:
Strat --> Real JTM45 (But running 6V6s and inputs bridged) --> Orange 4x12 w/V30s close mic’d with an SM57, and an MD421, both on-axis bodged in front of the cab like at our average gigs.
Against:
Strat --> Axe-FX recorded direct.
The Axe-FX was running the JTM45 model which was dialled in as close as we could be arsed to, without fagging around with many of the advanced parameters. The JTM45 model was run in to a cab block containing an impulse response of the cab and mics used above. (Although the relative levels between the mics isn’t exactly the same due to adjusting the gains between making the IR and recording.)
All these clips use the same sound, they are just different riffs, chord sequences etc. No post processing at all except a hint of reverb.
I know some of you like to play the “guess the real amp” game so I got my friend to mix up all the clips for you, but that’s not really why I wanted to share, I’m not trying to fool, trick or prove anyone wrong because frankly, I don’t give a damn.
Clip 1A
Clip 1B
Clip 2A
Clip 2B
Clip 3A
Clip 3B
Clip 4A
Clip 4B
Clip 5A
Clip 5B
Thanks to JavaJunkie for hosting these.
I think my main point is, with some basic recording equipment, it’s easy to get your own cabinet IR in to the Axe-FX, and to me it sounds the same as the mic’d up cabinet. (Although these clips don’t demonstrate that due to the different amps used.)
This opens up a few possibilities such as recording direct with your loaded down tube amp late at night (Why do those great ideas always happen late at night?!) or out of the studio, or gigging without a cab or without micing up your cab and running direct to FoH but still getting your usual FoH sound. Also you could add all the usual post-processing stuff in the Axe-FX to go to FoH whilst having your usual raw cab sound on stage. And I’m sure there are loads of other potential ideas I haven’t even thought of yet.
Knock yourself out, I’m going to spend some time working on a new close-mic’d sound for myself.
I was experimenting with creating and uploading my own impulse responses to the Axe-FX cabinet modelling block the other day. (Turns out it’s not that hard, I was inspired by Armin's guide.)
A friend of mine was round with his Marshall JTM45 RI head, and as there is a JTM45 model in the Axe-FX, and I now knew how to get the impulse response of a mic’d cabinet we thought we’d have a little bit of fun comparing how they might sound in a live situation through front of house.
We made some clips, and I thought I may as well share them in case others are interested.
We had a gig situation in mind and what we compared was:
Strat --> Real JTM45 (But running 6V6s and inputs bridged) --> Orange 4x12 w/V30s close mic’d with an SM57, and an MD421, both on-axis bodged in front of the cab like at our average gigs.
Against:
Strat --> Axe-FX recorded direct.
The Axe-FX was running the JTM45 model which was dialled in as close as we could be arsed to, without fagging around with many of the advanced parameters. The JTM45 model was run in to a cab block containing an impulse response of the cab and mics used above. (Although the relative levels between the mics isn’t exactly the same due to adjusting the gains between making the IR and recording.)
All these clips use the same sound, they are just different riffs, chord sequences etc. No post processing at all except a hint of reverb.
I know some of you like to play the “guess the real amp” game so I got my friend to mix up all the clips for you, but that’s not really why I wanted to share, I’m not trying to fool, trick or prove anyone wrong because frankly, I don’t give a damn.
Clip 1A
Clip 1B
Clip 2A
Clip 2B
Clip 3A
Clip 3B
Clip 4A
Clip 4B
Clip 5A
Clip 5B
Thanks to JavaJunkie for hosting these.
I think my main point is, with some basic recording equipment, it’s easy to get your own cabinet IR in to the Axe-FX, and to me it sounds the same as the mic’d up cabinet. (Although these clips don’t demonstrate that due to the different amps used.)
This opens up a few possibilities such as recording direct with your loaded down tube amp late at night (Why do those great ideas always happen late at night?!) or out of the studio, or gigging without a cab or without micing up your cab and running direct to FoH but still getting your usual FoH sound. Also you could add all the usual post-processing stuff in the Axe-FX to go to FoH whilst having your usual raw cab sound on stage. And I’m sure there are loads of other potential ideas I haven’t even thought of yet.
Knock yourself out, I’m going to spend some time working on a new close-mic’d sound for myself.

Either way, both clips sound so close that in a mix you wouldn't hear it unless you were told that they were different beforehand.