^THIS THIS THIS^It means you’re not blasting your ankles and fill the room at more reasonable volumes.
I'm quite interested in this as well since the Redsounds have a coaxial speakerDid someone compared those to the mf 10frfr
From redsound ?
I don’t have access to one but there are some comparisons that can be made anyhow.Did someone compared those to the mf 10frfr
From redsound ?
What level were you sending the FR10? How loud are your presets? I generally shoot for around 0db like the factory presets. I had the FM9 out1 about noon and the FR10 around 1 o’clock. That was way louder than I play on stage for any sort of normal gig.After using the FR-10 at 2 gigs with a fairly loud 8 piece band, I found I had
to crank it up to between 1-2 O'Clock, and I still had a tough time hearing it.
I was at pretty close range too. A bit surprising since dialing it in at home, I had
it around 10 O'Clock and it sounded awfully loud.
To be fair, I didn't want to jack it up too much and overpower the nearby players.
The tone controls came in handy to knock down some treble. Didn't sound quite
as full as a 12" cab for clean stuff, but the sound was good nonetheless.
I also had keyboard monitors very close and they were quite loud at both gigs.
So, the recurring advice here to dial in your tones at gig level really is important.
and approximating gig volume when you're at home is probably louder than
you would expect. I will probably pull the trigger on a 2nd FR-10.
And Output setting of +4dB or -10dB? That's importantWhat level were you sending the FR10? How loud are your presets? I generally shoot for around 0db like the factory presets. I had the FM9 out1 about noon and the FR10 around 1 o’clock. That was way louder than I play on stage for any sort of normal gig.
I did only compare them to my Bluesound Cubo and I prefer the Cubo by far.Did someone compared those to the mf 10frfr
From redsound ?
Interesting that Red Sound speakers are now available from Fractal. I agree that we need a good head-to-head comparison between these and Fender's new offerings.I don’t have access to one but there are some comparisons that can be made anyhow.
The Redsound needs to perform appreciably better given the price difference.
- Size and weight are in the same ballpark
- Red sound has more low end specd
- Fender has some EQ which can be used to adjust a bit for the room. To me, the cut is the handiest thing to tweak.
- Fender has the tilt back legs
- Redsound is $1300 mono and $2400 stereo, Fender is $500 and $1000.
Can you please elaborate bit more? Is Bluesound Cubo a FRFR?I did only compare them to my Bluesound Cubo and I prefer the Cubo by far.
I do have a pair of MF10 as well and I prefer the Cubo over them as well.
You might be confusing G66 (a Fractal distributor) with Fractal?Interesting that Red Sound speakers are now available from Fractal. I agree that we need a good head-to-head comparison between these and Fender's new offerings.
You might be confusing G66 (a Fractal distributor) with Fractal?
Oh... Now that is interesting!I thought the same; but it turns out that within the last hour or so, Redsound is now offered on the North America FAS website.
https://shop.fractalaudio.com/red-sound/
Yes the Blueamps Cubo is a active fully customizable 2x8 FRFR Cab with coaxial speakers.Can you please elaborate bit more? Is Bluesound Cubo a FRFR?
Thanks!
This is what I might expect from a TMDeluxe since afaik it's emulating the Deluxe tube amp + a load box, so when virtually loaded down to 0.2w with hi ch volume, it's emulated power section would likely be pushed into compression / distortion (which is what you're likely hearing, and for that reason, not really a good solution for monitoring a modeller at low volume). TMFRs on the other hand are just FR power amps afaik, so I would not expect those to compress / distort or add hi amounts of coloration at any volume.On the .2 watt setting, with channel volume at 5-8 or so and guitar up full, the sound is mushy