...likely due to the processing requirements of the longer processing window with the longer IR's.Not for FM3 or FM9.
On Axe Fx III they are 2048 samples vs 1024 on FM9/FM3.
...likely due to the processing requirements of the longer processing window with the longer IR's.Not for FM3 or FM9.
On Axe Fx III they are 2048 samples vs 1024 on FM9/FM3.
Official explanation:...likely due to the processing requirements of the longer processing window with the longer IR's.
FM3/9 only support 1K samples for normal IRs since the IR processing is handled by a coprocessor whose max. length is 1K samples.
Thanks. I think I remember hearing that. I don't spend too much time on the Axe-III forum.Not for FM3 or FM9.
On Axe Fx III they are 2048 samples vs 1024 on FM9/FM3.
Don't forget that the cab block has a room sim, which can add the environment's room tone back for the shorter Dyna-Cab IR's, plus it's adjustable and full bandwidth which the longer ultrarez IR's aren't.
Proximity is how close the mic is to the speaker... You don't need a control for that with Dyna-Cabs because that's controlled directly.I gave it another try on a copy of one of my fav presets. Really it’s not bad. Good in fact. Sounds more pure and clean in some way. More amp in roomish. I did see on the room page the proximity frequency but no proximity adjustment. Didn’t mess with that one. It’s a great tool to have in the box. Still like my fav IR’s better though. But I will say I’m getting closer.
I was gonna ask, which mics did you try, what positions, distances etc, since those would be reasonable questions about using any cab pack. But actually, if you're happy, you're happy, you don't need my nose in your biz.Tried a Dynacab (1960TV) and oof did it ever suck. Will continue with Legacy for now.
Dynamic and Condenser (1 on each cab in the panel). See above I added to my response to describe why I thought it wasn't very good and what I'm comparing it to.I was gonna ask, which mics did you try, what positions, distances etc, since those would be reasonable questions about using any cab pack. But actually, if you're happy, you're happy, you don't need my nose in your biz.
Moved the mics closer to the edge, not right in the cone?Dynamic and Condenser (1 on each cab in the panel). See above I added to my response to describe why I thought it wasn't very good and what I'm comparing it to.
Just didn't give me the sound I was going for. I moved the mics all around.Moved the mics closer to the edge, not right in the cone?
Comparing that 4x12 1960TV Dynacab (dynamic and condenser) to a 4x12 Uber T75 factory legacy cab (57 cap edge, 414 cap).
Well the Dynacab selection for now is still pretty small.25 watt Greenbacks vs 75 watt T75's in different cabs... A difference is to be expected.
Just didn't give me the sound I was going for. I moved the mics all around.
There must be some psychoacoustic strangeness in the way different people hear or want to hear their guitar sound. I have found the DynaCabs to be one of the best things added. It has made dialing in a great mic’d cab/speaker sound so much easier. I have mentioned this before, but for someone like me who spent most their life micing up speaker cabinets it just seemed to come natural. Especially when recording.
Well, I guess that what choices are for. Fractal sure gives choices.
Yeah, “psychoacoustic” is mostly about how humans hear and perceive sound. The bright cap on Marshall’s is a yes/no, on/off sort of thing. The DynaCabs are quite…uhm dynamic. Although the Marshall “bright cap” thing is a unique issue in and of itself.Hearing perceptions are unique to the listener. Like bright caps on Marshalls. I don’t like that high mid honk but plenty of people do. And Dynacabs are the same. I don’t like them but it appears the majority does like them.