shatteredsquare
Power User
I always thought the "secret" was the Furman PQ3 parametric eq for getting that really scooped tone
That's half the secret. The other half is the EQ in front boosting the peanuts out of the mids
I always thought the "secret" was the Furman PQ3 parametric eq for getting that really scooped tone
Sorry, ShatteredSquare, but I don't think that's really a great approximation. The Metal Zone just sounds super fizzly and this is lacking in a lot of the dynamics Dimebag used.
I approached this problem a bit differently. I hooked my Axe III up via USB and used a Youtube isolated guitar track to ToneMatch:
My starting amp was the FAS MODERN II. To take it a step further, I think I ran the tonematch twice to get ever so slightly different characteristics (maybe use 2 different parts of the track?). Then, I converted them over to cabs and panned each 100% left and right. A little reverb and delay for soloing and you're done. Plus, it's matched to your guitar's pickups. Can't beat that.
Added some clarifying language.
Awesome....will check them out asap!Here is my best Dime patch. It's closer than others I've heard but Cliff, we NEED the Randall century 200 and rg100-es. PLEASE
Scene 1 clean
Scene 2 dirty
Scene 3 lead
scene 4 dirty+clean with volume pedal to fade out the dirty. (Think "This Love" after the chorus going into verse, that is how Grady Champion managed that part live)
I forgot to add that the 1st pitch block is whammy of course and the 2nd pitch block is the harmony for “hollow”