Hi,
I'm considering getting an Axe II, mostly to use just for its fx through a couple of my amps. (I might get into its amp modeling capabilities, too, at some point, but that's not my primary interest at the moment.) I'm thinking of replacing another high end fx processor with the Axe II, but I want to be sure to do my homework first.
My main question at the moment has to do with the Axe's delays. I'm trying to find some good clips of the Axe's tape and analog delays. I want to see how well they measure up to some other gear I already own. So far I haven't found any clips like that. Can anyone help me out?
I also have some more specific questions about how the Axe approaches its fx modeling--if "modeling" is even the right word here--and maybe it isn't. For example, does each delay effect have its own unique algorithm? In other words, is each delay effect constructed differently from the ground up? Or is there a single underlying "architecture" that all of the delays share? In other words, the sonic difference between the 2290 style delay and the tape delay in the Axe is due to substantial amounts of tweaking of identical sets of parameters?
Thanks,
Jeff
I'm considering getting an Axe II, mostly to use just for its fx through a couple of my amps. (I might get into its amp modeling capabilities, too, at some point, but that's not my primary interest at the moment.) I'm thinking of replacing another high end fx processor with the Axe II, but I want to be sure to do my homework first.
My main question at the moment has to do with the Axe's delays. I'm trying to find some good clips of the Axe's tape and analog delays. I want to see how well they measure up to some other gear I already own. So far I haven't found any clips like that. Can anyone help me out?
I also have some more specific questions about how the Axe approaches its fx modeling--if "modeling" is even the right word here--and maybe it isn't. For example, does each delay effect have its own unique algorithm? In other words, is each delay effect constructed differently from the ground up? Or is there a single underlying "architecture" that all of the delays share? In other words, the sonic difference between the 2290 style delay and the tape delay in the Axe is due to substantial amounts of tweaking of identical sets of parameters?
Thanks,
Jeff