That was as close as I could get it without tone matching. I normally like the real amp’s presence around 6-6.5, but using the tone match block to analyze it in real time showed that the model’s presence at zero was brighter that my amp’s presence at 6. So I just edged up the real amp’s presence until it matched the model, which was at 7 on my amp. Cliff has mentioned in the past that all tapers are accurate to the real amps with the exception of Master Volume and Presence in order to give those controls a less drastic and more usable sweep. I think my real amp is slightly darker than Cliff’s, but I don’t think you’d be able to tell the difference within the context of a mix. At the end of the day, I played my guitar more than I worked, so that says something pretty great about this FW.