NoDoes the output transformer improvement help with that?
NoDoes the output transformer improvement help with that?
I don't think that's a normal experience...When I use my real amps, I can switch back and forth with zero EQ or pedal changes.
Interesting, I’m not saying that every guitar sounds the same in my real amp rig. Each guitar’s voice comes though, I’m just saying I don’t make any gain or EQ adjustments to the amp when changing guitars, and they all sound great.I don't think that's a normal experience...
Real amps should also respond differently to different guitars and pickups.
Earlier modelers were often slagged for the exact reason that they "homogenized" all guitars... It really didn't matter because they all sounded very similar coming out.
Thank you for the explanation! I have a question.
One of the areas modelers haven't been as accurate as amps for me is when switching between guitars, like from single coil pickups to a guitar with humbuckers. You see it all the time from content providers with presets for single coils and presets for humbuckers. When I use my real amps, I can switch back and forth with zero EQ or pedal changes. I feel like the answer to this is in the upper mids/presence range (2khz - 4khz) and maybe in the low treble range. Does the output transformer improvement help with that?
I'm sticking with my blend of Mesa V30s and Greenbacks for now. Greenbacks alone and Blackbacks also sound pretty cool, but gotta mind the presence a bit with both of those.Cab recommendations for OD2 orange?
That's been my experience as well. I've never felt the need to create different presets for different guitars/pickups using the same amp model. Each preset is created with the guitar that will typically be used for the song, but I've used different guitars with the same settings and they sound just as good without making any EQ or gain adjustments.Interesting, I’m not saying that every guitar sounds the same in my real amp rig. Each guitar’s voice comes though, I’m just saying I don’t make any gain or EQ adjustments to the amp when changing guitars, and they all sound great.
With all of the modeling solutions I have tried, two similar guitars (an SSS Strat and an HSS Strat) one sounds great but the other is almost unusable on the same presser.
Now, I do set all of my guitars up to have similar output, even with a mix of humbuckers, P90’s, JM style, Strat single coils, Tele single coils, TV Jones Filtertrons, etc… and have never needed to change amp or pedal settings.
I’m just trying to close that gap with the Axe III. I noticed some IR’s I got recently (that I really like) have a sizable dip in frequency response around 2khz - 4khz. I set up a PEQ after the amp to boost that range about 1.5 dB and it helped a bunch. That’s where all the ear fatiguing, nasty sizzle lives in a DC30, and I believe it’s a big reason I’ve had success changing guitars without changing anything else in my signal chain.
I think this explains it. You will not really need to adjust gain if you have relatively same amounts of input hitting the front end of an amp.Now, I do set all of my guitars up to have similar output, even with a mix of humbuckers, P90’s, JM style, Strat single coils, Tele single coils, TV Jones Filtertrons, etc… and have never needed to change amp or pedal settings.
Post 68: It’s less bright!
Post 101: It’s more bright!
Fractal Audio: sigh
Waking up on the wrong side of the bed, means "on top of my wife", which is good.True, and even influenced by the previous day’s sounds, which position you slept in, pulsatile tinnitus, blood pressure, sinus pressure, and even just waking up on the wrong side of the bed that day lol
Yes.are you saying that the beta sounds better for you now, than your last FW?
If an IR is a capture of a speaker, how does the IR capture frequencies the speaker doesn’t produce?That’s because guitar speakers shave off upper and lower frequencies, where (close-mic’d and full-range) IRs do less so, unless EQ is used.
Waking up on the wrong side of the bed, means "on top of my wife", which is good.
And this would certainly affect my day.

Because close-mic and on-axis is not the same as far-field and off-axis... And also add to that the proximity effect of the micIf an IR is a capture of a speaker, how does the IR capture frequencies the speaker doesn’t produce?
I don't agree with any of that. Whatever you're hearing is not an inadequacy in amp modeling. More likely it's "amp in the room" vs. close-mic'd IR.Thank you for the explanation! I have a question.
One of the areas modelers haven't been as accurate as amps for me is when switching between guitars, like from single coil pickups to a guitar with humbuckers. You see it all the time from content providers with presets for single coils and presets for humbuckers. When I use my real amps, I can switch back and forth with zero EQ or pedal changes. I feel like the answer to this is in the upper mids/presence range (2khz - 4khz) and maybe in the low treble range. Does the output transformer improvement help with that?
Thank you for the explanation! I have a question.
One of the areas modelers haven't been as accurate as amps for me is when switching between guitars, like from single coil pickups to a guitar with humbuckers. You see it all the time from content providers with presets for single coils and presets for humbuckers. When I use my real amps, I can switch back and forth with zero EQ or pedal changes. I feel like the answer to this is in the upper mids/presence range (2khz - 4khz) and maybe in the low treble range. Does the output transformer improvement help with that?
If I’m not mistaken, “high” and “low” inputs and “bright caps” on vintage amps were an attempt to solve the problem of too much difference between guitars.I don't think that's a normal experience...
Real amps should also respond differently to different guitars and pickups.
Earlier modelers were often slagged for the exact reason that they "homogenized" all guitars... It really didn't matter because they all sounded very similar coming out.
Yes.If I’m not mistaken, “high” and “low” inputs and “bright caps” on vintage amps were an attempt to solve the problem of too much difference between guitars.
Could be a compression thing?Might be placebo, but I want to share an experience with 28.05.
Assume a preset with two mid gain and high gain tones. Assume that you do the volume equilization while power chording on low strings. Before 28.05, I sometimes noticed that the high gain channel was weaker while playing the 3rd or 4th string solo. Now the high gain sings more uniform across the spectrum.
I feel like it is more compressed with the 6CA7, I like it.Could be a compression thing?
The output transformer improvement has eliminated something that has baffled me for years. Previously I would always measure a slight dip in the midrange response relative to the real amp. Not a lot, around 0.5 dB but still not perfect. I finally figured out what was causing this.
I think the removal of that “dip in the midrange” could account for what @ertan is hearing on the 3rd and 4th string.Before 28.05, I sometimes noticed that the high gain channel was weaker while playing the 3rd or 4th string solo. Now the high gain sings more uniform across the spectrum.