This was my take.If i understand well your first post, you have done everything to match your axe 2. So yes the sound is similar![]()
But there is a comparison quite literally , it’s right here!I have them both, and there is simply no comparison.
I always ended up using the Axe II with tube gear as Ares was lacking to some degree, and it still works great mostly with tube preamps so the Axe II was providing a tube power amp sims, however with Cygnus and the FM3 it's now all DSP now (Cygnus made it happen for me and I'm a confirmed tube snob).
The Axe II is still a powerful platform, however it's amp modeling has certainly been surpassed through the years.
That’s awesome!To be honest, I haven't heard the clips. And I'm not going to listen to them either.
I have all the devices here in my studio.
AXE FX Ultra, FX II, FX8, AX8, FM3, FM9 and of course the AXE FX III.
I don't record either. I'm a live musician through and through with about 80-100 gigs a year. And in very different styles.
For me, the AXE FX III is worlds better in terms of sound and feel. (This also applies to FM3 and FM9).
What counts most for me is how quickly I can adjust a sound. And for that I use the knowledge I have gained over the years
with the real AMPS (and I've had 100+ tube amps in my hands).
So that's irrelevant for me. I would never again prefer the AXE FX II to the III live.
When I think of all the effort involved with the MFC101. Don't need that anymore
It's quicker with the new generation of devices and I have more time to play.
Speaking of playing. I still have to write about 40 sheets for tomorrow. Temporary job. (But very well paid)
But from time to time I switch on the AXE FX II again and play a bit. For the sake of the good old days.
I wouldn’t say so, I’ve explained it better in comment #4.If i understand well your first post, you have done everything to match your axe 2. So yes the sound is similar![]()
You’re 100% correct that I’ve haven’t had the III, as it was explained right away at the first sentence in the post.The title is misleading. This is not a comparison between the IIXL+ and the III. The FM3 and FM9 do not sound the same as the III, and both of them sound better than the II XL+. The III is clearly superior to all others. In no universe does the II equal the III or even the FM. I have all of them and the differences are immediately obvious.
Manipulating the FM3 to sound like the II serves no purpose that I can see, any more than manipulating it to sound like the Ultra or Guitar Rig 1. And equating the FM3 to the III tells me that you've never lived with the III.
Even with Quantum, which was several major revisions (IIRC) beyond the first FW, it was probably already like 99% accurate in certain measures. Then subsequently we got Ares then Cygnus (1, 2, now 3). We're probably at 99-99.9% accurate in areas that were lower or not addressed yet in Quantum.Yeah I can’t really hear much difference.
To my ears one has more oomph / body and I might prefer it in certain circumstances, while the other has more texture which seems like it would be more fun to play. I have a sense of which might be Cygnus vs Quantum, but w/o playing them it is difficult to definitely identify. (I put my vote in by PMWhich one is your favorite?
The III does not sound or feel the same as the FMx. They are close, but not identical. The title of the thread is incorrect and misleading.You’re 100% correct that I’ve haven’t had the III, as it was explained right away at the first sentence in the post.
However, I was under the impression that the FM3, FM9, and Axe Fx III all share the same amp block, and same Cygnus X-3 modeling, so they should sound the same with a simple amp-cab preset.
Please correct me if I’m wrong about that!
The III does not sound or feel the same as the FMx. They are close, but not identical. The title of the threat is incorrect and misleading.
I guess I just don't understand the point of this. I don't have an FM3, but I do have the II XL+, the FM9, and the III. The difference in tone and feel between them is, IMO, obvious. If you can't tell the difference, I guess it makes sense to stick with the II XL+. But I'd advise anyone interested in upgrading to not rely on clips to make an informed decision.
Oh interesting, thanks for the correction!The III does not sound or feel the same as the FMx. They are close, but not identical. The title of the threat is incorrect and misleading.
I guess I just don't understand the point of this. I don't have an FM3, but I do have the II XL+, the FM9, and the III. The difference in tone and feel between them is, IMO, obvious. If you can't tell the difference, I guess it makes sense to stick with the II XL+. But I'd advise anyone interested in upgrading to not rely on clips to make an informed decision.
But there is a comparison quite literally , it’s right here!
With your explanation in mind, considering this is a pure digital clip without any tube gear, which sounded better to you?
No doubt it’s flawed!It's a flawed comparison, as a true comparison would provide various gain levels, edge of breakup thru high gain with various guitar control settings, pup selections, scales, diads and triads with various intervals including dissonances and octaves, picks and fingers, slide etc, etc, etc.
The fact that either can make usable tones was never in question, rather you're attempting to compare their respective qualities, which requires a much more in depth test.
In case everyone isn't aware, guitar sounds are relative unless it's a solo performance, seeing as otherwise they're always manipulated to sound good with all the other mix elements (which can often make them sound like ass solo'd etc).No doubt it’s flawed!
I’m not a scientist or a researcher, just a guy testing how his favorite presets sound on the new fractal devices!
I also only have the FM3 for the weekend, so my time is limited.
But I will add some more tones soon!
However, even if we’re only talking about this one preset, I am still interested to hear everyone’s opinion about it, including yours!
I totally respect it if you don’t want to participate, but you’ll be missing out on all the fun!![]()
I actually love the conclusion you got at the end!In case everyone isn't aware, guitar sounds are relative unless it's a solo performance, seeing as otherwise they're always manipulated to sound good with all the other mix elements (which can often make them sound like ass soloed etc).
I'm not going to bother with this as it's both flawed in scope, and of course useless unless the sounds are taken in some sort of context.
However, if anyone wants to consider these couple of sounds the determining factor with regards to whether Fractal's amp modeling has improved or not through the iterations, then have at it LOL! Note that any Fractal device from the Gen 1's through today can make quality useful sounds, though if mimicking a tube guitar amp is the goal, there's simply no comparison between Cygnus and the prior FW releases.
Not a valid test of capabilities remember, read my second post again.I actually love the conclusion you got at the end!
In this specific case the goal was mimicking a Marshall 1987X with all knobs on 10, through a pulsonic greenback cab.
So which one you think is mimicking it better?