I'm sure if he likes the Axe better the shipping cost will become a non-issue.
I'm sure if he likes the Axe better the shipping cost will become a non-issue.
Thanks, that's a good idea. But the shipping cost isn't so much of an issue on its own...it's more of an annoyance when compared to the Kemper (which, of course, is the unit I'm also considering). It's one more factor...not the most important, or even important. But it's a factor that goes into the mix with everything else.
I'm in the Columbus area, so if there IS anyone local, I'd be glad to invade your home and check out your gear.
AFX2, FW18 Bete, Matrix GT1000F Power amp, Zilla 2x12 cab (1 x Creamback, 1 x V30).
Camera is only a point and click - so the mic does compress at the higher gain/volumes. This is only ticking the volumes I can get though really .....
AFX2, FW18 Bete, Matrix GT1000F Power amp, Zilla 2x12 cab (1 x Creamback, 1 x V30).
Camera is only a point and click - so the mic does compress at the higher gain/volumes. This is only ticking the volumes I can get though really .....
Absolutely - and why I dont post many clips. It gives a rough "this is the kind of thing you can expect" snapshot - but nothing more. It does show the attack with FW18 though, and the dynamics re pick attack and vol roll off if the one thing I think you CAN demonstrate, as the actual tone and feel is not relevant at that point. Its also something thats very rarely demonstrated (with any equipment TBH), and why I did this.
For what it's worth. I had a session two weeks ago with a Kemper-enthusiast producer. He asked if I wanted to use his profiles... I told him I'd like to try a take with my Axe first. He put me in red, I took my first pass, and he grabbed his phone and said "Siri, make a note to sell the Kemper." After hearing my tones and seeing me recall and tweak patches on the fly, he realized that he bought the wrong unit.
Also, I have the great fortune to know and work with some amazing guitar techs who's resumes span a very impressive roster of artists (I'll spare the name-dropping). The short of it is that of the four high-end techs, three had other gigs with fellow Fractal artists, and only one guy had a Kemper artist..which he wasn't very pleased with. All that to say, from what I've personally seen, more pros end up with Fractals. It might cost more, but you get what you pay for.
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The word "long-term choice" is in world of digital and processor-based equipment very relative anyway, don´t you think? But the AXE concept is far more "open" even though, no matter what you buy, there´s going to be a Kemper II and an AXE FX III somewhere in the future...i believe that if both parties have reached the peakpoint of the best algorithms and FW and programming then it´s the processor-power that determines the quality, and i believe that FAS is in advance...
I have to lead this AXE and Kemper Discussions all the time and it reminds me of the discussions vegetarians contra carnivore
have to say that mbrown3 makes some valid points all along the way here (I've nothing to say on the shipping issue) and I for one appreciate his scepticism. 6 weeks ago I pulled the trigger on a new XL. I've only got around to testing it today (long past my 2-week return option, so no turning back now) and after 8 hours straight EQing, testing & tweaking, I've still a way to go before I could say it's for me. I'm a/b'ing against a boogie / Palmer PDI-03 rig that I've been using for years straight to FOH, and even with a 31-band external GEQ I can't quite match the Palmer for tone or dynamics yet. It's very close but at this point the AFX certainly has a degree of that '2D' thing going on that I've read about - compared with the complex organic 3D tone that we hear from good tube amps (and which to a degree, the Palmer still manages to represent). For sure it's an impressive unit overall though, and I'd imagine it's a game-changer for any recording artist where these subtleties can easily go unnoticed; it's definitely way ahead of anything I've tried by Line 6, which it should be, given the price. Is it realistic enough to match a good tube amp direct to FOH on a live country / classic rock gig yet? I dunno, I hope the Salesforce Metallica gig video isn't a conclusive indicator but then again, I've heard the best of guitar amplification misrepresented in a live context for one reason or another... Anyway mine is still on the FW17.03 that it shipped with, hopefully FW18 /G3 will pull out some more magic... In fairness it has to be said, the FX are spectacular! I'm also hoping that these 3D subtleties I'm missing are largely inaudible in a live band situation, here's hoping... it'll be a few weeks before I get a chance to test it through a big PA with the band though... I'll keep ye posted...Cool! Pretty nice tones. It's always hard to tell how something sounds (and especially, feels) via online video or audio clips (despite folks referring questions to all of the clips)...so many different factors affect the reality; how they are compressed when uploaded, what digital format they're in, what speakers are on the playback PC/device, etc. But hearing how the volume knob affects things is cool...not something I've seen in a ton of the other videos.
Anyway mine is still on the FW17.03 that it shipped with, hopefully FW18 /G3 will pull out some magic... In fairness it has to be said, the FX are spectacular! I'm also hoping that these subtleties may be inaudible in a live situation, it'll be a few weeks before I get a chance to test it through a big PA with the band... I'll keep ye posted...
Not to be dismissive of your experience, but there are guys on the Kemper forum who have had similar experiences with studios going from Fractal to Kemper, and a long list of artists, producers, etc, that use them. The problem with anecdotal evidence is that one can almost always cite experiences that affirm their choice. And all are valid when you take into account that every person (/studio/band/etc) and what they are looking for is different. That's one of the reasons I'm soliciting input. Obviously nothing will substitute my ability to play each device and figure out what will work better for me. But often times what appeals to us greatly right off the bat will end up showing cracks over time. I'll probably think they both sound great right off the bat. The thing I have to decide is which one will be the better long-term choice for me. So as much as some folks think this discussion is pointless, it's been very helpful as I try to clarify what the biggest hurdles/benefits of each will be for my needs/uses.
FW 18 is still in Beta. It sounds great but is not a final release so...
All I'm saying is there are too many posts about the shipping. Those costs are fixed. It's up to the OP to decide if he's wiling to pay them.
The other points are more worthy of discussion .