LET'S LOOK AT ALL THE REAL THINGS THAT PEOPLE WOULD WANT FROM AN AXE IV.
I'm not talking about new amps/fx/ etc....mainly hardware.
TOUCH SCREEN
To please everyone it would have to be huge....like the mockup some one posted.
Then all the knob people would complain.
It might fit on a rack unit....but what about the floor units?
WE HAVE A TOUCH SCREEN
It's called FracPad......I run it on an android tablet or use Axe edit on a laptop.
But OMG it uses wires to connect!.....who the hell wants bluetooth/wireless to fail in the middle of a gig. It's so easy to bring a few spare cables of all kinds in a duffel.
Most people don't put their rack unit on the ground. So all you have to do is raise the unit high enough to see a screen and your done!
Floor units.....you gonna keep bending over in the middle of a gig?.....squinting at your screen when you should be selling your performance to the audience or reading dots like I sometimes do.
I also use an Atomic AA12 (straight to PA, no amp) occasionally and never once have I NEEDED to edit at a gig. And it's set up with knobs to allow you to do that very easily......
and so is PERFORMANCE MODE on the AXE.
WIRELESS/BLUETOOTH
It requires hardware to do this, which will date, could be prone to interference of intermittent performance.
Not something you want to happen at showcase gig, or freelance dep gig....you sometimes only get one chance, and a spare cable is a much easier fix than reboots and frantic menu diving.
POLYPHONIC GUITAR SYNTH
Without a hex pickup system (or other system) and appropriate hardware in the Axe we are stuck with Mono synthesis. Samples would be another ballgame altogether.
Roland have taken the AFFORDABLE hardware solution about as far as it can go....and it's less than perfect.
I know there are some software solutions on the market that claim usable polyphony...don't know if they would work well in a fractal sized box even if FRACTAL wanted to go down that path.
PROFILING
More hardware needed, a whole interface system designed to support it. Limited by the quality and recording environment.
Personally....let KEMPER/QC have this market....I'm sure they do it well.
CONCLUSION
For me the AXE 3 ticked all the right boxes.....Personally I couldn't see myself needing anything more. YMMV
I bought my 2 ULTRAS (still have them) used and held off buying any more Fractal stuff until the Axe 3 MK2
The benefits (for me) of the III over previous units:
* 2 expression pedal ports BUILT IN (No FC-12 required)
* Midi as per previous models...this allowed me to use cheap midi controllers for preset switching,
* More than enough CPU power for just about anything.
* Built in crash/Eprom recovery
* USB
Backing up and firmware updates are so easy and reliable compared to the ULTRA
* MEMORY SPACE
for more presets and IRs than I could ever use.
* FOOTSWITCHES
For me not necessary, but if I was ever forced to play in a tribute/cover band again I can see the benefit of scenes, setlists and the like.
* EFFECTS
I sold all my amps and pedals, so the AXE 3 cost me nothing. The new firmware 21.02 has given us some great compressor upgrades and I think when Cliff turns his mind to it I think we'll see even more improvements to the delays and reverbs.....plenty of life left in the III for some time to come....me thinks.
MY USEAGE
Is mainly Blues, Fusion, Jazz, and a few generic sounds for the odd freelance classic rock gig.
I use my AXE contrary to conventional wisdom....I run it into a Matrix 1000 and into 2 EV12L guitar boxes
I leave the cabinets ON in all my presets.....works for me.
I have a bank of 10 pesets for each guitar I use (LP, Strat, 335, ES 175)
AXE FX 4?
I don't see it incorporating any of these features cheaply...
The current Turbo MK 2 is AUS$5000 plus shipping,
and the FC-12 is about AUS$1600 + shipping
I'm kind of thinking that some of the hardware upgrades would put the price out of our reach.
Be careful what you wish for