What are you listening to right now?

[GuitarChapPappa]

 

[Henry]

Mostly the new Ghost record, Skeleta. This one starts slow and turns into a real banger.

 

[JamDoc]

I was at this show. Bobby Rush & KWS were great - classic modern blues with fire guitar. / The KWS band was off the chart. i have seen many of the best...KWS can shred a guitar to fire - very ...very impressed. His live tone matched every guitar he used & u could hear the note decay....very good show.

 

[Chris Hurley]

Something about it seems sorta familiar

 

[Dave Merrill]

I like III, but, like you said, it doesn't stand out like I, II, or IV. III is kinda like catching their breath between II and IV.

Every few years, my wife and I rewatch the Lord of the Rings movies. That always makes me think of Immigrant Song, even if it's not a direct reference (like Ramble On and Misty Mountain Hop).

I like IV more than III, but Dazed And Confused, Good Times Bad Times, it just doesn't get much better than that. So good.

 

[fcs101]

Just discovered Mando Diao, a band from Sweden. Their sound has changed over the years. Here's Paralyzed from their debut album in 2002. I feel like I'm listening to a Brit rock band from the 60s!

 

[secondwindow]

I like IV more than III, but Dazed And Confused, Good Times Bad Times, it just doesn't get much better than that. So good.

Every Zep album has songs that are among my favorites. For me, there isn't a single album that's made me think "they coulda skipped that one."

 

[Stratman68]

One of my fav bands ever-All studio musicians, who said hell, lets just be a band ourselves. Killer musicians all.
When American Woman came out I could not stop playing it over and over. So many hits!

 

[sprint]

One of my fav bands ever-All studio musicians, who said hell, lets just be a band ourselves. Killer musicians all.
When American Woman came out I could not stop playing it over and over. So many hits!

how bout another with cool flute solo!

 

[Peavey Herman]

Everyone who's proclaiming their love for Boogies in the FW 28.05 thread had me thinking of this...

 

[Peavey Herman]

Edit: Thanks for the heads-up, Dave!

 

[Dave Merrill]

Video not available fyi.

 

[Peavey Herman]

Video not available fyi.

How 'bout now?

And I don't care if I posted that before, I'm listening to it right now and I LOVE IT! CAUSE I WANTED THE BEST AND I GOT IT!

 

[Peavey Herman]

But now it's over, so I'm partying with my gang... (That they didn't whip each others arses raw with those cables!!!) R.I.P. Wayne.

 

[Dave Merrill]

How 'bout now?

And I don't care if I posted that before, I'm listening to it right now and I LOVE IT! CAUSE I WANTED THE BEST AND I GOT IT!

Of you mean your original post, nope, see a quick flash then not available.

The one in "But now it's over" does show.

 

[Peavey Herman]

Of you mean your original post, nope, see a quick flash then not available.

The one in "But now it's over" does show.

Oh, well. Everybody just go buy KISS's "Rock'n Roll Over". Trust me, it's worth it.

 

[Dave Merrill]

Oh, well. Everybody just go buy KISS's "Rock'n Roll Over". Trust me, it's worth it.

Well the original one works NOW pfft.
Osmonds are amazing too

 

[AtomicJeff]

Oh, well. Everybody just go buy KISS's "Rock'n Roll Over". Trust me, it's worth it.

Fact! I think it's their best studio album.
I wore that album out when it was released and learned many of the songs on guitar when I was first starting to play.

 

[Peavey Herman]

Always loved absolutely everything about this song, the riffs, the lyrics, the escalating solos, the drum fills at the end - the energy and production sound... it's one of those songs in my "near perfect" list, just like AC/DC's Stiff Upper Lip or Joey Dee's Peppermint Twist (Part 1).

 

[Peavey Herman]

Since I mentioned it. That solo is so melodic, harmonious, playful yet not overly so, it always amazes me how so much feeling can be put into that relatively short time.

And the drums! He's got the perfect groove and he knows it! Just look at that knowing smile while he thrones behind his kit - during the first chorus (0:25), that high hat. I'm sure some people would've hit it all four times, but he leaves the first out, cause it'd be in the way and he knows how to ramp it up.

That's also what I love about Phil Rudd - he knows how not to fire all his guns at once (great, now I'm thinking of "Born to be Wild") and knows how to escalate, when to just leave what stuff out to emphasize certain other things... I'm not very elaborate today, sorry. But "Touch Too Much" is a perfect example:

And I sooo love Bon's lyrics... (not just here, but generally.)