Really appreciate everyone's help. Committed to make this work. Here is an example of the high pitched squeals I am getting, the only thing that makes it stop is when I put mute my strings with my fingers or turn my guitar volume down. This is a recording of in the room not DI.
Fm3 straight into my computer via usbThat sounds like feedback because of volume.
Describe your signal chain for me again? Specific type of guitar?? --> FM3 --> ???
But what guitar? Details are good here. Thanks!Fm3 straight into my computer via usb
Les Paul studio with a Seymour Duncan distortion bridge pickup. Yes I was monitoring through my Eris studio monitors.But what guitar? Details are good here. Thanks!
And if that was a room recording, what were you monitoring with? Something was amplifying the sound, right?
Were they up loud at the time?Les Paul studio with a Seymour Duncan distortion bridge pickup. Yes I was monitoring through my Eris studio monitors.
Not very loud I was playing at about 80-85 decibelsWere they up loud at the time?
Using those full range monitors you will want to reduce the frequencies above the range of guitar speakers.That sounds like feedback because of volume.
Open mic in your DAW? Similar routing issue therein? All patches? Headphones?Not very loud I was playing at about 80-85 decibels
Any IR’s in particular you would recommend? What did you use for the high pass adjustments?I almost sold my FM3 when 4.0 came out due to thick mud tones, but did the amp block reset and some minor high pass adjustments with New York IR's and hohohoh man am I glad I didn't sell, sounds bad ass with all my High gain presets. IR's helped the most
Any IR’s in particular you would recommend? What did you use for the high pass adjustments?
You know, when I first got my AF3, and after I learned I had to change my expectations a bit, since I thought everything would instantly sound, feel, and do, everything any tube amp would do, I started wondering about how well it would do feedback. But after Cygnus and the updated factory preset, I noticed a lot more rich, harmonic content in many of them, and tbh, I didn't know that's what it was! I thought that when a held note started morphing into a higher note, most commonly an octave, that that's what feedback was. But it's not. I mean, it can be, but that's not what I was hearing (I now understand, and can recognize, the difference. Thank you Fractal!)It's kind of funny that some users would love to get that kind of feedback and
use it creatively, and then other users don't want nothing to do with it and feel
it is an impediment that needs to be removed.
I suppose it depends on whether it’s guitaristic feedback or an artifact of modeling/FRFR for me.It's kind of funny that some users would love to get that kind of feedback and
use it creatively, and then other users don't want nothing to do with it and feel
it is an impediment that needs to be removed.